Title from title page of PDF (University of Missouri--St. Louis, viewed February 8, 2010). Includes bibliographical references (p. 70-74).

Not available / text

Not available / text

Zugl.: Chemnitz, Techn. Univ., Diss., 2008

Diss. phil-hist. Bern, 1987 (kein Austausch). / Jahr auf Titelblatt 1986.

Thesis (D.M.A.)--University of North Texas, 2001. / Accompanied by 4 recitals, recorded Mar. 30, 1998, Mar. 29, 1999, Nov. 27, 2000 and July 23, 2001. Includes bibliographical references and discography (p. 157-163).

Thesis (doctoral)--Universität und Universität für Musik und Darstellende Künste, Wien, 2004. / Includes bibliographical references (p. 287-295) and index.

SOARES, Daniel Benevides. O mal radical como violência em Eric Weil. 2015. 114f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Filosofia, Fortaleza (CE), 2015. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2015-02-20T11:31:18Z No. of bitstreams: 1 2015_dis_dbsoares.pdf: 833804 bytes, checksum: de5bdc10ea1b8e04dda22915b9513215 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2015-02-20T13:06:02Z (GMT) No. of bitstreams: 1 2015_dis_dbsoares.pdf: 833804 bytes, checksum: de5bdc10ea1b8e04dda22915b9513215 (MD5) / Made available in DSpace on 2015-02-20T13:06:02Z (GMT). No. of bitstreams: 1 2015_dis_dbsoares.pdf: 833804 bytes, checksum: de5bdc10ea1b8e04dda22915b9513215 (MD5) Previous issue date: 2015 / O conceito de violência para Eric Weil não se resume a um dado ligado a agressão. Violência aqui é o outro da razão, a negação do sentido e, enquanto tal, ela, ao passo que nega o universal e a conduta sensata impõe os limites da razão. Falar da razão e da sua luta com a violência implica em uma opção pela razão, pois a compreensão se dá no âmbito da razão. Compreender o evento do mal como uma forma de violência, portanto, implica em fazê-lo do ponto de vista da razão, como um fenômeno moral. Abordada por ciências distintas e tomada em diferentes sentidos semânticos, a violência em Weil não é, também, conceito desprovido de uma pluralidade de formas: violência pura, violência natural, violência interior, etc. Todas essas manifestações são objeto de consideração e ocupam o pensamento do autor. Tema de debate filosófico e teológico há bastante tempo, o mal também é reconhecido por Weil no seu espectro plural: mal do indivíduo, mal do Estado. Nosso objetivo é situar o mal radical, trabalhado por Weil a partir de Kant, como uma forma de violência específica no pensamento do autor, a violência passional. / Le concept de la violence à Eric Weil n'est pas seulement une donnée liée à l'agression. La violence est l'autre de la raison, le refus de sens et comme telle elle, tout en niant l'universel et la conduite raisonnable impose les limites de la raison. En parlant de la raison et de sa lutte contre la violence implique une option pour la raison parce que la compréhension se fait dans des limites raisonnables. Comprendre l'événement du mal comme une forme de violence, par conséquent, implique de le faire du point de vue de la raison, comme un phénomène moral. Adressée par différentes sciences et prises à différentes valeurs sémantiques, la violence dans Weil n'est pas non plus dénuée de plusieurs formes notion: la violence pure, la violence naturel, la violence de l'intérieur, etc. Toutes ces manifestations sont l'objet de considération et occupent les pensées de l'auteur. Mot de débat philosophique et théologique pendant une longue période, le mal est également reconnu par Weil dans le spectre pluriel: le mal de líndividu, le mal de l’État. Notre objectif est de situer le mal radical, pour Weil a travaillé à partir de Kant, comme une forme spécifique de violence dans la pensée de l'auteur, la violence passionnée.

abstract: Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot. / Dissertation/Thesis / D.M.A. Music 2013

This is a semi-autobiographical script about the author, Eric Hollerbach. It analyzes how problems with his mother manifest into problems with his romantic relationships.