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"There was always something better which she might have done" : performativity and Victorian gender ideology in East Lynne, Miss Marjoribanks and Middlemarch /Schroyer, Precie Alvarez, January 2001 (has links)
Thesis (Ph. D.)--Lehigh University, 2001. / Includes vita. Includes bibliographical references (leaves 214-221).
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Artist (poet) as critic : T.S. Eliot's modernist ambiguities : turning the old upside down /Chu, Sin-man, Alison. January 2001 (has links)
Thesis (M.A.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 68-70).
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Tradition and the individual talents : Dylan, Eliot, and DeLilloTremel, Justin Robert 04 January 2013 (has links)
Drawing from a variety of multimedia and archival materials, my dissertation involves a three-figure examination of Bob Dylan, T.S. Eliot, and Don DeLillo. These three figures are linked, (as some other critics have noted) through scattered intertextual allusions. But I argue that a more telling correlation exists in the manner in which all three managed to rise to the apex of their respective fields. I examine this phenomenon and in so doing, my project seeks out a composite theoretical model, better suited to explain the multiform artistry of Dylan and to account for the related transformative cultural navigation of Eliot and DeLillo at key points their careers.
My dissertation sheds light on these authors drawing on Bourdieu’s model of “the field of cultural production” and Bolter and Grusin’s concept of “remediation:” how print, photography film, and other media appropriate, influence, and reconstitute each other. I reconfigure their concept to focus on individual agency and situate these three as consummate remediators of their own and each other’s work, their individual legacies, and ultimately the very “field of cultural production” itself.
This reading recasts our understanding of each author: I position Dylan as a major contemporary literary figure; Eliot as a consummate public performer and recording artist; and DeLillo as a visionary cultural remixer. This analysis provides fresh perspectives on the idea of authorship, canonicity and textuality, as it suggests that a vigorous literary analysis requires us to move beyond a specific medium associated with an author toward a dynamic field of multimodal intertextuality. Literary research and pedagogy in the media-saturated 21st century classroom demand a canon unbound. Such a canon, I argue, should include figures like Dylan, as it should also provoke a fuller, more vital engagement with “the literary tradition” within which we place figures like Eliot and DeLillo. My work, situated at the crossroads between American literature, cultural studies, and the emerging field of the digital humanities, thus produces a more nuanced understanding of the authors in question, the canonical heritage to which they contribute, and the scholarly methods by which we appraise and teach their works. / text
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The influence of Greek drama on the novels of George EliotSpain, Leona Gladys, 1910- January 1959 (has links)
No description available.
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George Eliot's The Spanish gypsy.Grace, Sherrill, 1944- January 1970 (has links)
No description available.
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Studies in structure : an analysis of four of the novels of George Eliot.Cahill, Audrey Fawcett. January 1973 (has links)
No abstract available. / Thesis (Ph.D.)-University of Natal, Durban, 1973.
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T.S. Eliot : a study of his work in relation to Hindu thought and Buddhist sensibilityTembeck, Iro, 1946- January 1969 (has links)
No description available.
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Themes of purgation and rebirth in three T.S. Eliot poemsHaynes, Michael Allen January 1968 (has links)
There is no abstract available for this thesis.
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T.S. Elliot's martyr-saints in Murder in the cathedral, the Family reunion, and the Cocktail partyBell, Joan Ruth (Millard) January 1966 (has links)
There is no abstract available for this thesis.
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The personae of T. S. EliotWalden, Julia C. January 1971 (has links)
This thesis consists of a theoretical discussion of persona as a poetic device and includes an analysis of the structural relationship between the personae, the speakers, of T.S, Eliot's poetry and various other poetic elements such as language, point of view, tone, figurative devices, irony, rhythm, etc. In addition, this thesis considers those characteristics which are common to all Eliotan personae.The following poems are analyzed from the perspective of persona: "The Love Song of J. Alfred Prufrock”, “Gerontion,” The Hollow Man, “Journey of the Magi, “A Song for Simeon," "Marina," the monologues of The Waste Land, "Portrait of a Lady," "Preludes," "Rhapsody on a Windy Night," "A Cooking Egg," "Mr. Eliot's Sunday Morning Service," "Burbank with a Baedeker: Bleistein with a Cigar," "Animula, "Sweeney Erect," and "Sweeney Among the Nightingales."
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