This study introduces the Fanonian thought on race and racism, rhetoric of modernity, and new humanism as three constitutive thematic areas in order to enable a new understanding of the South African situation. These thematic areas are examined with specific reference to socio-economic development within the limited context of post-apartheid South Africa. This is done by reading Fanon’s text in the context of South Africa to provide the background against which the unfolding of the post-apartheid era and its political discourses may be analysed. In essence, this study is based on Fanon’s predictions that he made in the text written more than 50 years ago about the future of post-colonial states. Therefore, this study argues that Fanon’s thought has proven to be more prophetic with regard to post-apartheid South Africa and its political reforms which left the fundamental question of structures such as land, economy, and labour unaddressed. What happened on 27 April 1994 is not genuine liberation, but a mere transition from apartheid to democratic dispensation that left the status quo in spatial arrangements uninterrupted. Indeed, it was an elite pact between the African National Congress and white monopoly capital, which betrayed the national liberation movement and the black majority. The contention is that South Africa celebrated the cosmetic reforms that attributed the term liberation incomplete in the absence of fundamental and structural changes. What is therefore recommended is that for there to be success, there must be genuine liberation that is consistent with the needs of society. This means bringing to an end the racially marked structures and reimagining the black condition, through jobs, education, social and economic programmes aimed at empowering the black majority to depend on themselves as opposed to relying on the State. / Development Studies / M.A. (Development Studies)

This study uses Frantz Fanon‟s thoughts on race and blackness, the black elite and black public intellectuals as the theoretical framework and examines the positionality of Sipho Seepe, Xolela Mangcu and Andile Mngxitama as black public intellectuals in order to understand how they view the post-1994 political discourse. Seepe, Mangcu and Mngxitama‟s views are studied by analysing themes emerging from newspaper columns they have written. This study reveals that the three black public intellectuals examined have been radical and forthright, though they display different understandings of race and blackness, the black elite and black public intellectuals. However, the study reveals that only Mngxitama‟s postionality has been consistently radical, whereas Seepe and Mangcu‟s views have been fluid and are now considered moderate. This study concludes by highlighting the relevance of Fanon‟s thoughts in enabling a new reading of post-1994 South Africa. Of central importance is the creation of the „new being‟, who is informed by the process of liberation, which is the antithesis of the black condition. / Political Sciences / M. A. (Politics)

This study uses Frantz Fanon‟s thoughts on race and blackness, the black elite and black public intellectuals as the theoretical framework and examines the positionality of Sipho Seepe, Xolela Mangcu and Andile Mngxitama as black public intellectuals in order to understand how they view the post-1994 political discourse. Seepe, Mangcu and Mngxitama‟s views are studied by analysing themes emerging from newspaper columns they have written. This study reveals that the three black public intellectuals examined have been radical and forthright, though they display different understandings of race and blackness, the black elite and black public intellectuals. However, the study reveals that only Mngxitama‟s postionality has been consistently radical, whereas Seepe and Mangcu‟s views have been fluid and are now considered moderate. This study concludes by highlighting the relevance of Fanon‟s thoughts in enabling a new reading of post-1994 South Africa. Of central importance is the creation of the „new being‟, who is informed by the process of liberation, which is the antithesis of the black condition. / Political Sciences / M. A. (Politics)

The research on xenophobia in South Africa is underpinned by the relationship described by Frantz Fanon between violence and oppression present within the structures of domination. This research addresses the colonial structures that manifested themselves within the oppressive modes in societies. It employs a Fanon analysis of the xenophobic violence of May 2008 and serves to provide an understanding of the experiences of a particular condition and of how a broader invisible context plays an important role in what society sees and assimilates. The question can be asked: Is it safe to say that the xenophobic attacks were racist, or was it mere bigotry? An analysis based on the writings of Franz Fanon coupled with a psychological account of the participants, affirms that the xenophobic attacks revealed that the previously colonised or oppressed black people in South Africa reacted with regard to the assimilation of the master and its slave narrative and dialect. Theories of oppression and slavery posit that patterns of colonialism reoccur and manifest themselves both internally and externally within society. A serious debate is necessary to question whether the incidents came at a time that South Africa should have reflected on society’s interaction with foreign immigrants. / Political Sciences / M.A. (Politics)

The key challenge to socio-economic transformation in South Africa is closing the gap between the poor and the rich. What is distinctive about South Africa is the uneasy coexistence of poverty and opulence. This study seeks to explore the structural, historical roots of poverty among the blacks in South Africa by deploying Fanonian Critical Decolonial theory. This is the ideal theoretical approach to unmask the structural causes of poverty and inequality in South Africa. Colonial ambitions and the global political engineering of the world by America and Europe spans more than four hundred years, and is still very much alive today in subtle forms. This study asserts that this imperial history is the cause of poverty, lack of agency, and the hellish conditions under which many black people live. The rise of industrial capitalism and attendant urbanisation is at the core of this impoverishment of the black man. It is also shown that, once impoverished, the black man’s poverty gathers its own momentum, leading to more poverty that is then handed down to succeeding generations. Contrary to Eurocentric theorising, the study shows that blacks are not ‘problem’ people but people with problems, who, instead of being condemned, should be regarded with sympathy. This research thesis focuses on Alexandra Township and Sandton as symbols of poverty and privilege, respectively. The former represents Fanon’s zone of non-being where life is lived in conditions of want and poverty, whilst the latter represents the zone of being characterised by good living and prosperity. The thesis will demonstrate the fact that these anomalous socio-economic disparities are not natural but man-made, and therefore require the action of human beings to correct them. / Development Studies / M.A. (Development Studies)

The key challenge to socio-economic transformation in South Africa is closing the gap between the poor and the rich. What is distinctive about South Africa is the uneasy coexistence of poverty and opulence. This study seeks to explore the structural, historical roots of poverty among the blacks in South Africa by deploying Fanonian Critical Decolonial theory. This is the ideal theoretical approach to unmask the structural causes of poverty and inequality in South Africa. Colonial ambitions and the global political engineering of the world by America and Europe spans more than four hundred years, and is still very much alive today in subtle forms. This study asserts that this imperial history is the cause of poverty, lack of agency, and the hellish conditions under which many black people live. The rise of industrial capitalism and attendant urbanisation is at the core of this impoverishment of the black man. It is also shown that, once impoverished, the black man’s poverty gathers its own momentum, leading to more poverty that is then handed down to succeeding generations. Contrary to Eurocentric theorising, the study shows that blacks are not ‘problem’ people but people with problems, who, instead of being condemned, should be regarded with sympathy. This research thesis focuses on Alexandra Township and Sandton as symbols of poverty and privilege, respectively. The former represents Fanon’s zone of non-being where life is lived in conditions of want and poverty, whilst the latter represents the zone of being characterised by good living and prosperity. The thesis will demonstrate the fact that these anomalous socio-economic disparities are not natural but man-made, and therefore require the action of human beings to correct them. / Development Studies / M. A. (Development Studies)

The research on xenophobia in South Africa is underpinned by the relationship described by Frantz Fanon between violence and oppression present within the structures of domination. This research addresses the colonial structures that manifested themselves within the oppressive modes in societies. It employs a Fanon analysis of the xenophobic violence of May 2008 and serves to provide an understanding of the experiences of a particular condition and of how a broader invisible context plays an important role in what society sees and assimilates. The question can be asked: Is it safe to say that the xenophobic attacks were racist, or was it mere bigotry? An analysis based on the writings of Franz Fanon coupled with a psychological account of the participants, affirms that the xenophobic attacks revealed that the previously colonised or oppressed black people in South Africa reacted with regard to the assimilation of the master and its slave narrative and dialect. Theories of oppression and slavery posit that patterns of colonialism reoccur and manifest themselves both internally and externally within society. A serious debate is necessary to question whether the incidents came at a time that South Africa should have reflected on society’s interaction with foreign immigrants. / Political Sciences / M.A. (Politics)

My study is a theoretical intervention of the South African contemporary visual art of Mary Sibande. It focuses on the figure of Sophie representing the maid in three series; namely, Sophie-Elsie, Sophie-Merica, and Sophie-Velucia. The study applies Frantz Fanon’s thought to the understanding of the figure of Sophie while emphasising the themes of naming, the human subject, and presence-absence. The theoretical framework of this thesis is a decolonial epistemic theory, which is used as a lens to understand Fanon’s political thoughts. I argue that the themes of naming, human subject, and presenceabsence are inherent in Fanon’s thought. These thematic areas give a better understanding of the existential questions of the figure of Sophie in the antiblack Manichean world. It is important to unpack the figure of Sophie as a Manichean figure who represents the crossing of two different worlds – the white world and the black world, Africa and Europe. The study highlights the importance and relevance of reviving Fanon’s thought concerning decolonial contemporary African art and establishing other tools of interpretation necessary to understand decolonial aestheSis. The thrust of this thesis is to deploy decolonial epistemic theory as a theoretical framework to the Fanonian understanding of the figure of the three Sophies that embody the modern/colonial predicament of the figure of the maid and blackness. / Art History, Visual Arts and Musicology / Ph. D (Art)

Ambivalent Ecologies: Representations of the Nonhuman in African American Literature, 1830-1940, argues that nonhuman animals and ecological phenomena are central to the projects undertaken by African American authors from the antebellum slave narrative through the interwar period. In four chapters that focus on the Anglophone literature of nineteenth century abolition, the late nineteenth-century conjure tales of Charles W. Chesnutt, Jean Toomer’s Cane, and Zora Neale Hurston’s Their Eyes Were Watching God, I contend that there are as many differences in how these authors marshal the nonhuman as there are similarities. Following this insight, I tease out the unevenness and tensions in these representations across the tradition. Tracing the influence of literary genre and historical developments on representations of the nonhuman, I contend that these mark a site or perhaps a vector of profound ambivalence. Pushing beyond paradigms that reflexively position the work of black creative intellectuals as always already critical of Western liberal humanism, I offer a more nuanced set of close-readings that stay with the trouble of what I theorize as the ecological ambivalence that animates African American literature’s relationship toward the colonial categories the Human, or Man. Drawing on the work of Sylvia Wynter, Zakiyyah Jackson, Frantz Fanon, and others, I position this ambivalence as a key feature of the ecology of African American life.