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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 5 of 5 (0.079 seconds)Spelling suggestions: "subject:"buried child"" "subject:"juried child""
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The Directing of Buried ChildHotze, Robert George 08 August 2007 (has links)
No description available.
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Sam Shepard: Pohřbené dítě / Sam Shepard: Buried ChildFilinger, Marek January 2011 (has links)
One of the reasons for writing this thesis was to help readers and theatregoers better understand Shepard's plays and to let them see, at least partly, his intentions. Yet, to ask for a straightforward explanation or an unambiguous ending would mean to completely misunderstand the author. Samuel Shepard the playwright, actor, director, screenwriter, poet and musician as well as a cowboy and shaman - "a New World shaman" - is anything but a piece of cake. To know this much might be enough unless you plan to translate or direct one of his plays. And for these very purposes, I have decided to prepare a roadmap for understanding Samuel Shepard Rogers III. My goal was to show three main influences that helped to form Shepard's style. First, we will travel with young Sam eastwards all the way to New York in order to discover a brave new world. Only fifteen years later, we will set the sails in the same direction again, this time to accompany an unheard-off success - an Off-Off- Broadway show moving from San Francisco to New York to be eventually awarded the Pulitzer Prize. Unfortunately, this child prodigy we came with is dying; indeed, it is already a Buried Child. After twenty more years, Shepard will revise the text and claim that "it's now a better play". That is where our analysis starts. First, we will...
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山姆謝普家庭三部曲之內在重複結構 / Mise en Abyme in Sam Shepard's Family Trilogy楊惠君, Yang, Huei-chun Unknown Date (has links)
本文以紀德根據盾徽所提出之內在重複結構，探討美國劇作家山姆謝普的「家庭劇三部曲」。〈烈火家園〉結尾的預言故事說明了家庭成員互相毀滅的行為模式，〈埋葬的孩子〉劇中所揭發的弒子秘密與舞台上的演出相對應，〈西部實錄〉劇中的西部電影大綱正是男主角兄弟鬩牆之爭的寫照。 / Chapter I relates the American playwright Sam Shepard’s life and career. Chapter II introduces the evolution of the idea of "mise en abyme." Chapter III interprets the concluding fable in "Curse of the Starving Class" as the mise en abyme of the play. Chapter IV interprets the secret of the child murder as the duplication of the action of "Buried Child" on stage. Chapter V interprets the Western scenario in "True West" as a reflection of the two brothers’ sibling rivalry in the play.
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The disintegration of a dream : a study of Sam Shephard's family trilogy, Curse of the starving class, Buried child and True westWatt, Diane Lilian 11 1900 (has links)
The family trilogy, Curse of the Starving Class, Buried
Child and True West, presents Sam Shepard's strong bond with
his culture and his people, illustrates an intense connection
with the land, and reveals a deep longing for the
traditions of the past, through the dramatisation of the
betrayal of the American Dream. Although obviously part of
the American tradition of family drama, Shepard never completely
conforms, subverting the genre by debunking the
traditional family in order to make a statement about the
present disintegration of the bonds of family life and
modern American society. In the trilogy Shepard decries the
loss of the old codes connecting with his despair at the
debasement of the ideals of the past and the demise of the
American Dream. Finally, the plays insist on the importance
a new set of tenets to supplant the sterile ethics of modern
America / M.A. (English)
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The disintegration of a dream : a study of Sam Shephard's family trilogy, Curse of the starving class, Buried child and True westWatt, Diane Lilian 11 1900 (has links)
The family trilogy, Curse of the Starving Class, Buried
Child and True West, presents Sam Shepard's strong bond with
his culture and his people, illustrates an intense connection
with the land, and reveals a deep longing for the
traditions of the past, through the dramatisation of the
betrayal of the American Dream. Although obviously part of
the American tradition of family drama, Shepard never completely
conforms, subverting the genre by debunking the
traditional family in order to make a statement about the
present disintegration of the bonds of family life and
modern American society. In the trilogy Shepard decries the
loss of the old codes connecting with his despair at the
debasement of the ideals of the past and the demise of the
American Dream. Finally, the plays insist on the importance
a new set of tenets to supplant the sterile ethics of modern
America / M.A. (English)
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