Thesis (MArch (Prof)) -- University of Pretoria, 2008. / Abstract in English.

Thesis (M. Arch.)--University of Detroit Mercy, 2007. / "April 30, 2007." Includes bibliographical references (p. 111-112).

Thesis (M.Arch.)(Prof.)--University of Pretoria, 2004. / Title from opening screen (viewed 11 April 2005). Includes summary. Includes bibliographical references

Zhang Hailun Helen. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2007-2008, design report." / Includes bibliographical references. / Chapter 1. --- Synopsis / Chapter 2. --- Research / Chapter &1 --- background / Chapter &2 --- precedents within architecture / Chapter &2.1 --- Prada by Rem Koolhaas / Chapter &2.2 --- "Concert Hall and Exhibition Complex, Rouen, 1988-, by Bernard Tchumi" / Chapter &3 --- precedents within fashion / Chapter &3.1 --- the Mobius dress / Chapter 3. --- Issue / Chapter &1 --- human body / Chapter &2 --- surface / Chapter &3 --- inside and outside / Chapter &4 --- In-between space / Chapter &5 --- strategy - the process of fabrication / Chapter 4. --- Conclusion & Projection - The Design / Chapter &1 --- site / Chapter &2 --- design

The need for social integration of South African residents has been and continues to be a topic that is at the forefront of social development in the country. Durban is one of South Africa’s most diverse urban centres due to its heritage and historical background. This dissertation aims to explore the notion of cross cultural integration through a common medium that all kinds of people engage with on a daily basis, fashion (or clothing). Thus, this dissertation deals with the integration of cultures, fashion and architecture towards the creation of a proposed multi-purpose fashion centre for Durban. People represent themselves, their heritage, religion and personal attributes through clothing. From a politician or business man to a musician or a priest; clothing is a means of identifying the type of person one is. Clothing is therefore a representation of cultures. Similarities can be drawn with architecture in the way that it represents the period of a buildings creation or the aesthetical values and technological advancement of culturally contemporary societies. The fashion industry is also one that carries a large commercial weight in all economical sectors making it a relevant and practically sound industry to support. From the design to the manufacturing and distribution of clothing, fashion is a powerful global entity that extends beyond countries and cultures. The research undertaken will comprise of primary and secondary data. Primary research will formulated through the analysis of precedent and case studies together with interviews conducted with relevant people. Secondary research will be expressed in the form of a literature review containing theoretically applicable data. The conclusions and careful combination of these research methods will result in the establishment of recommendations that will dictate a suitable and relevant architectural response to the creation of a fashion centre. / Thesis (M.Arch.)-University of KwaZulu-Natal, Durban, 2010.

The essence of this dissertation was to explore the synergies between fashion and architecture to inform the design of a resource rich environment. / Dissertation (MArch(Prof))--University of Pretoria, 2009. / Architecture / unrestricted

Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2018-08-20T20:22:29Z No. of bitstreams: 1 447888.pdf: 1519462 bytes, checksum: 79ff97581776ee892b49d6d249b456b7 (MD5) / Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2018-08-20T20:27:11Z (GMT) No. of bitstreams: 1 447888.pdf: 1519462 bytes, checksum: 79ff97581776ee892b49d6d249b456b7 (MD5) / Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2018-08-21T13:29:57Z (GMT) No. of bitstreams: 1 447888.pdf: 1519462 bytes, checksum: 79ff97581776ee892b49d6d249b456b7 (MD5) / Made available in DSpace on 2018-08-21T13:30:50Z (GMT). No. of bitstreams: 1 447888.pdf: 1519462 bytes, checksum: 79ff97581776ee892b49d6d249b456b7 (MD5) Previous issue date: 2017-02-21 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This here text presents an investigation about changes in the percep- tion of time and space in contemporary society, which can be identified in the fields of Fashion Design and Architecture. For that matter, some of the changes that marked the turn of the 19th century with the Indus- trial Revolution are contextualized, and so are the changes on lifesty- les and on the production of subjectivities. Ephemerality emerges as a striking concept in the 20th century, from the consolidation of aspects such as acceleration and displacement. From this perspective, Hussein Chalayan’s Afterwords fashion collection and the architectural work Blur Building proposed by the Diller Scofidio studio are presented. Fi- nally, from Design for Difference, developed by Angela Luna, fashion designer, derives a brief discussion on wearables as a production of existence territories, contributing to broaden the dialogues between the fields of Fashion Design and Architecture. / O presente trabalho expõe uma investigação acerca de modificações na percepção de tempo e de espaço na sociedade contemporânea, possíveis de serem identificados nos campos do Design de Moda e da Arquitetura. Para tanto, são contextualizadas algumas mudanças que marcaram a virada do século XIX com a Revolução Industrial e que modificaram os modos de vida e a produção de subjetividades. A efemeridade emerge como conceito marcante no século XX, a partir da consolidação de aspectos como a aceleração e o deslocamento. Com base nesta perspectiva, são apresentadas a coleção de moda Afterwords, criada por Hussein Chalayan e a obra arquitetônica Blur Building, proposta pelo estúdio Diller Scofidio. Por fim, do trabalho Design for Difference, desenvolvido pela designer de moda Angela Luna, deriva-se uma breve discussão dos vestíveis como produção de territórios de existência, colaborando para a ampliação dos diálogos entre os campos do Design de Moda e da Arquitetura.