Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-06-13T19:26:35Z No. of bitstreams: 1 FabricioDeSousaSampaio_TESE.pdf: 1688543 bytes, checksum: 901f73ac74a9483944377337f027f3cc (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-06-14T22:41:30Z (GMT) No. of bitstreams: 1 FabricioDeSousaSampaio_TESE.pdf: 1688543 bytes, checksum: 901f73ac74a9483944377337f027f3cc (MD5) / Made available in DSpace on 2017-06-14T22:41:30Z (GMT). No. of bitstreams: 1 FabricioDeSousaSampaio_TESE.pdf: 1688543 bytes, checksum: 901f73ac74a9483944377337f027f3cc (MD5) Previous issue date: 2017-02-22 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / A paquera ? um ato seletivo, calculista e erotizado. ? uma busca caracterizada por determinados rituais inter-relacionados com as intencionalidades dos sujeitos, os eixos de classifica??o e diferencia??o dos corpos em n?veis de desejabilidade e/ou paquerabilidade, a heteronormatividade e os c?digos sociais de cada contexto cultural em que ela se efetiva. A etnografia h?brida e concomitante realizada sobre a paquera objetivou analisar as performances de paquera entre homens nos contextos ?online? do Facebook e ?offline? em festas eletr?nicas na cidade de Sobral, interior do Cear?, no per?odo de 2013 a 2016. E, a partir da?, interpretar, especificamente, os marcadores sociais da paquera e suas interseccionalidades, al?m de identificar e compreender os rituais perform?ticos dos corpos masculinos em situa??o de paquera durante as festas eletr?nicas e no Facebook. Na an?lise dos sentidos dos rituais perform?ticos da paquera nesses contextos, a investiga??o contou com entrevistas abertas de dezesseis participantes das festas eletr?nicas e com di?logos e entrevistas com outros doze sujeitos que participaram de intera??es via ?Messenger? do Facebook e atrav?s do aplicativo ?whatsapp?. O conceito de performance de Richard Schechner (2003, 2010, 2011, 2012) e Erving Goffman (2009, 2010, 2011), assim como a no??o de performatividade de Judith Butler (2002, 2006, 2010, 2011), interseccionaram as reflex?es sobre os rituais da paquera que, analiticamente, foram divididas em fase preparat?ria, desfocada e focada ou multifocada, tomando como refer?ncia as teoriza??es de Goffman. A paquera masculina ? um ?continuum? ritual?stico entre o ?online? e o ?offline? e se mostrou, durante a investiga??o social, interseccionada por eixos de diferencia??o ? sexo, g?nero, sexualidade, padr?es est?ticos, classe social ou performance grupal e gera??o ?, os quais s?o ressignificados contextualmente atrav?s da heteronorma e dos c?digos de sociabilidade espec?ficos. Al?m disso, pensar nas sociabilidades de paquera na ambi?ncia de conectividade ininterrupta da cibercultura ? partir da premissa de contextos culturais h?bridos e, portanto, a considera??o de que a paquera contempor?nea se apresenta de forma hibridizada em que os sujeitos transitam entre os polos sim?tricos de intera??o ?online? e ?offline?, reiterando e subvertendo normas e regras sociais que estruturam cada contexto cultural. / Flirting is a selective, calculating and eroticized act. It is a search characterized by certain rituals interrelated with the intentions of the subjects, the axes of classification and differentiation of bodies in levels of desirability and / or passivity, heteronormativity and social codes of each cultural context in which it takes place. The hybrid and concomitant ethnography performed on flirting aimed at analyzing the performance of flirting among men in the online contexts of Facebook and "offline" in electronic parties in the city of Sobral, interior of Cear?, between 2013 and 2016. And, the from there, to interpret, specifically, the social markers of flirting and their intersectionalities, in addition to identifying and understanding the performative rituals of male bodies in flirtation situations during electronic parties and on Facebook. In the analysis of the meanings of the performance rituals of flirting in these contexts, the research had open interviews with sixteen participants of the electronic parties and with dialogues and interviews with other twelve subjects who participated in interactions via Facebook Messenger and through the application "whatsapp". The concept of performance by Richard Schechner (2003, 2010, 2011, 2012) and Erving Goffman (2009, 2010, 2011), as well as Judith Butler's notion of performativity (2002, 2006, 2010, 2011), intersected the reflections on the rituals of flirtation that were analytically divided into the preparatory, blurred and focused or multifocated phases, using Goffman's theorizations. Male flirting is a ritualistic "continuum" between online and offline and has been shown during social research intersected by axes of differentiation - sex, gender, sexuality, aesthetic standards, social class or group performance and generation -, which are contextually reassigned through heteronorma and specific sociability codes. In addition, thinking about the sociabilities of flirting in the ambience of uninterrupted connectivity of cyberculture is based on the premise of hybrid cultural contexts and, therefore, the consideration that contemporary flirting presents itself in a hybridized way in which subjects transit between the symmetric poles of interaction "online" and "offline", reiterating and subverting social norms and rules that structure each cultural context.