Steeped in tradition for over a thousand years, bathing culture in Japan remains relevant due to the preservation of the traditional, innovative modernization of existing bathing structures, and the diversification therein. This thesis will examine the significance of bathing culture, focusing largely on onsen and sento, account for its historical evolution, analyze how it functions in modern society and forecast its future viability. More specifically, the concept that Japan's vibrant bathing culture was able to flourish due to mythological creation stories, politically motivated access to baths, propagated therapeutic value, and scientific reinforcement of the benefits of a hot bath will be explored.

One of the challenges students face in studying an East Asian (EA) language (e.g., Chinese, Japanese, and Korean) as a second language is mastering their selected language’s written component. This is especially true for students with native fluency of English and deficient written fluency of another EA language. In order to alleviate the steep learning curve inherent in the properties of EA languages’ complicated writing scripts, language instructors conventionally introduce various written techniques such as stroke order and direction to allow students to study writing scripts in a systematic fashion. Yet, despite the advantages gained from written technique instruction, the physical presence of the language instructor in conventional instruction is still highly desirable during the learning process; not only does it allow instructors to offer valuable real-time critique and feedback interaction on students’ writings, but it also allows instructors to correct students’ bad writing habits that would impede mastery of the written language if not caught early in the learning process. The current generation of computer-assisted language learning (CALL) applications specific to written EA languages have therefore strived to incorporate writing-capable modalities in order to allow students to emulate their studies outside the classroom setting. Several factors such as constrained writing styles, and weak feedback and assessment capabilities limit these existing applications and their employed techniques from closely mimicking the benefits that language instructors continue to offer. In this thesis, I describe my geometric-based sketch recognition approach to several writing scripts in the EA languages while addressing the issues that plague existing CALL applications and the handwriting recognition techniques that they utilize. The approach takes advantage of A Language to Describe, Display, and Editing in Sketch Recognition (LADDER) framework to provide users with valuable feedback and assessment that not only recognizes the visual correctness of students’ written EA Language writings, but also critiques the technical correctness of their stroke order and direction. Furthermore, my approach provides recognition independent of writing style that allows students to learn with natural writing through size- and amount-independence, thus bridging the gap between beginner applications that only recognize single-square input and expert tools that lack written technique critique.

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This thesis examines the recent production and consumption of television dramas in Taiwan in the context of Taiwan's complicated modem history, rapid social transitions, budding self-assertiveness and changing relationships with regional and global players. The detailed analysis in this subject matter contributes to wider debates in the media globalisation theory, reaffirming the continuing development of an East Asian cultural trading block and pointing to a formation of the distinctive regional popular culture that is more effective in shaping up the local production and consumption activities. The rising regional dynamism in Taiwan's television drama production and consumption since the late 1990s has been encapsulated in this thesis in three main points: 1. The findings from detailed content analysis on programming schedules of seven locally-run channels has shown that regional programming is more integrated with local business while global programming (mostly American) has shifted to be produced and distributed single-handedly by the transnational media corporations. 2. The first-hand audience interviews revealed a subtle difference in young people's viewing experiences of the global and the regional programming. Situated in a broader social context, their experience of the former has primarily crouched on a fantasy of liberal individualism while the latter provided a desirable template for emulation in everyday life. 3. The thesis also discussed the emergence of a new drama genre on Taiwanese television-Idol drama, which can be seen as the reactions to the widespread regional television deregulation, commercialisation and growing intra-regional cultural trade. Its late development has also epitomised An inevitable negotiation of local characteristic with regional forces.

"Yuewang Goujian shijia," the forty-first chapter of the Shiji, is one of the most important sources for the history of the ancient state of Yue. However, this chapter has not received serious scholarly examination in the West. Unlike those chapters of the Shiji which have been translated in the Shiji translation project headed by William Nienhauser, "Yuewang Goujian shijia" has not yet been translated into English. This thesis provides an annotated translation of the "Yuewang Goujian shijia." In addition, it has been argued that the history of the Spring and Autumn period in the Shiji is a compilation of earlier sources. The introduction to the translation will specifically look at the relationship of the "Yuewang Goujian shijia" to one of its proposed sources, the "Yueyu xia," which is the twenty-first chapter of the Guoyu. In comparing these two texts, it will be shown that dependence cannot be definitely demonstrated.

Ikumen, meaning fathers with small children who are--or look like they are--actively involved in childrearing are a new phenomenon in contemporary Japan, despite the prevalent images of patriarchic and absent fatherhood. But why and how did yesterday's notorious company soldiers turn into today's ikumen? This dissertation interrogates this supposedly drastic shift in the view and the conduct of fatherhood as a cultural practice on historical, political economic, and linguistic grounds. Drawing on fieldwork, mass media, and historical analysis, I explore how new styles of fatherhood have been constructed and how they embody broader social issues of gender, class, and modernity and globalization. Gender roles in the modern family since the late nineteenth century have been strained, and ikumen will allegedly liberate both men and women to achieve the ideal of "work-life balance" in a "gender-equal society." Examination of various genres of language, from metapragmatic comments to the advertising of nursery items, however, suggests that the ideology of gender roles is naturalized and "male features" are appropriated to lead men into the "female" sphere of the home. I argue that this discourse represents the heteroglossic nature of language, and that our speech, influenced by accustomed thoughts, paradoxically strengthens that discourse despite our intentions. Ikumen are not only connected to concerns about gender, but also are predicated on Japan's historical and ongoing fantasy of modernity and globalization. From the label ikumen, to state and local campaigns for male participation in childcare, to the use of terms of address for parents, the idealized West and its monolithic images of stylish and active fatherhood and romantic couplehood are covertly exploited. As a whole, the ikumen movement ends up creating an "imagined community," in which "globalism" is believed to help one obtain a more authentic and global "self" through childrearing. I argue that the ikumen movement presents the perpetual but concealed power hierarchy of modernity, and that Japan and Japanese people docilely appropriate this historical truth, institutionalizing the counterhegemony as the new hegemony and as a form of cultural capital in the context of a disturbingly low birthrate and a sluggish economy.

Kita Morio has been one of the most successful humorists of Japan's postwar period, but his work has received little attention from scholars. The intent of this study is to provide an introduction to the humorous essays of Kita Morio. In particular, after the principles of the humor mechanism are established, the nature of the essays as a type of I-novel is examined. The focus is then turned to the authorial persona that Kita uses in his humorous essays, and an overview of that manufactured fictional character and the world he inhabits is created. Finally, five individual essays are examined in the context created by the preceding chapters, with particular attention given to the manner in which humor functions in the essays, as well as the manner in which the reader can find comfort in them. Translations of the five essays examined in the final chapter are provided in the Appendix.

We investigate how the evolution of ownership structure affects corporate financial and operating performance and corporate strategies. In particular, we study whether the shift in control rights away from the dominant shareholder mitigates agency problems and accordingly expropriation of minority investors by the controlling shareholder. More specifically, does the increase in power of the second large shareholder manifest in the firm’s operating and financial performance, and financing and operating strategies? Using ownership data for 1996 and 2008 representing 403 firms from nine East Asian countries, we find strong and robust evidence that the change in the voting rights of the second largest shareholder over these twelve years is associated with higher firm valuation, better operating performance, better access to long term financing, more efficient operation management strategies and a higher dividend payout ratio. Consistent with prior literature that finds multiple large shareholders play an internal governance role and mitigate agency problems, our findings imply that an increase in the voting rights of the second large shareholder improves firm’s corporate governance and mitigates agency problems consequently increasing firm performance and improving strategies.

Zugl.: Heidelberg, Univ., Diplomarbeit, 2005 / Titel auf der Beil.

Universität Heidelberg, Diplomarbeit, 2005.