This project examines mystical discourse in medieval India and medieval England as a site for the construction of new images of women and the feminine. I study the poems of three women mystics from western India, Muktabai (c. 1279-1297), Janabai (c. 1270-1350) and Bahinabai (c. 1628-1700) in conjunction with the prose accounts of the two most celebrated women mystics of late medieval England, Julian of Norwich (c. 1343-after 1413) and Margery Kempe (c. 1373-after 1438). My principal areas of inquiry are: self-authorizing strategies, conceptions of divinity, and the treatment of the domestic. I find that the three Hindu mystics deploy a single figure, the guru, as their primary source of spiritual authority. In contrast, the self-authorization of Julian and Margery is more diffuse, for the two mystics record testimony from a variety of sources, including Christ himself, to prove their spiritual credentials. The texts under scrutiny offer variously gendered models of the divine; three of the five mystics show preference for a feminized god. Julian and Bahinabai invest their deities with physical and mental attributes that were labelled feminine, such as feeding and nurturing. However, both women accept God’s sexed body as fundamentally male. Janabai is the most innovative of the mystics in her gendering of the divine; her deity Vitthal’s sexed body can be either male or female, although (s)he typically undertakes chores that were the province of women. Janabai is not the only mystic to attempt a reconciliation of the domestic and the spiritual. As narrated in the Booke, Christ expresses willingness to help Margery with her baby, although the text is silent about whether this offer was accepted or not. In addition, Margery undertakes domestic tasks for God and his family, thus investing them with a new dignity. My study demonstrates that as the mystics address questions of women’s relationship with the divine, they go beyond binary frameworks, positing fluid boundaries between male and female, body and spirit, and mundane and spiritual. Thus, these texts can be harnessed to engage creatively with the model of inclusive feminine spirituality expounded by feminist thinker Luce Irigaray, particularly in Between East and West (2002). / text

Notre étude porte sur le développement du culte d’Hélène à l’époque carolingienne. Si la fin de l’antiquité et l’époque des royaumes barbares gardèrent le souvenir de la mère de Constantin, en particulier dans les sphères politiques, l’élaboration de sa légende fut progressive, connut plusieurs versions, parfois contradictoires et l’impératrice ne reçut pas de culte avant la deuxième moitié du IXe siècle. Bien que la ville de Rome se souvienne des bienfaits et des constructions de la sainte, ce n’est pas là que son culte fut fondé mais en Champagne. Il s’agit donc d’étudier comment l’époque carolingienne constitue un moment particulièrement favorable à la redécouverte de cette pieuse femme, proche du pouvoir. L’édition du dossier hagiographique produit à cette époque en Champagne par le moine Almanne d’Hautvillers constitue le point de départ de notre recherche tant ce texte semble central à la diffusion de ce nouveau culte. Il résume également l’ensemble des enjeux qui gravitent autour du personnage. Car les raisons d’évoquer Hélène sont nombreuses : culte de la Croix, modèle de sainteté féminine, définition du pouvoir impérial, pratique du queenship, questionnement sur l’authentification des reliques et leur déplacement, quête de légitimité ou de primauté. Le culte est ainsi réinterprété en fonction des besoins des régions qui se l’approprient, à Trèves, à Cologne ou encore en Angleterre. / Our study focuses on the development of the cult of Helena in the Carolingian period. If the end of antiquity and the time of the barbarian kingdoms kept the memory of the mother of Constantine, particularly in the political sphere, the development of her legend was progressive, it went through several versions, sometimes contradictory and the Empress received no worship before the second half of the ninth century. Although the city of Rome remembered the benefits and constructions of the saint, her cult wasn’t founded there but in Champagne. The point is to study how the Carolingian period was therefore a particularly favorable time to rediscover this pious woman, and her vicinity with power. Publishing the hagiographical works produced at that time in Champagne by the monk Almannus of Hautvillers is the starting point of our research since that text appears central to the spread of this new cult. It also summarizes all the issues that revolve around the character. For the reasons to mention Helena are numerous: worshipping the Cross, modeling feminine holiness, defining the imperial power, practicing queenship, questioning the authentication of relics and their displacement, seeking legitimacy or primacy. Worshipping Helena is thus reinterpreted according to the needs of the regions that appropriate her, in Trier, in Cologne or in England.