Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-06-30T17:43:49Z No. of bitstreams: 1 DIS_BRUNA_ATTI_PROVENZANO_COMPLETO.pdf: 9774141 bytes, checksum: 7138c5fc0f3c806ef1bf1c89f6e1ae18 (MD5) / Made available in DSpace on 2017-06-30T17:43:49Z (GMT). No. of bitstreams: 1 DIS_BRUNA_ATTI_PROVENZANO_COMPLETO.pdf: 9774141 bytes, checksum: 7138c5fc0f3c806ef1bf1c89f6e1ae18 (MD5) Previous issue date: 2017-04-10 / In this study, our gaze turns to the relationship between the media and the death of football players. Our focus is on the journalistic coverage of the Fernand?o death. We delimit, as the essence of our analysis, articles published by Correio do Povo e Zero Hora. We limit our corpus with five piece of news from each journal. They are the first productions of informative sort produced on the idol death and published in the printed version of the newspapers. Our objective is to study the production of meaning in the coverage of the death of a sports idol as Fernand?o. We are also motivated by the search for an understanding of the way the piece of news collaborate in the construction of the athlete myth.We will proceed using the analysis method as the Paradigm of Complexity from Edgar Morin (2011), which bets not on the linearity of the way, but on the constant dialogue between different knowledge. We define the analysis technique of our corpus the Semiology from Roland Barthes (1996). By unveiling the speeches - verbal and nonverbal - we seek to find what is obtuse in the productions about the Fernand?o death. By unveiling the speeches - verbal and nonverbal - we seek to find what is obtuse in the productions about the Fernand?o death. Our analyzes will be guided by six categories a priori that we understand as pertinent for the accomplishment of this study. Our starting point is based on: Photography, with the subcategories studium and punctum; Fait divers; myth; imaginary; Stereotype and socioleto. All are based on Barthes? reflections.The study revealed similarities in the discourse produced by the two journals about the death of Fernand?o. From verbal and non-verbal elements, the material tries to clear the player?s trajectory, highlighting, above all, the moments of victory and joy, suppressing the contradictions. / Neste estudo, nosso olhar se volta para a rela??o entre a m?dia e a morte de jogadores de futebol. Nosso foco est? na cobertura jornal?stica realizada acerca da morte de Fernand?o. Delimitamos, como ess?ncia de nossa an?lise, mat?rias publicadas pelos jornais Correio do Povo e Zero Hora. Limitamos nosso corpus a cinco publica??es de cada um dos peri?dicos. S?o as primeiras produ??es de g?nero informativo produzidas sobre o falecimento do ?dolo colorado e publicadas nas vers?es impressas dos jornais. Nosso objetivo ? estudar a produ??o de sentido na cobertura da morte de um ?dolo esportivo como Fernand?o. Tamb?m nos motiva a busca pela compreens?o da forma como as mat?rias observadas colaboram na constru??o do mito do atleta. Como m?todo, nos valemos do Paradigma da Complexidade proposto por Edgar Morin (2011), que aposta n?o na linearidade do caminho, mas no di?logo constante de saberes. Definimos como t?cnica de an?lise de nosso corpus a semiologia de Roland Barthes (1996). Ao desvelar os discursos - verbais e n?o verbais - buscamos encontrar o que est? obtuso nas produ??es sobre a morte de Fernand?o. Nossas an?lises ser?o orientadas por seis categorias a priori que entendemos como pertinente para a realiza??o deste estudo. Nosso ponto de partida est? alicer?ado em: fotografia, com as subcategorias studium e punctum; fait divers; mito; imagin?rio; estere?tipo e socioleto. Todas s?o baseadas nas reflex?es de Barthes. O estudo revelou semelhan?as no discurso produzido pelos dois peri?dicos acerca da morte de Fernand?o. A partir de elementos verbais e n?o verbais, as mat?rias tratam de inocentar a trajet?ria do jogador, destacando, sobretudo, os momentos de vit?ria e alegria, suprimindo as contradi??es.