The public spaces of many low-income, inner-city neighbourhoods are fundamental in forming strong social networks, nurturing the development of community and supporting the needs of vulnerable residents. This aspect of the urban condition is rooted in the understanding of public space as social space, emphasizing the innumerable differences of individuals and their everyday patterns of inhabitation. This thesis explores Vancouver’s Downtown Eastside, a historically marginalized neighbourhood with a strong sense of community that has developed from an accessible and inclusive public life. However, as the neighbourhood undergoes re-development, social polarization threatens the vitality of its public space and the existing sense of acceptance and connection. To mitigate the impact of gentrification on public space, architecture is employed as a tool to support and enhance the area’s inclusive public realm. Applying principles of Everyday Urbanism, it illustrates the social importance of ‘everyday space’, emphasizing the human condition and multidimensional aspects of cities. Three distinct designs propose ‘neighbourhood places’ at strategic locations throughout the Downtown Eastside. Guided by the principles of ‘city design’ and four established design goals, each project demonstrates an attempt to anchor the existing community in place, foster a dialogue between different neighbourhood groups and promote a sense of ownership and belonging. Although this thesis concentrates on the Downtown Eastside, it outlines a set of design principles that can be applied universally, increasing community connections and support throughout our cities.

The public spaces of many low-income, inner-city neighbourhoods are fundamental in forming strong social networks, nurturing the development of community and supporting the needs of vulnerable residents. This aspect of the urban condition is rooted in the understanding of public space as social space, emphasizing the innumerable differences of individuals and their everyday patterns of inhabitation. This thesis explores Vancouver’s Downtown Eastside, a historically marginalized neighbourhood with a strong sense of community that has developed from an accessible and inclusive public life. However, as the neighbourhood undergoes re-development, social polarization threatens the vitality of its public space and the existing sense of acceptance and connection. To mitigate the impact of gentrification on public space, architecture is employed as a tool to support and enhance the area’s inclusive public realm. Applying principles of Everyday Urbanism, it illustrates the social importance of ‘everyday space’, emphasizing the human condition and multidimensional aspects of cities. Three distinct designs propose ‘neighbourhood places’ at strategic locations throughout the Downtown Eastside. Guided by the principles of ‘city design’ and four established design goals, each project demonstrates an attempt to anchor the existing community in place, foster a dialogue between different neighbourhood groups and promote a sense of ownership and belonging. Although this thesis concentrates on the Downtown Eastside, it outlines a set of design principles that can be applied universally, increasing community connections and support throughout our cities.

My project investigated the spatial concepts of Japanese architecture to see if they offer a particular insight into the design of the emerging model of live/work. The search embodied in my directed study and the subsequent design, therefore, was testing this hypothesis. Among many other concepts, Japanese spatial sensibilities include harmony in crowded environs, expansion of experiential space over limited physical distances, and tripartite physical thought. I felt that in the context of evolving models of dwelling and a desired urban densification, we could learn from nations that have already dealt with similar situations. The design addresses the complexity of the social fabric of the Downtown Eastside by taking a Japanese approach to the nature of public and private space. Like an upward spiral of Kyoto storefront houses, the units cluster around a "vertical street," meant to be an extension of Dunlevy Street. During normal business hours, the public may enter the plaza level, participate in the "vertical street" and interact with the people living and working in the units. The transition between the public and private realms is thereby multi-layered. The visitor passes through an indoor/outdoor atrium space, along the "vertical street" and into the units through forecourts and implied work zones fronting the "vertical street." This "onion-like" approach to a layering of public to private space is echoed in the outer skins of the building with a double facade concept. As the atrium space creates an inside/outside ("Ma") zone for the complex itself, the double facade creates an inside/outside zone for the units themselves. This "Ma" zone can function as an extension of the inside or as a room unto itself. The sequential layering of units as discrete "gates" along the "vertical street" is another Japanese spatial idea. The passage along this "street" becomes a series of events culminating at the rooftop gallery and sculpture garden, where the experience of the multi-layered north view is realized. The events along this route and the destination provide the impetus for movement along the route itself. The completed design integrates key Japanese spatial concepts into a western context and location, resulting in a unique model for the design of live/work: one that creates community with personal privacy, yet allows commercial interaction by actively engaging the public.

The Downtown Eastside of Vancouver is one of the city’s oldest neighbourhoods and one of Canada’s poorest. Once home to city hall and a bustling entertainment district, this neighbourhood has slowly been overtaken by an open drug market. With many individuals in this area without permanent residence, temporary shelters have become a refuge for the homeless. As a response to the need for permanent housing in this area, this thesis explores the role of architecture in housing the homeless, specifically those who suffer from drug addiction. Building on precedents of mixed use affordable housing programs in Canada and the U.S., this project focuses on ways of facilitating services and activities that seek to improve the quality of life for the disenfranchised.

Thesis (M. Arch.)--Carleton University, 2005. / Includes bibliographical references (p. 58-61). Also available in electronic format on the Internet.

Thesis (D. Min.)--Erskine Theological Seminary, 2002. / Abstract. Includes bibliographical references (leaves 104-112).

Thesis (D. Min.)--Erskine Theological Seminary, 2002. / Abstract. Includes bibliographical references (leaves 104-112).

Increasingly implied within currents of so-called 'post-structural' or 'post-modern' theory is a particular conception of how to pursue social and political change based on seeking out and encouraging more flexible and heterogeneous epistemological categories and modes of action. This paper develops and explores this conception of change through bringing together theoretical threads, particularly the work of Alberto Melucci on Contemporary Social Movements, with empirical, specifically the political actions taken in response to the disappearances of women from Vancouver's Downtown Eastside.

My project investigated the spatial concepts of Japanese architecture to see if they offer a particular insight into the design of the emerging model of live/work. The search embodied in my directed study and the subsequent design, therefore, was testing this hypothesis. Among many other concepts, Japanese spatial sensibilities include harmony in crowded environs, expansion of experiential space over limited physical distances, and tripartite physical thought. I felt that in the context of evolving models of dwelling and a desired urban densification, we could learn from nations that have already dealt with similar situations. The design addresses the complexity of the social fabric of the Downtown Eastside by taking a Japanese approach to the nature of public and private space. Like an upward spiral of Kyoto storefront houses, the units cluster around a "vertical street," meant to be an extension of Dunlevy Street. During normal business hours, the public may enter the plaza level, participate in the "vertical street" and interact with the people living and working in the units. The transition between the public and private realms is thereby multi-layered. The visitor passes through an indoor/outdoor atrium space, along the "vertical street" and into the units through forecourts and implied work zones fronting the "vertical street." This "onion-like" approach to a layering of public to private space is echoed in the outer skins of the building with a double facade concept. As the atrium space creates an inside/outside ("Ma") zone for the complex itself, the double facade creates an inside/outside zone for the units themselves. This "Ma" zone can function as an extension of the inside or as a room unto itself. The sequential layering of units as discrete "gates" along the "vertical street" is another Japanese spatial idea. The passage along this "street" becomes a series of events culminating at the rooftop gallery and sculpture garden, where the experience of the multi-layered north view is realized. The events along this route and the destination provide the impetus for movement along the route itself. The completed design integrates key Japanese spatial concepts into a western context and location, resulting in a unique model for the design of live/work: one that creates community with personal privacy, yet allows commercial interaction by actively engaging the public. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

Gastown, Vancouver's birthplace, is a small historic district embedded within the broader community of the Downtown Eastside. Over the past 25 years Gastown has been slowly upgrading; refashioning itself as a loft style residential neighbourhood and central tourist destination. Over the same period the Downtown Eastside's reputation as the city's "skid road" has become firmly entrenched. The pace of this community's upgrading and downgrading has quickened over the past five years and resulted in a current geography where we find loft-style condominiums, cappuccino bars and rising affluence interspersed with needle exchanges, homeless shelters and deepening disadvantage. What we see within the Gastown/Downtown Eastside community is a convergence of the spatial processes of social polarisation and the kinds of conflicts and negotiations that result. Polarisation, most broadly defined, describes a growing socio-economic and spatial divide between the "haves" and "have-nots" of Western societies and cities. While considerable attention has been paid to polarisation's conceptual meaning and empirical definition at the national and intra-urban levels, little focus has centered on how the process can be identified and analysed at the intra-community level. In the same way that polarisation at broader scales of analysis can be viewed as the sociotemporal coincidence of pauperisation and professionalisation, this dissertation defines intracommunity polarisation as the simultaneous occurrence of socio-spatial upgrading and downgrading. Using quantitative data from the census tract level, this dissertation investigates the empirical evidence of social polarisation within Gastown/Downtown Eastside. Using qualitative data the study explores the extent to which both revitalisation and deterioration are competing for the community's future and this polarisation is being experienced and negotiated by the varied residents and stakeholders of this urban community. Ultimately this dissertation sheds light on how the characteristics and causes of community based polarisation differ and parallel those at other scales of inquiry. It also outlines the truly local factors that affect polarisation's development, entrenchment and impact and illuminates the process' inconstant character and the time lag that exists between its qualitative experience and its quantitative identification.