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Tiger; a stage play, and a reflective essay detailing the writing processWestkaemper, Lisa 08 1900 (has links)
This thesis includes a full length play and a separate section describing the creation of this play. The play depicts family members struggling with the direct and indirect ramifications of alcoholism, depression, and suicide. The play is composed of two acts; act one contains eight scenes, and act two contains six scenes. It is set in the 1950s and 1960s and takes place in various areas of the family home, at a wedding reception, and at a funeral. The essay section includes a description of the process, a record of changes in the play's direction, notations of personal discoveries, and a self evaluation of the strengths and weaknesses of the play.
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Today is PastKubecka, Connie Jo 08 1900 (has links)
Today is Past is a serious play in which the main character does not meet defeat at the end. This is not to say, however, that the play has a conventional happy ending. It hasn't. But at the final curtain the protagonist has made an important decision which will determine the direction of her life.
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The disintegration of a dream : a study of Sam Shephard's family trilogy, Curse of the starving class, Buried child and True westWatt, Diane Lilian 11 1900 (has links)
The family trilogy, Curse of the Starving Class, Buried
Child and True West, presents Sam Shepard's strong bond with
his culture and his people, illustrates an intense connection
with the land, and reveals a deep longing for the
traditions of the past, through the dramatisation of the
betrayal of the American Dream. Although obviously part of
the American tradition of family drama, Shepard never completely
conforms, subverting the genre by debunking the
traditional family in order to make a statement about the
present disintegration of the bonds of family life and
modern American society. In the trilogy Shepard decries the
loss of the old codes connecting with his despair at the
debasement of the ideals of the past and the demise of the
American Dream. Finally, the plays insist on the importance
a new set of tenets to supplant the sterile ethics of modern
America / M.A. (English)
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The disintegration of a dream : a study of Sam Shephard's family trilogy, Curse of the starving class, Buried child and True westWatt, Diane Lilian 11 1900 (has links)
The family trilogy, Curse of the Starving Class, Buried
Child and True West, presents Sam Shepard's strong bond with
his culture and his people, illustrates an intense connection
with the land, and reveals a deep longing for the
traditions of the past, through the dramatisation of the
betrayal of the American Dream. Although obviously part of
the American tradition of family drama, Shepard never completely
conforms, subverting the genre by debunking the
traditional family in order to make a statement about the
present disintegration of the bonds of family life and
modern American society. In the trilogy Shepard decries the
loss of the old codes connecting with his despair at the
debasement of the ideals of the past and the demise of the
American Dream. Finally, the plays insist on the importance
a new set of tenets to supplant the sterile ethics of modern
America / M.A. (English)
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