This thesis examined the experiences and perspectives of immigrant Chinese Canadian mothers of children with disabilities in the Lower Mainland of British Columbia in the areas of parental involvement in education and coping with parenting stress. In-depth interviewing, supplemented by questionnaires, was utilised to gather data. Ten women, most of whom were newly immigrated, whose school-age sons had various disabilities and who spoke English as a second language, participated in the study. The mothers' acculturation level to Canadian ways of living was generally low. Devotion to the children was at the heart of parent involvement and coping. Inability to speak English fluently posed a major barrier to the involvement of these women in their children's education. It also restricted their ability to seek community resources. These women valued their children's education and worked with them at home. The degree of the mothers' participation in school was generally less than that of their involvement at home. The women made comparisons of education in Canada and that in the Asian countries where they came from, and stated their preferences for qualities possessed by teachers. The mothers expressed some conflicts with the schools, and they mostly tried to avoid confrontation. Self-reliance, self-control, a belief in family support, as well as a belief in fate helped them to cope. Readily available interpreter services and information in Chinese about service agencies serving children with disabilities and their families would be helpful to Chinese Canadian women like them.

Thesis (doctoral)--Université de Paris III, 1999. / Originally presented as the author's thesis (doctoral)--Université Paris III, Sorbonne Nouvelle. Includes errata. "Diffusion ANRT." Includes bibliographical references (p. [550]-573).

This thesis examined the experiences and perspectives of immigrant Chinese Canadian mothers of children with disabilities in the Lower Mainland of British Columbia in the areas of parental involvement in education and coping with parenting stress. In-depth interviewing, supplemented by questionnaires, was utilised to gather data. Ten women, most of whom were newly immigrated, whose school-age sons had various disabilities and who spoke English as a second language, participated in the study. The mothers' acculturation level to Canadian ways of living was generally low. Devotion to the children was at the heart of parent involvement and coping. Inability to speak English fluently posed a major barrier to the involvement of these women in their children's education. It also restricted their ability to seek community resources. These women valued their children's education and worked with them at home. The degree of the mothers' participation in school was generally less than that of their involvement at home. The women made comparisons of education in Canada and that in the Asian countries where they came from, and stated their preferences for qualities possessed by teachers. The mothers expressed some conflicts with the schools, and they mostly tried to avoid confrontation. Self-reliance, self-control, a belief in family support, as well as a belief in fate helped them to cope. Readily available interpreter services and information in Chinese about service agencies serving children with disabilities and their families would be helpful to Chinese Canadian women like them. / Education, Faculty of / Educational and Counselling Psychology, and Special Education (ECPS), Department of / Graduate

From 1831 to 1836, Victor Hugo and Louise Bertin collaborated on an opera titled La Esmeralda. For Hugo, it would be the only opera libretto he would ever write, a mere footnote to his collection of widely admired novels, plays, and poetry; for Bertin, however, it would become her most important work, yet seemingly destined to fade into obscurity like so many great pieces of art. Using Schenkerian analysis, this thesis uncovers the tonal and voice-leading structure of the first act of La Esmeralda. A study of this nature, which operates from the premise that forms as large and complex as opera can be examined in terms of a large-scale structure, is valuable because it sheds new light on the correlation of tonal structure and dramatic organization. Through these methods, Act I of La Esmeralda is read as a background progression from D major (with F# kopfton) to F major, composing-out an F#/F♮ dichotomy introduced in the overture. With reference to several musical-symbolic ideas - including the representation of virtue through the pitch F#, the key of Notre-dame's bells - it is shown how the musical structure of Act I expresses the Hugolian themes of fate and decay.