Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-07-27T12:57:21Z No. of bitstreams: 1 giovanaloosmoreira.pdf: 4589505 bytes, checksum: fec6dbf1051694327fb64c886fe45a49 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-27T14:38:59Z (GMT) No. of bitstreams: 1 giovanaloosmoreira.pdf: 4589505 bytes, checksum: fec6dbf1051694327fb64c886fe45a49 (MD5) / Made available in DSpace on 2016-07-27T14:38:59Z (GMT). No. of bitstreams: 1 giovanaloosmoreira.pdf: 4589505 bytes, checksum: fec6dbf1051694327fb64c886fe45a49 (MD5) Previous issue date: 2016-07-20 / CNPq - Conselho Nacional de Desenvolvimento Científico e Tecnológico / O estudo se deterá na compreensão da narrativa de História do Brasil produzida por Antônio Firmino Monteiro. Pintor do século XIX que se destacou, sobretudo, nas Exposições Gerais de Bellas Artes de 1879 e 1884. Recortaremos três telas, “Um episódio da Retirada da Laguna”, “O Vidigal” e “Capitão João Homem”, a fim de visualizarmos aspectos de contexto histórico e trajetória que formularam sua concepção crítica sobre a História do Brasil. / The study purpose is to provide an understanding of Brazil history writing as produced by Antônio Firmino Monteiro. Monteiro was a 19th century painter that stood out, above all, in the 1879 and 1884 General Exhibition of Fine Arts (Exposições Gerais de Bellas Artes). Three paintings are highlighted in order to expose aspects of historical context, as well the path that formulated his critical review about the history of Brazil.