Thesis (MFA)--Montana State University--Bozeman, 2009. / Typescript. Chairperson, Graduate Committee: Theo Lipfert. Fractal is a DVD accompanying the thesis. Includes bibliographical references (leaves 22-23).

Thesis (doctoral)--Stockholm University, 1996. / Abstract p. laid in. Includes bibliographical references (p. 125-132) and index.

Thesis (doctoral)--Stockholm University, 1996. / Abstract p. laid in. Includes bibliographical references (p. 125-132) and index.

No description available.

Thesis (Ph. D.)--Stanford University, 1981. / Includes bibliographical references (leaves 301-316). Also issued in print.

Thesis (Ph. D.)--Stanford University, 1981. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 301-316).

Dissertação (mestrado)-Universidade de Brasília, Departamento de Artes Visuais, Instituto de Artes, Brasília, 2007. / Texto liberado parcialmente pelo autor. Conteúdo: Sumário, Resumo, Abstract, Introdução, Conclusão, Referências Bibliográficas, Filmografia de Eisenstein, Galeria de Imagens. / Submitted by Mariana Fonseca Xavier Nunes (nanarteira@hotmail.com) on 2010-09-18T02:45:44Z No. of bitstreams: 1 2007-Damiana Cerqueira Campos Rodrigues.pdf: 2638761 bytes, checksum: 63e4e92243ec1e88479af6ec13f8f6b3 (MD5) / Approved for entry into archive by Lucila Saraiva(lucilasaraiva1@gmail.com) on 2010-10-11T22:48:13Z (GMT) No. of bitstreams: 1 2007-Damiana Cerqueira Campos Rodrigues.pdf: 2638761 bytes, checksum: 63e4e92243ec1e88479af6ec13f8f6b3 (MD5) / Made available in DSpace on 2010-10-11T22:48:13Z (GMT). No. of bitstreams: 1 2007-Damiana Cerqueira Campos Rodrigues.pdf: 2638761 bytes, checksum: 63e4e92243ec1e88479af6ec13f8f6b3 (MD5) / Esta dissertação investiga a aparente dicotomia entre cinema e teatro, suas relações e oposições, bem como os reflexos da experiência teatral de Sergei M. Eisenstein em seus filmes. São analisados os artigos teóricos de Eisenstein, escritos na década de 1920, onde o diretor aborda assuntos pertinentes ao teatro e ao cinema, assim como sua produção cinematográfica e teatral da década, de forma a identificar e discutir as relações existentes entre teatro e cinema em sua obra prática e teórica enquanto cineasta. _____________________________________________________________________________________ ABSTRACT / This study investigates the apparent dichotomy between cinema and theater, their relations and oppositions, as well as the reflexes of the theatrical experiences of Sergei M. Eisenstein in his films. Eisensteins theoretical essays written on 1920s where the director discuss subjects refering to theater and cinema, as well as his films and theatrical productions of the decade are analized, in order to identify and discuss the existent relations between theater and cinema in his practical and theorical work as a filmmaker.

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The purpose and problem of this thesis is to formulate a theory on screenplay aesthetics with Eisenstein's montage as the mother theory providing the aesthetic nourishment for the proposed concept of imaging. The theory of screenplay imaging proposes that the screenplay is a montage of sub-narratives occurring in the sensual, emotional, and intellectual dimensions and expressing the grand narrative theme. It further suggests that the interaction between the screenplay and the reader-interpreter should yield a prolificity of interpretation with a unified meaning. The thesis consists of five chapters. Chapter I, Introduction, lays the background for subsequent arguments. Chapter II, The Principles of Montage, discusses Eisenstein's theory. Chapter III, The Theory of Imaging, explains imaging and develops Gonzalez's Model of Imaging. Chapter IV, The Principles of Sensual, Emotional, and Intellectual Imaging, explains the three dimensions with examples. Chapter V, Conclusion and Recommendation, suggests improvements and applications of the theory.

No description available.