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T. S. Eliot and the raid on the inarticulate /Mansouri, Mohamed. January 1989 (has links)
Doct. 3e cycle--Lettres anglaises (poésie)--Tunis--Université Tunis I, 1984.
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From cosmogony to eschatology a time-centered mythic structure for Four quartets with significance for the teaching of literature /Abraham, Iona Joseph. Getsi, Lucia Cordell. January 1986 (has links)
Thesis (D.A.)--Illinois State University, 1986. / Title from title page screen, viewed July 7, 2005. Dissertation Committee: Lucia C. Getsi (chair), Glenn A. Grever, William E. Piland, Stanley W. Renner, Ray L. White. Includes bibliographical references (leaves 162-173) and abstract. Also available in print.
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Dramatic use of the liturgy in the plays of T.S. Eliot a secular evolution.Rogers, Daniel John. January 1964 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1964. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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T.S. Eliot and musicPerito, Carl C. January 2003 (has links)
Thesis (M.A.)--University of Hong Kong, 2003. / Includes bibliographical references (leaves 46-49). Also available in print.
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Rival authorities : Sigmund Freud, T.S. Eliot and the interpretation of culture /Spurlock, Katherine. January 1997 (has links)
Thesis (Ph. D.)--University of Virginia, 1997. / Also available online through Digital Dissertations.
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The poetry of Gerard Manley Hopkins and T.S. Eliot in the light of the Donne tradition : a comparative study /Morris, David. Hopkins, Gerard Manley. Eliot, T.S. January 1953 (has links)
Diss. Historisch-philosophischen Fak. der Univ. Bern.
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Charles William Eliot and American educational reform 1909-1926Wilder, Joan Kathleen, January 1970 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. Includes bibliographical references (leaves 284-316).
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The paradox of self-love : Christian elements in George Eliot's treatment of egoism /Granlund, Helena, January 1994 (has links)
Doctoral diss.--Department of English--Stockholm--University of Stockholm, 1994.
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The literary criticism of Matthew Arnold and T.S. EliotBrooks, Heather Alleyne January 1959 (has links)
Matthew Arnold's literary criticism has recently
been recognized as exhibiting a "controlled oscillation" between
various antithetical points of view. This thesis analyzes these
points of view, shows how Arnold sometimes succeeded in reconciling
these opposites, and then goes on to show that Eliot's
literary criticism can be analyzed in the same way.
Eliot and Arnold are shown to be both classic and
romantic critics; that is, broadly speaking, to judge both by
rules and by individual impressions. These antithetical limits
are partially, but not entirely synthesized. Next, analysis of
Arnold's criticism leads to the conclusion that Arnold usually
judged literature by the moral ideas it expressed, but that
the ideas were inextricably involved with their literary form.
Eliot finds judgment by idea distasteful because of his commitment
to Church of England dogma, but also tends, although
with less success, toward the synthesis achieved by Arnold.
Another set of antithetical viewpoints held by
Arnold and Eliot are those of the disinterested critic vs. the
social advocate. Again, a partial resolution is suggested.
Close similarity between the two critics' views on the tradition
is demonstrated, but an opposing progressive element in both
men's thought is also revealed. However, the two categories
are shown to be not mutually exclusive.
Finally, the style and critical method of Arnold and
Eliot is analyzed and is seen to exhibit antithetical tendencies.
Both critics alternate between tones of persuasiveness and
exhibitions of tactlessness. Both methods reveal a combination
of analysis and dogmatism, although Eliot's dogmatism is always
admitted to be personal opinion. Neither Arnold nor Eliot
attack a critical problem from the same viewpoint at all times;
they are pragmatic critics who will try any method that seems
to work best at the moment. / Arts, Faculty of / English, Department of / Graduate
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The Evolution of Poetic Techniques in Selected Dramas of Thomas Stearns EliotReagan, Roberta Rae January 1960 (has links)
No description available.
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