by Lee Zhengwei. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1988. / Bibliography : leaves 109-116.

Specifically, in her novel Beloved Morrison redefines the slave-narrative tradition and reveals the discredited history of slavery by unveiling the "interior life" of African American ancestors and rendering memories heretofore unacknowledged and unspoken in classic slave autobiographical narratives. Through a hybrid prose that mixes fiction with history in the novels The Enigma of Arrival and A Way in the World , Naipaul illuminates "areas of darkness" in the diasporic world of East Indian Trinidadian peoples and provides new ways of transforming the English literary and cultural history. Focusing on West African identity and community, especially the poorest and the most powerless, in the novel The Famished Road Okri brings a mythic and fantastic dimension to postcolonial fiction as a way of finding images to portray what the public media and the outside world fail to record and comprehend, and gives voice to people who are generally without power and almost without any place in a world of inequality and injustice. Probing into specific representations of incompleteness in the historical novels of Toni Morrison, V. S. Naipaul, and Ben Okri, this thesis underscores the indispensable role of fiction in representing life, rewriting history and enlarging reality. / With reference to Paul Ricoeur's conception of the interconnectedness between history and fiction, in particular his analyses in The Reality of the Historical Past, this comparative literary study examines narrative strategies that three contemporary writers of fiction---Toni Morrison, V. S. Naipaul, and Ben Okri---have devised to counteract incompleteness of historical representation. This thesis argues that history as a mode of rendering the past and a way of representing reality is essentially incomplete. In other words, history is incomplete as a systematic written account comprising a chronological record of past events, circumstances, and facts, and as a story or a narrative of events connected with a real or imaginary object or person. Fiction, however, with its underlying capacity to transform and transfigure reality, imagines as well as repatterns unrecognized or misrepresented aspects of individual and cultural histories. In their works of fiction, Morrison, Naipaul, and Okri purposefully address various kinds of historical negation, absence, and incompleteness. / Zhu Ying. / "May 2005." / Adviser: Timothy Weiss. / Source: Dissertation Abstracts International, Volume: 67-01, Section: A, page: 0180. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (p. 219-233). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in English and Chinese. / School code: 1307.

Popular writer and man of the people, Zamenga Batukezanga, in 1971, wrote, using his personal experience, his first book entitled The Ups and downs. In his novel, he describes the life of a young villager, Difwayame, who disenchanted acceded the developed class assigned to fight the customs of his native land. In 1986, he published a book entitled My husband on strike. In this novel, he depicts the life of Laurent Lubaki, disenchanted by his clan adheres first the sect called The world will change, and then a catholic church to fight the customs of his native environment. In1991, he wrote and published A Villager in Kinshasa. In this novel, he showed the reader how Amuly who disillusioned by the mores of Kinshasa’s people returned to the village training first agriculture becomes rich and helps villagers. In 2008, he published a book entitled Forbidden way. In this novel, he describes the Hassein Ben Diouf who disillusioned by the behaviour of his mother leaves the house of his parents and adheres to as path as banned group to fight corruption, prostitution, dictatorship which block the development of his country. After carefully reading the above four novels, one realizes that Zamenga Batukezanga puts bare retrograde and anti-values that are common after the independence of his country. That is why from a book to another, he struggles against the retrograde customs and anti- values by evoking the suffering of young people. He keeps coming in his novels on a thematic or dialectic – disenchantment and commitment. What does he mean by disenchantment and commitment? How the two concepts manifest themselves in the works of Congolese writer? What means has he put at the disposal of young struggling to fight retrogrades customs and anti-values in order to achieve freedom? / Linguistics and Modern Languages / D. Litt. et. Phil. (French)

Esta disertación conecta la teoría de la transculturación narrativa de Ángel Rama con la tradición intelectual latinoamericana que aportó sus características más distintivas. Las teorías de Rama fueron influidas por dos tradiciones latinoamericanas. Una es de carácter político y tiene su origen en la Reforma de Córdoba de 1918. La otra, de carácter epistemológico y se remonta a la década de 1930, cuando comienza el culturalismo en Latinoamérica. Mi investigación se ocupa de un grupo de intelectuales uruguayos que trabajaron en torno al semanario Marcha [1939-1974]: Carlos Quijano [1900-1984], Julio Castro [1908 -desaparecido en 1977] y Arturo Ardao [1912-2003]. También me ocupo de dos intelectuales brasileños, Antonio Cândido [1918] y Darcy Ribeiro [1922-1997], quienes continuaron con la tradición culturalista que inauguraron en Latinoamérica autores como Gilberto Freyre [1900-1987] y Fernando Ortiz [1881-1969]. Recuperar las redes intelectuales que acompañaron el proceso de articulación de la transculturación narrativa nos permite comprender mejor las tesis de Rama por dos razones. Primero, porque enmarca esta teoría dentro de algunos de los debates políticos y culturales más importantes de la Guerra Fría. Y segundo, porque se aproxima a la manera como Rama comprendió la historia latinoamericana y su coyuntura política y socio-cultural durante las décadas de 1960 y 1970. El objetivo de la teoría de la transculturación narrativa es describir el proceso por el cual las manifestaciones literarias latinoamericanas pasan de la dependencia a la autonomía cultural. Como el proceso descrito se despliega dentro de la estructura social, para comprenderlo es necesario analizar la interacción entre las obras literarias y la sociedad que las rodea, de esta forma las ciencias sociales --antropología, sociología, economía-- son instrumentos de análisis indispensables para comprender una obra o tradición literaria. Este marco general de análisis es descrito por Rama como el culturalismo. En el caso de Rama, una lectura desde los estudios literarios puede dar por sentado que el culturalismo fue tan sólo un método de análisis alternativo al estructuralismo francés. Aunque esta perspectiva sea en parte correcta, no es del todo precisa. El culturalismo al que se refiere Rama es el mismo que practicaron los cientistas sociales en Latinoamérica desde la década de 1930. Recuperar la historicidad de la transculturación narrativa no solo nos permite comprender la genealogía de esta teoría sino recuperar y hacer visibles algunas tradiciones intelectuales contra-hegemónicas que desarticuló la Guerra Fría en Latinoamérica.

Includes bibliographical references (leaves 246-258) Presents readings of six novels which depict something of the nature of war trauma. Collectively, the novels suggest that the attempt to narrativise war trauma is inherently problematic. Traces the disjunctions between narrative and war trauma which ensure that war trauma remains an elusive and private phenomonen; the gulf between private experience and public discourse haunts each of the novels.

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The thesis examines some of the short and long fiction set in Johannesburg, which is published between approximately 1980 and 2003. The thesis examines how the residents viewed themselves, and evaluates the various social and political struggles and strategies that were employed in an attempt to belong, imagine the city differently and establish strategic identities that would enable them to live a better life during the focused quarter of a century of experiences in an ever-changing fictive Johannesburg. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.

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Includes bibliographical references (leaves 246-258) / 258 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Presents readings of six novels which depict something of the nature of war trauma. Collectively, the novels suggest that the attempt to narrativise war trauma is inherently problematic. Traces the disjunctions between narrative and war trauma which ensure that war trauma remains an elusive and private phenomonen; the gulf between private experience and public discourse haunts each of the novels. / Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2001

Thesis (Ph.D. (English)) - Rhodes University, 2008.