The aim of this paper is to examine how women who mosh to hardcore music understand moshing as a meaning making activity and how they understand and negotiate body, gender and space in their relation to moshing. I have done a feminist phenomenological analysis on four deep interviews with women who mosh based on the theories of Sara Ahmed and Iris Young. I have found that my informants discuss moshing in terms of feelings of adrenaline, euphoria, strength and emotional ventilation. They break the norms of female bodily performance at the same time as they feel uncomfortable with how their bodies stand out in relation to the white and male bodies as a norm in hardcore spaces. The women then use how their own and other bodies that stand out as a way to access space and as a ground for resistance, both against the room as masculine and as white. The women show a clear feministic orientation and use a violent bodily performance as a feminist practice.