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Elizabethan staging in the twentieth century theatrical practice and cultural context /Falocco, Joe. January 1900 (has links) (PDF)
Thesis (Ph. D.)--University of North Carolina at Greensboro, 2006. / Title from PDF title page screen. Advisor: Russ McDonald; submitted to the Dept. of English. Includes bibliographical references (p. 394-433).
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A study of the effect of anxiety in a drama-oriented second language classroomFung, K. W. January 2005 (has links)
Thesis (M. A.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.
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The rôle of the Virgin Mary in the Coventry, York, Chester and Towneley cyclesCornelius Luke, January 1933 (has links)
Thesis (Ph. D.)--Catholic University of America, 1933. / At head of title: The Catholic university of America. "A bibliography of works referred to in this study": p. 119-121.
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La Calprenède's romances and the restoration drama.Hill, Herbert Wynford, January 1900 (has links)
Thesis (Ph. D.)--University of Chicago, 1911. / "Reprinted from the University of Nevada studies, vol. II, no. 3 (1910), and vol. III, no. 2 (1911)." Also available in digital form on the Internet Archive Web site.
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Restaging Ireland : the politics of identity in the early drama of W.B. Yeats, Augusta Gregory, and J.M. Synge /Cusack, George Thomas, January 2003 (has links)
Thesis (Ph. D.)--University of Oregon, 2003. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 299-309). Also available for download via the World Wide Web; free to University of Oregon users.
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Staging childhood and youth in early modern dramaKim, Lois Song-Yon. January 2002 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.
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"Bite on Boldly": Staging Medieval and Early Modern HereticsMcnabb, Cameron Hunt 01 January 2012 (has links)
My dissertation explores the parodic Biblical language employed by medieval and early modern staged heretics. The plays' coupling of parody and heresy forges ideological connections between the two, as when they disrupt authorized, orthodox models of the Word, as both the Scriptures and the Host. My Introduction addresses the theological controversies over the relationship between language and meaning that arise from Lollard, Catholic, and Protestant heresies. Chapter two analyzes how, in the Chester cycle, Antichrist's theological and verbal dissents are eerily similar to orthodox models. That framework forces the audience to depend on the context of the heretic's words and deeds, rather than the words and deeds themselves, to interpret meaning. Chapter three examines Mankind's construction of orthodox and parodic registers of language and its mapping of Mankind's fall and ascent through his transition from one register to the other. Chapter four addresses how the Croxton Play of the Sacrament defends the doctrine of the Real Presence by aligning the transformative power of the consecratory words with the transformative power of believers' confessions at conversion, wherein both enact a transubstantiation. Chapter five argues that John Bale's Three Laws relies on the dichotomy of the letter and the spirit to characterize his parodic Catholic vices as legalistic adherents to the Word and his Protestant heroes as spiritually-enlightened believers. Chapter six analyzes how Falstaff's Puritan parody, in the Henry IV plays, locates meaning in the audience rather than the speaker, particularly through dramatic irony, equivocation, and allusions. Lastly, chapter seven examines how, in Marlowe's Doctor Faustus, the spectrum of orthodox and parodic language use collapses into Faustus's idiom, and I contend that Faustus's heresy is ultimately his indecision. My conclusion ultimately finds that the univocity between language and meaning is a specious construction, and, collectively, these texts demonstrate that language may be a marker but not a maker of meaning.
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Some conventions of Elizabethan dramaOutram, A. E. January 1939 (has links)
No description available.
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Monologue, soliloquy, and aside in the pre-Restoration dramaJoseph, Bertram Leon January 1946 (has links)
No description available.
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Carnivalization and subversion of order in comic plays, with referenceto Shakespeare's Twelfth night and Herry IVChow, Po-fun, Wendy., 周寶芬. January 1987 (has links)
published_or_final_version / Literary Studies / Master / Master of Arts
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