Poetry clubs composed of gentry women began to emerge during the late Ming and early Qing dynasties. The earliest female poetry clubs in this period were all kinship-based and organized within gentry families. This phenomenon shows that family was the major source for the foundation of female poetry clubs. The aim of this research is to investigate the impact of family on the formation of kinship-based female poetry clubs from a political, social, and cultural perspective and to examine these clubs within the context of geographical location, family learning and marriage relationships. This thesis treats the Mingyuan Poetry Club founded by female members of the Fang family in Tongcheng city, Anhui province as the main focus of research to illustrate the family’s influence on the formation of gentry women poetry clubs by translating and analyzing the members’ poetic works and family life. / Graduate

Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-06-28T15:16:42Z No. of bitstreams: 1 nannyzuluagahenao.pdf: 861491 bytes, checksum: 25ac5f1f0940b484ebe6676390fd2498 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-09-03T16:08:03Z (GMT) No. of bitstreams: 1 nannyzuluagahenao.pdf: 861491 bytes, checksum: 25ac5f1f0940b484ebe6676390fd2498 (MD5) / Made available in DSpace on 2018-09-03T16:08:03Z (GMT). No. of bitstreams: 1 nannyzuluagahenao.pdf: 861491 bytes, checksum: 25ac5f1f0940b484ebe6676390fd2498 (MD5) Previous issue date: 2018-03-14 / Esta disertación aborda la poesía Contemporánea regional, a partir de la recopilación poética Grito de primavera del año 2016, poemario que fue dedicado a la contemplación poética de la primavera en la región de Urabá, durante el “V Encuentro de Poesía Las Musas Cantan”. El texto cuenta tres capítulos, el primero capítulo es dedicado a la recolección testimonial en cada poema de la oralidad heredada de la abuela, el segundo capítulo aborda la expansión de la palabra de la abuela en el acto territorializador de la poesía. El último capítulo, abarca las transformaciones en la palabra y sus repercusiones en la creación de nuevos espacios territorializados para el femenino en la poesía como personaje y en las relaciones del sujeto con el mundo real. La propuesta de análisis estará fundamentada en la teoría Del Ritornelo, la meseta número once del libro Mil Mesetas (2002) realizada por Gilles Deleuze y Felix Guattari que articula la territorialidad y el arte como aprehensión de lo objetivo tras la observancia de lo subjetivo o bien, lo subjetivo tras la observancia de lo objetivo, como espejos que se transfiguran. / This dissertation covers the contemporary regional poetry, based on the poetry collection Grito de primavera from 2016, book that was dedicated to the spring poetic contemplation in the Urabá region during the “V Encuentro de Poesía Las Musas Cantan”. The present work has three chapters. The first one is dedicated to the testimonial compilation in every oral poem from abuela’s heritage. The second chapter covers the spread of abuela’s words in the act of the poetry for territorializing. Finally, the third chapter embraces the transformations in the word and the repercussions in the creation of new territorialized spaces for the feminism in the poetry as a character and in the relationships between subject and real world. The analysis proposal will be based on Del Ritornelo theory, the meseta #11 from the book Mil Mesetas (2002) by Gilles Deluze and Felix Guattari, who articulates territoriality and art.

The thesis focuses on the rendering of the poetics of Anna Akhmatova and Marina Tsvetaeva in Czech translations. The first part deals with the phenomenon of poetesses in the Russian literature and subsequently with Akhmatova's and Tsvetaeva's life, works, style and reception. The second part is focused on contrastive translatological analysis of different approaches to their poetry and detailed analysis of existing Czech translations of Akhmatova's poem Rekviem and Tsvetaeva's work Popytka revnosti. It defines the approach of all translators to translation and evaluates the quality and adequacy of individual translation solutions in relation to the author's style and intention.