Cette thèse prend comme problématique de départ l’étude du cinéma au Maroc, son évolution économique et sociale marquée par la colonisation et la post-colonisation et une série de faiblesses et d’atouts qui rendent son étude une tâche intéressante. En effet, tandis que les infrastructures liées à ce secteur ont été mises en service dès les années 20 du siècle dernier, ce n’est qu’en 1958 que le premier long métrage marocain a vu le jour. Il s’agit du film Le fils maudit de Mohamed Ousfour. Ainsi, cette thèse a procédé à un état des lieux des différentes composantes de la filière cinématographique au Maroc par le schéma élémentaire : production distribution-exploitation, en optant pour une histoire socio-économique du cinéma marocain. L’approche adoptée est purement empirique. Cette thèse part d’une série de questions qui interrogent le parcourt mitigé du cinéma au Maroc, où de grosses productions mondiales sont annuellement tournées, des festivals sont organisés, une implication de l’État est permanente, mais sans pour autant aboutir à créer les bases d’une réelle industrie cinématographique.En conclusion de cette thèse une crise structurelle dont souffre le cinéma au Maroc a été évoquée, sans pour autant nier les quelques aspects évolutifs qu’il a connus. En effet, le cinéma marocain est toujours à la recherche d’un développement prenant en considération la dualité qui le caractérise en tant qu’art et industrie. La filière cinématographique souffre d’une grande fragilité et d’un manque de cohérence dans le développement que connaît chacune de ses composantes. En plus, le cinéma au Maroc est assez souvent assimilé par le pouvoir comme un vecteur de promotion touristique et de propagande politique, plutôt qu’une industrie culturelle. La production cinématographique, de sa part, dépend du soutien de l’État, ce qui facilite la censure et impose la vision du pouvoir du développement de ce domaine. / This thesis tackles as an initial issue the study of cinema in Morocco, its economic and social evolution markedby colonization, post colonization, and a series of weaknesses and assets that make its study an interesting task.Indeed, since infrastructures linked to this industry were put into service starting from 20s of the formercentury, it was not until 1958 that the first Moroccan long-length film came into being. It is about the movie of“Le fils de maudit” by Mohamed Ousfour. Accordingly, this thesis conducts a study of the different componentsof cinematographic industry in Morocco through this basic paradigm: production-distribution-exploitation,opting for a socio-economic history of the Moroccan cinema. The adopted approach is purely empirical.This thesis part of a series of questions that interrogate the mitigated path of cinema in Morocco, where hugeworld productions are currently shot, festivals organized, and a state’s implication that is deemed relevant, butwithout however leading to the creation of bases of a real cinematographic industry.In conclusion of this thesis a structural crisis of which suffers cinema in Morocco was triggered, withouthowever denying some evolutionary aspects that it has seen. Indeed, Moroccan cinema is still on the lookoutfor development taking into account the duality which characterizes it as an art and industry. Thecinematographic sector suffers from a profound fragility and from a lack of coherence in the development thateach of its components experiences. Furthermore, cinema in Morocco is often understood by the government asa medium of tourism promotion and political propaganda, rather than cultural industry. The cinematographicindustry, on its part, depends on the state’s support, which facilitates censorship and imposes the state’s visionof the development of this field.

張武宜. / "2013年9月". / "2013 nian 9 yue". / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 229-239). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Zhang Wuyi.

Mak Hon Ming Franky. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1996-97, design report." / Includes bibliographical references. / Chapter 1 --- DEFINING PROBLEM / Chapter 1.1 --- INTRODUCTION / Chapter 1.2 --- BACKGROUND / Chapter 1.3 --- TEMPORARY NEED FOR SPACE / Chapter 1.4 --- SITE LOCATION / Chapter 1.5 --- SITE SPECIFIC FESTIVALS / Chapter 1.6 --- NON SITE SPECIFIC FESTIVALS / Chapter 1.7 --- PROGRAMME / Chapter 2 --- DESIGN SOLUTION / Chapter 2.1 --- SITE EVOLUTION / Chapter 2.2 --- BUILDING ORGANIZATION / Chapter 2.3 --- FLEXIBLE SETTING / Chapter 2.4 --- ICON FOR FESTIVALS / Chapter 2.5 --- ZONING (MAIN STRUCTURE) / Chapter 2.6 --- ZONING(STAGE) / Chapter 3 --- STRUCTURE AND SERVICES / Chapter 3.1 --- ROOF (MAIN STRUCTURE) / Chapter 3.2 --- CONSTRUCTION / Chapter 3.3 --- "(A,B,C) JOINTING DETAILS A,B,C" / Chapter 3.4 --- HULL STRUCTURE / Chapter 3.5 --- BALANCING SYSTEM / Chapter 3.6 --- RETRACTABLE SEATING / Chapter 3.7 --- POWER AND ENERGY / Chapter 3.8 --- PLUMBING AND DRAINAGE / Chapter 3.9 --- LIFE SAFETY / Chapter 4 --- DESIGN PROCESS / Chapter 4.1 --- FIRST CONCEPT / Chapter 4.2 --- CHANGING IMAGE / Chapter 4.3 --- TWO BLOCKS WITH ATRIUM / Chapter 4.4 --- FROM ONE TO TWO / Chapter 4.5 --- FLEXIBLE ORGANIZATIONS / Chapter 4.6 --- STRUCTURAL STUDIES / Chapter 4.7 --- STRUCTURAL PURIFICATIONS / Chapter 4.8 --- FINAL SOLUTION / Chapter 5 --- LIGHTING STUDY / Chapter 5.1 --- PLANNING FOR LIGHTING / Chapter 5.2 --- LIGHTING COLUMN / Chapter 5.3 --- NATURAL VS ARTIFICIAL LIGHTING / Chapter 5.4 --- LUX LEVEL / Chapter 5.5 --- FLOODLIGHTING SPECIFICATION / Chapter 5.6 --- UPLIGHTING SPECIFICATION / Chapter 5.7 --- MODULAR LIGHTING SPECIFICATION

Title: Festivalernas Intåg – Korröfestivalen- en bordunstämmas resa genom festivaliseringen The Korrö festival- The establishment of a Swedish Folk Music Festival. This thesis describes how folk music festivals have been escalating during the past few and how they have influenced Swedish folk music. To reach my results I have been studying one festival in particular which is the Korrö Folk Music Festival. This event started in the mid-eighties as a small happening that attracted almost exclusively musicians that were a part of the bordooon movement. The bordoon movement gathered a couple of days in the summer at what they called the “Korrö bordunstämma” to build instruments and play folk music. Later on the event started to attract other people through public live concerts. These concerts became more and more popular and they soon took over the original purpose of the event. This became a turning point for “Korrö bordunstämma” who now decided to change name to the Korrö Folk Music Festival. I have been studying the history of this event to see if I could find any particular circumstances that may have contributed to the popularity this event have reached over the years. I will illustrate how certain factors such as organisation, economy and alteration of visitors have affected the festival. This text will give the reader a presentation of a festival in constant change. I believe that The Korrö Folk Music Festival has been an important part of the development of modern Swedish folk music and still is.

<p>Title: Festivalernas Intåg – Korröfestivalen- en bordunstämmas resa genom festivaliseringen</p><p>The Korrö festival- The establishment of a Swedish Folk Music Festival.</p><p>This thesis describes how folk music festivals have been escalating during the past few and how they have influenced Swedish folk music. To reach my results I have been studying one festival in particular which is the Korrö Folk Music Festival. This event started in the mid-eighties as a small happening that attracted almost exclusively musicians that were a part of the bordooon movement. The bordoon movement gathered a couple of days in the summer at what they called the “Korrö bordunstämma” to build instruments and play folk music. Later on the event started to attract other people through public live concerts. These concerts became more and more popular and they soon took over the original purpose of the event. This became a turning point for “Korrö bordunstämma” who now decided to change name to the Korrö Folk Music Festival. I have been studying the history of this event to see if I could find any particular circumstances that may have contributed to the popularity this event have reached over the years. I will illustrate how certain factors such as organisation, economy and alteration of visitors have affected the festival. This text will give the reader a presentation of a festival in constant change. I believe that The Korrö Folk Music Festival has been an important part of the development of modern Swedish folk music and still is.</p>

Extrait de : Th. : Lett. : Paris 4 : 1980. / Bibliogr. p. [539]-573. Notes bibliogr. Index.

Thesis (M.Tech: Tourism and Hospitality Management)--Tshwane University of Technology, 2012. / Looks at the nature of jazz festival tourists in South Africa, their motivations, behavioural intentions and how attendees can be effectively segmented in order to guarantee visitor satisfaction and loyalty.

Thesis (Ph. D.)--University of Technology, Sydney, 2005. / Title from PDF title page (viewed on Feb. 5, 2008). Includes bibliographical references (p. 365-391).

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 445-460).

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 445-460).