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The purpose of this qualitative study is to address the problem of the silencing of adolescent girls and young women by exploring their spiritual experiences and knowledge of their inner selves. Five participants between the ages of 18 and 25 were interviewed 3 times over several weeks about their spiritual experiences, artefacts of spiritual significance, and beliefs about their inner selves. The findings of this study reveal that young women are deeply interested in nurturing their spirituality, which they are not finding in religion, and they are looking elsewhere for a spirituality that embraces a feminine ethic of care and responsibility.

The purpose of this qualitative study is to address the problem of the silencing of adolescent girls and young women by exploring their spiritual experiences and knowledge of their inner selves. Five participants between the ages of 18 and 25 were interviewed 3 times over several weeks about their spiritual experiences, artefacts of spiritual significance, and beliefs about their inner selves. The findings of this study reveal that young women are deeply interested in nurturing their spirituality, which they are not finding in religion, and they are looking elsewhere for a spirituality that embraces a feminine ethic of care and responsibility.

This investigation into embodied female spirituality clearly required an approach which was able to holistically engage all human faculties - different aspects of mind, body, spirit, intuition and memory. Consequently it was essential to use my creative practice as an integrative aspect of the research. I have used my creative practice across health and healing, Sufi processes and light based media to investigate, develop and practice 'embodied female spirituality'. A shamanic-performance paradigm and feminism have been central, philosophically, to the study. In addition I have chosen to explicate the connections between these discourses of the body, the text and the imagery through my own story, my autobiography. The methodology involves two research strategies; the use of creative practice as research and the use of autobiography as a research tool. The creative practice can be seen as a continuum of modalities, extending from the private to the public. Three dimensions of the practice will be discussed. The following is a description of the dimension of a typical session in (1) a body-based natural therapy treatment I deliver (2) a group-body-based Sufi session I deliver and (3) a brief outline of the approach I have taken to the research within light based media and a list of the works.

The Night Nativity by Geertgen tot Sint Jans depicts the birth of Christ in a manner that emphasizes the role of the Virgin as mother and Christ as the enlightener of the world. In this paper, I will argue that the Night Nativity was directed primarily toward meeting the devotional needs and interests of the nuns of the Convent of Our Lady of the Visitation near Haarlem. This convent is of particular interest because it is associated with the Windesheim Congregation of the Modern Devotion, which was a religious movement that privileged certain forms of lay spirituality. In particular, the adherents of the Modern Devotion seemed to have preferred various forms of affective devotion often associated with “women’s spirituality.” Geertgen’s image, I believe, appealed to the women in the convent because it focuses on the role of the Virgin and, in doing so, activated well-known tropes of female spirituality.

This thesis studies, through a literary and theological analysis of her writings and an examination of her background, how a fifteenth century Spanish nun called Teresa de Cartagena dealt spiritually with disability. She was physically disabled, having become deaf as an adult but also having endured many illnesses. Her first book, Arboleda de los enfermos, was written to pass on to other sufferers the spiritual lessons she had learned from her own suffering; that suffering was good because it had saved her from sin and had brought her to God. Her second work, Admiraçión operum Dey, was written to answer those who had criticised her for the act of writing because of her gender, at that time a disability for any woman wishing to write or teach. She justified her writing as a special work of God, but did not claim mystical direct divine inspiration. Teresa was a member of a prominent family of Jewish Christians (conversos). At the time she was writing, the second half of the fifteenth century, anti-converso prejudice and violence were growing in Spain. This culminated in the introduction of the Inquisition in order to deal with the so-called 'judaising conversos'. In these circumstances her conversa status was a distinct social disability, but there is no express mention of this in her writings. However, there are traces in her writings of converso concerns, and of a specifically converso theology. Although there have been many studies of Teresa de Cartagena from the viewpoints of medieval Spanish literature, disability studies, feminist history and her use of rhetorical techniques, there has been no in depth study of her theology and spirituality. This thesis demonstrates that, although in general these were orthodox and unoriginal, they were unusual for a woman of her time and background.

This thesis will examine the issues of women's spirituality, suffering, their survival in the midst of suffering. These issues will be examined in the context of a post-apartheid South Africa within a Christian framework looking at issues of faith and spirituality. More particularly the Methodist church will be examined, looking at key aspects of its spirituality and how that might have contributed and provided for its women. Two of the Methodist Women's organisations, the Women's Manyano and the Women's Auxiliary will be looked at; their history and significant aspects of their programmes and structures that have led them to be important places for the women who are part of them. The thesis will seek to determine how the Methodist Women's organisations have impacted the spirituality of two women especially when they have gone through difficult times. The lives of these two women are examined through conversations the author has with them. In particular the author will examine particular circumstances of these women and seek to set them against a background of their spirituality and in particular whether their particular Methodist organisation played any role during this time. / Christian Spirituality, Church History and Missiology / M. Th. (Christian Spirituality)

The subject of my thesis is a little-studied hagiographical work that gives important insights into rewriting processes and their significance in medieval textual culture. The anonymous Life of Christina of Hane, a thirteenth-century Premonstratensian nun from the Palatinate, is an example of bridal mysticism which combines the medieval tradition of the reception of the Song of Songs with hagiographic elements. A codicological and palaeographical analysis of the only manuscript shows it to be a sixteenth-century copy, but the type of mysticism and the theological questions that it discusses suggest that the text was initially composed in the thirteenth century, when Christina is thought to have lived. The theological and spiritual ideas in the text belong to the wider context of communicating the transcendental within the world. My thesis uses performative language analysis to address the problems of textuality and authorization in the Life of Christina of Hane. It yields new insights into the ways in which this mystical text makes use of hagiographic strategies, how gender and vernacular theology are linked, how liturgical elements support the text’s pragmatic nature, and how somatic spirituality is reflected on an allegorical level in the embodiment of God’s bride. An assessment of three communicative aspects – medial, narrative, and allegorical – highlights the textualization of the mystical experience. The appellative structure of Christina’s text invites the reader to engage with the text. This study provides the first comprehensive interpretation of the text on Christina of Hane. It compares it to other mystical texts, to a German–Latin prayerbook, and to a fragmentary legend about Mary Magdalene. It challenges existing judgments about Christina’s biography and offers alternative solutions founded in the latest scholarship on female mystical literature.

This thesis will examine the issues of women's spirituality, suffering, their survival in the midst of suffering. These issues will be examined in the context of a post-apartheid South Africa within a Christian framework looking at issues of faith and spirituality. More particularly the Methodist church will be examined, looking at key aspects of its spirituality and how that might have contributed and provided for its women. Two of the Methodist Women's organisations, the Women's Manyano and the Women's Auxiliary will be looked at; their history and significant aspects of their programmes and structures that have led them to be important places for the women who are part of them. The thesis will seek to determine how the Methodist Women's organisations have impacted the spirituality of two women especially when they have gone through difficult times. The lives of these two women are examined through conversations the author has with them. In particular the author will examine particular circumstances of these women and seek to set them against a background of their spirituality and in particular whether their particular Methodist organisation played any role during this time. / Christian Spirituality, Church History and Missiology / M. Th. (Christian Spirituality)

Julia Hills Johnson, the 48-year-old wife of Ezekiel Johnson and mother of sixteen children, found spiritual fulfillment in the doctrines of a new religion called Mormonism. Her baptism in 1831 was a simple act that ultimately led her halfway across the American continent, and strained her marital relationship, yet filled her with a sense of spiritual contentment. Julia's commitment to her faith, her tenacity, self-determination and willingness to take risks to participate in this new religious movement sets her apart from other nineteenth-century farm women in New England and New York. Julia's religiosity was self-determined and tenacious. She chose to break with the religious and social conventions of her time to embrace ideas that were outside the social and religious norms of her society because she found spiritual fulfillment in a religious movement with doctrines and an organizational structure that to her was logical, intellectually appealing and consistent with her pre-existing concept of true Christianity. As a dominant influence in her children's lives she was determined to adhere to and inculcate her children in the Church's doctrines and organization. Throughout her twenty-two-year sojourn in Mormonism she remained dedicated to the success of what for her was the restoration of God's kingdom on earth. Her participation in that movement at times placed her and her family at personal and financial risk to adhere to the doctrines of their faith and remain in company with other converts. Julia experienced Mormonism from its earliest days to their exodus west. Because she was among the first to join her life affords us an opportunity to examine the role of women in the early church and to test historical theories intended to explain women's conversion, and women's doctrinal attitudes. From Julia's conversion and post conversion experiences, historians of nineteenth-century America, religion, women's, and Mormon history will gain greater insight into the role women played in the early history of the Church. Julia shaped the religiosity of her children, influenced the religiosity of others, and thereby influenced the development of the Church.