Thesis (B.A.)--University of Wisconsin--Madison, 1944. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 88-89).

Thesis--Tulane University, 1966. / Includes bibliographical references (p. 152-161).

Thesis (M.S.)--Boston University

No description available.

Texte remanié de: T. doct.--Université de Stockholm, 1986.

This paper presents an analysis of my composition Love, Crystal and Stone, a forty-five minute song-cycle for soprano, violin, flute, clarinet and percussion, written in 2017 for TAK Ensemble of New York. Based on a selection of lyric poems by Federico García Lorca, Love, Crystal and Stone explores the core question, “How can the lyric poetry of Lorca be re-experienced by critically rethinking the poetic potentials of the formal construction of the music?” In my dissertation, I will discuss the various ways that my music, in its formal construction, attempts to incorporate Lorca’s text in order to capture and reiterate the essence of the text. In my essay, I will also explore the choices of material and my compositional processes, including a description of how I continuously rework and re-contextualize my musical material not only throughout the span of the piece, but through the arc of my catalogue of works. The theoretical analysis of the piece involves an in-depth explanation of the musical elements of Love, Crystal and Stone including form; pitch, timbral, and rhythmic structures; the incorporation of musical gestures; and orchestration choices. Finally, I will conclude with a brief discussion of my approach to the analysis of Love, Crystal and Stone.

Texte de remanié de: Tesis de licenciatura--Universidad de Sevilla, 1981. / Sur la page précédant la page de titre, la série mentionnée est la série "Textos". En couverture et dans le catalogue en ligne de l'éditeur "Instituto d'estudios humanísticos", la série indiquée est la série "Estudios" Bibliogr. p. 165-187.

Reproduction de : Thèse de doctorat : Sciences de l'information : Metz : 2008. / Titre provenant de l'écran-titre. Notes bibliographiques. Index.

Thesis (Ph.D.)--Tufts University, 2001. / Submitted to the Dept. of Drama. Advisers: Laurence Senelick; Jeanne Dillon. Includes bibliographical references (leaves 228-243). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

Made available in DSpace on 2014-06-12T18:36:32Z (GMT). No. of bitstreams: 2 arquivo8081_1.pdf: 359095 bytes, checksum: 0a4c80cf61817fda5840425b7ee5895b (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2002 / Propusemo-nos fazer, nesta dissertação, uma análise das convergências e interseções das obras teatrais A Casa de Bernarda Alba, de Federico García Lorca, e Os Sete Gatinhos, de Nelson Rodrigues, sob a perspectiva do Amor, da Liberdade e da Morte. Estudamos a interação dos temas entre si e sua relação com as obras citadas, e analisamos as coincidências na estruturação das tramas e na composição das personagens levando em consideração os princípios de autoridade e liberdade, por onde os caminhos da manifestação da sexualidade/desejo são conduzidos