No description available.

Client emotional expression in session is valuable as it promotes clients’ sense of agency, increases their capacity for introspection, and is linked to decreases in depressive symptoms. By extension, understanding counsellors’ responses to client emotional expression is relevant. In the current study, retrospective accounts of self-reported securely-attached novice counsellors were collected for the purpose of exploring how they responded to client emotional expression. To obtain meaningful and descriptive accounts of the data, a thematic analysis (Braun & Clarke, 2006) was used as the research methodology. Resultant themes showed that novice counsellors reported experiencing their own covert and overt emotional reactions in response to clients’ emotional expression. They also reported struggling with the decision to use their preferred response. The results provided insights into how the task of responding to client emotion was complex for novice counsellors. Analyses and understanding of these results have potential developmental and educational implications.

Indiana University-Purdue University Indianapolis (IUPUI) / Chronic pain is a health problem that impacts at least 10% of the world population. Social support has beneficial effects for those who have chronic pain. Social support can be emotional, where a supporter is present, validating, and assuring; or instrumental, where a supporter provides services to address an imbalance in needs. Despite the benefits of social support, relatively little attention has been given to willingness to provide support to people with pain during transition to adulthood. The current study explored gender differences and the role of attitudes towards emotional expression in young adults’ willingness to provide emotional and instrumental support to a virtual human peer with pain. Participants (N=234, mean age=20) viewed videos/vignettes of a male or female peer with pain and responded to questions about willingness to provide support and attitudes towards emotional expression. Female participants were more willing to provide support than male participants, F(1,218) = 27.37, p < 0.01, and participants were more willing to provide emotional support compared to instrumental support, F(1,218) = 6.72, p = 0.01. Attitudes towards emotional expression mediated the relationship between participant gender and emotional and instrumental support (total indirect effect = 0.05; 95% CI [.01-.12]; total indirect effect = 0.05; 95% CI [.01-.12]). There was not an interaction between participant and peer gender for emotional, P = 0.26, or instrumental, P = 0.47, support. The results suggest that women are more willing to provide emotional and instrumental support and that fewer negative attitudes about emotional expression help explain the relationship. The findings also suggest that the gender of the peer does not impact willingness to provide support.

No description available.

Stuttering is a developmental disorder which may adversely affect the individual on many functional and emotional levels. Common sequelae of speech disfluency include powerful emotions such as anxiety, shame, and anger, as well as speech-avoidant behaviors. For males, the influence of gender role socialization may present an additional burden. From a traditional perspective of masculinity, emotional expression and exposing one's flaws are strongly discouraged in most forms and contexts and may be seen as signs of weakness. While expression of emotions is a common developmental milestone for many who stutter, it is unclear what impact awareness, repression, and avoidance of emotions have on the well-being of people who stutter. This study explored the effects of disruptions in emotional expression and the influence of masculinity on the impact of disfluency for adult males who stutter (n=65). It was hypothesized that masculine-type emotional restriction would mediate the relationship between disruptions in emotional expression and the perceived impact of stuttering. Regression analysis revealed disruptions in emotional expression accounted for 25% of the variance in self-reported perceptions of stuttering, and self-regulation of emotion was negatively correlated with perceived impact of stuttering. Contrary to hypothesis, masculine-type emotional restriction was not significantly correlated with perceived impact of stuttering and thus invalidated impetus for mediation analysis. Implications and suggestions for further exploration are discussed.

Research has consistently demonstrated the influences of cultural orientation (Individualism/collectivism) on emotional expression when interacting with in-groups and out-groups members in face-to-face communication (e.g., Eid & Diener, 2001; Matsumoto et al., 2008; Safdar et al., 2009). The purpose of the proposed study is to investigate whether the same pattern exists in virtual communication, especially in instant text messaging. Using a mixed design, an online self-report questionnaire measuring Individualism/Collectivism and intensity of emotional expression of both positive and negative emotions will be given to a sample of 788 college students. Several universal effects are predicted, including greater emotion expression toward in-groups versus out-groups, greater overall expressivity for people with a high individualism score, and greater expressivity for positive emotions than negative emotions. It is further predicted that people with high individualism score will express more negative emotions to their in-groups, while people with high collectivism score will express more positive emotions. Lastly, it is predicted that when interacting with out-groups, people with a high individualism score will express more positive emotions, while people with high collectivism score will express more negative emotions. Implications for cultural orientation and emotion expression are discussed.

Professional operatic singing can be performed technically for practice and rehearsal, or with heightened emotion through intention to communicate with an audience. Previous studies of respiration in operatic singing have not taken into account the professional performer�s ability to differentiate at will between rehearsal and performance modes of singing. The aim of this thesis is to investigate the differences between singing �with intention to communicate� (as if performing) and singing �technically� (as if in rehearsal). The hypothesis is that this specified change of condition would change the respiratory patterns employed by the singers. Estimation of respiratory patterns was obtained using magnetometers. Performance singing was labelled �IC� (intention to communicate). Rehearsal singing was labelled �T� (technical) and also included �TL� (technical loud) and �TS� (technical soft). Each of the five singers performed two tasks (a free choice aria in Italian, and a set song). Only intra-subject analysis was used. One thousand and one breaths were analysed. These were then matched, so that only complete musical phrases (sung six times by the same singer) were compared with each other. Seven hundred and sixty-two matched phrases were analysed in this way. Measured variables were initiation lung volume (ILV), termination lung volume (TLV), the amount of lung volume expired (LVE), %VC released per second (Flow), the expiratory time (Te), and inspiratory time (Ti). Sound pressure level (SPL) was measured. This study also examined the ability of experienced listeners to distinguish between the T and IC performances from DAT recordings. Findings show that in comparison with T singing, IC singing used more air, with a greater percentage of vital capacity expired per second, but without a simple association with sound pressure level or expiratory time. Listeners were able to distinguish IC from T performances, demonstrating a perceived difference in the quality of the vocal output. These results demonstrate that performance intention to communicate, compared to rehearsal, results in a measurable difference in respiratory parameters, and therefore needs to be specified in future research.

Objective: The purpose of the present study is to examine whether level of written emotional expression (EE) and emotional/cognitive processing (ECP) for traumatic events predict health status (CD4 and VL), Category B symptoms, depression and anxiety in an HIV+ population over four years. Specifically, two different scoring methods of two variables within ECP (cognitive appraisal and self-esteem) will be compared to see if a change score (SMCHANGE) or a final score (SMFINAL) better predict outcomes. The possible mediating role of ECP in the relationship between EE and outcomes will also be explored. Methods: This longitudinal study assessed 169 HIV+ and diverse men and women in the midrange of illness as indicated by a CD4 number between 150 and 200 and no previous AIDS-defining symptom. EE/ECP data was gathered during baseline assessment and participants attended follow-up assessments every 6 months for a period of 4 years. Hierarchical Linear Modeling was used to examine change over time in CD4, VL log, Category B symptoms, depression and anxiety controlling for age, gender, ethnicity, education, anti-HIV medication and baseline values for each outcome. In addition, analyses for CD4 and VL log were rerun controlling for medication adherence. Results: Positive EE was found to be significantly related to only CD4 and Category B symptoms slopes. Negative EE was not related to any outcome. ECP was found to be related to CD4, VL log and Category B symptoms slope. No relationships were found between EE/ECP and depression and anxiety. SMFINAL scores on ECP subscales were found to predict CD4 and VL log slope better than SMCHANGE, but SMCHANGE scores predicted Category B symptoms slope better than SMFINAL. Within meditational analyses, ECP was found to mediate the relationship between positive EE and CD4 slope controlling for adherence. Positive EE mediated the relationship between ECP and Category B symptoms slope. Conclusions: Higher engagement in positive EE and ECP within emotional writing about a trauma contributes to beneficial changes in health outcomes over time within HIV+ individuals. SMFINAL seems to be more related to CD4 and VL log slope while SMCHANGE seems to be more related to Category B symptoms slope, indicating that both scoring methods within ECP seem to be valuable. Findings support the meditational role of ECP between EE and CD4, and provide new evidence that positive EE plays a meditational role between ECP and Category B symptoms. These findings can be used to help improve health for patients in future studies or in CBT therapies.

Professional operatic singing can be performed technically for practice and rehearsal, or with heightened emotion through intention to communicate with an audience. Previous studies of respiration in operatic singing have not taken into account the professional performer�s ability to differentiate at will between rehearsal and performance modes of singing. The aim of this thesis is to investigate the differences between singing �with intention to communicate� (as if performing) and singing �technically� (as if in rehearsal). The hypothesis is that this specified change of condition would change the respiratory patterns employed by the singers. Estimation of respiratory patterns was obtained using magnetometers. Performance singing was labelled �IC� (intention to communicate). Rehearsal singing was labelled �T� (technical) and also included �TL� (technical loud) and �TS� (technical soft). Each of the five singers performed two tasks (a free choice aria in Italian, and a set song). Only intra-subject analysis was used. One thousand and one breaths were analysed. These were then matched, so that only complete musical phrases (sung six times by the same singer) were compared with each other. Seven hundred and sixty-two matched phrases were analysed in this way. Measured variables were initiation lung volume (ILV), termination lung volume (TLV), the amount of lung volume expired (LVE), %VC released per second (Flow), the expiratory time (Te), and inspiratory time (Ti). Sound pressure level (SPL) was measured. This study also examined the ability of experienced listeners to distinguish between the T and IC performances from DAT recordings. Findings show that in comparison with T singing, IC singing used more air, with a greater percentage of vital capacity expired per second, but without a simple association with sound pressure level or expiratory time. Listeners were able to distinguish IC from T performances, demonstrating a perceived difference in the quality of the vocal output. These results demonstrate that performance intention to communicate, compared to rehearsal, results in a measurable difference in respiratory parameters, and therefore needs to be specified in future research.

No description available.