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An analytical study of Liszt's "Grandes études de Paganini", nos. 3 and 6 /Kim, Younshin, January 1999 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 119-122).
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Cellular construction in the piano Concerti of Franz Liszt /Sasaki, Yuka. January 1995 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1995. / Vita. Includes bibliographical references (leaves [52]-54).
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Form and Pianistic Texture in the Operatic Fantasies Based on La Sonnambula and Der Freischütz of Franz Liszt and Julian Fontana: a Comparison of Compositional ApproachChung, Migeun 05 1900 (has links)
This study examines and identifies the differences in compositional approach in the operatic fantasies based on Bellini’s La Sonnambula and Weber’s Der Freischütz by Franz Liszt and Julian Fontana. These four fantasies are placed in the context of musical conventions and audiences in the first half of the nineteenth century. The two operatic fantasies by Liszt that are included in this study are representative of reinterpretations that employ formal and textural features suitable for the concert repertoire of piano virtuosos. In contrast, the fantasies by Fontana are indicative of the potpourri style, and suitable both for amateur performance as well as for pedagogical use. The different functions and purposes of the operatic fantasies of Liszt and Fontana are compared and contrasted, with attention to each composer’s respective intended audiences as well as their distinct compositional intentions.
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A New Perspective on the Interpretation and Performance of Franz Liszt's Piano Cycle, Harmonies poetiques et religieuses, S.173Kim, Bo Ra 15 October 2015 (has links)
No description available.
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Franz Liszt's settings of "Was liebe sei?" a Schenkerian perspective /Vitalino, Michael, January 2008 (has links)
Thesis (M.M.)--University of Massachusetts Amherst, 2008. / Includes bibliographical references (p. 63-67).
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Franz Liszt and his Verdi opera transcriptions /Dorgan, Peter Paul. January 1982 (has links)
Thesis (D.M.A.)--Ohio State University. / Includes bibliographical references (leaves 122-125). Available online via OhioLink's ETD Center.
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A Study of Liszt¡¦s "Mephisto Waltz, No.1"Chang, Man-chun 26 July 2008 (has links)
Liszt was distinguished as the most important virtuoso in the Romantic period of music history, whose Weimar period between 1848 and 1861 was the time of Liszt¡¦s golden age of composition. The Mephisto Waltz No.1, finished in 1860, was based on the second episode The Dance in the Village Inn from Nikolaus Lenau¡¦s poem ¡§Faust.¡¨ Exercising the virtuosic elements and thematic transformation technique, Liszt combined both literature and musical ideas in the Mephisto Waltz No.1 successfully. This work remains one of the most popular works on today¡¦s piano recital repertoire ever since.
This research consists of two parts. Part one discusses the characteristics of Liszt¡¦s compositions, with a focus on how Liszt¡¦s style was influenced by the nineteenth century virtuosity. Part two analyzes Mephisto Waltz No. 1 by exploring its historical background, formal structure, and the techniques of thematic transformation. The corresponding pianistic techniques are summarized from the various sources of scholarly suggestions as the conclusion of this analysis.
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Liszt's Sardanapale: its creation, sketches, and the reception of mid-nineteenth century Italian opera conventions /James, Bryan W. January 1900 (has links)
Thesis (Ph.D.)--University of Wisconsin--Madison, 2009. / Advisor: Jeanne Swack. Includes bibliographical references (p. 299-311). Also available on the Internet.
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Music Analysis and Psychoanalysis: Applying Freudian Primary Processes to Music AnalysisSwitzer, Andrew Unknown Date
No description available.
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Liszt's Sardanapale: its creation, sketches, and the reception of mid-nineteenth century Italian opera conventions /James, Bryan W. January 1900 (has links)
Thesis (Ph.D.)--University of Wisconsin--Madison, 2009. / Advisor: Jeanne Swack. Includes bibliographical references (p. 299-311).
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