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The feminism of Doris LessingKrouse, Agate N. January 1972 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Une lecture féministe et bakhtinienne de l'oeuvre romanesque de Francine Noël, une traversée des apparencesBarrett, Caroline January 1999 (has links) (PDF)
No description available.
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Feminism and fiction: the aesthetic dilemma : a study of Virginia Woolf /Transue, Pamela Jean, January 1981 (has links)
No description available.
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Violence, postcoloniality and (re)placing the subject: a study of the novels of Margaret AtwoodTrapani, Hilary Jane. January 1994 (has links)
published_or_final_version / Literary Studies / Master / Master of Arts
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Hysteria and the scene of feminine representation.Brennan, Karen Morley. January 1990 (has links)
In the sense that women have been hystericized by male theories about femininity, Freudian psychoanalysis has functioned as an institution which seeks women's silence. Hysteria is the dis-ease of this silence; that is to say, it is a set of eloquent symptoms--a "writing" on the body--which signify women's oppression/repression. It is within this apparent contradiction that feminine representation takes place. The figure for such representation is, therefore, hysteria: working "in the gaps," "between the lines," telling the story of patriarchy only to disrupt this story, Frida Kahlo, Anais Nin, and Kathy Acker create feminine fictions. Kahlo's autobiographical painting is inextricable from her obsession with husband Diego Rivera, just as Nin's erotica is inextricable from her relationship with Henry Miller. Likewise, Acker's postmodern production is entangled in the androcentric agenda which attempts to recuperate patriarchy by appropriating the figure of Woman. The "engine" of transference/counter-transference becomes the most viable description of the hysterical process these women employ to represent themselves. The epilogue contains original fictions which extend comment on both hysteria and feminine representation.
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No woman is an island : reconceptualizing feminine identity in the literary works of Ayu UtamiCampbell, Micaela. 10 April 2008 (has links)
No description available.
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Feminist poetics from écriture féminine to The pink guitarTrainor, Kim January 2003 (has links)
No description available.
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Brenda Ueland : early feminist and writing theoristFirmin, Mary Ann 23 May 1991 (has links)
Brenda Ueland is a writer whose most noted work is a book which
explains her theory about how to write. She also published an
autobiography and a co11ection of essays as well as achieving some
notoriety as a magazine writer to the twenties and thirties. Ueland's
writing theory is based on the premise that all people have a natural
desire to express themselves in writing. In her book about writing
she explains her belief that all people have the potential to write as
an expression of their natural, creative instincts. Ueland's theory
identifies her as an Expressionist in terms of contemporary
rhetorical theories.
Considered eccentric by her family and friends, Ueland chose to
live a life that demonstrated a desire for independence and equal
treatment as a woman in a male-dominated society. Ueland's
attitudes and ideas about choosing a lifestyle not within the bonds of
the conventional expectations of marriage identified her with
feminist ideals. Although feminism as a recognized movement was to
come later, Ueland felt that equal work required equal pay, and,
therefore, she objected to the inequalities in salaries based on
gender. Ueland also tried to define herself in terms of her own
accomplishments and not through her husband's career. In her
published works Ueland not only teaches about writing as a form of
self-expression, she also shares her search to discover her personal
beliefs and values as an inspiration to other people who want to
write. / Graduation date: 1992
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La Greve des battu la femme au pluriel /Wambi, Bruno, January 1999 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 1999. / Typescript. Vita. Includes bibliographical references (leaves 237-246). Also available on the Internet.
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A feminist analysis of Tsitsi Dangarembga's Nervous conditions (1988) /Mbatha, P. January 2009 (has links)
Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2009. / Full text also available online. Scroll down for electronic link.
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