Submitted by Giovanna Brasil (1154060@mackenzie.br) on 2017-08-15T18:21:43Z No. of bitstreams: 2 José Eduardo das Neves - Versão Final - 26-07-2017.pdf: 945018 bytes, checksum: 9fdf4d6c357b3ae366c961b5ff8ed029 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Aline Amarante (1146629@mackenzie.br) on 2017-08-22T19:02:37Z (GMT) No. of bitstreams: 2 José Eduardo das Neves - Versão Final - 26-07-2017.pdf: 945018 bytes, checksum: 9fdf4d6c357b3ae366c961b5ff8ed029 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-08-22T19:02:37Z (GMT). No. of bitstreams: 2 José Eduardo das Neves - Versão Final - 26-07-2017.pdf: 945018 bytes, checksum: 9fdf4d6c357b3ae366c961b5ff8ed029 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-06-20 / The present dissertation discusses the character Nora Helmer of Henrik Ibsen’s play “Doll’s House”, written in 1879, through an artistic and cultural history point of view, in a multidisciplinary bias, where the character development in the mentioned work points to a dialogue between the Nineteenth Century and contemporaneity, contributing in the illustration of women’s actions in the construction of hers historical becoming. / A presente dissertação discute a personagem Nora Helmer da obra teatral “Casa de Bonecas” de Henrik Ibsen, escrita em 1879, através de um ponto de vista artístico e histórico cultural num viés multidisciplinar, onde o desenvolvimento da personagem na referida obra aponta para um diálogo entre o Século XIX e a contemporaneidade, contribuindo na ilustração das ações das mulheres na construção de seu devir histórico.