M.A. / This study deals with the portrayal of female characters in three novels of K.E. Ntsane. The novels are Masoabi ngwana Mosotho wa kajeno, Nna Sajene Kokobela, C.I.D. and Bao batho. CHAPTER ONE This chapter deals with the aim and scope of the study, approach, the biography of K.E. Ntsane and his contribution to Sesotho literature, a short summary of the three novels, the cultural image of a Mosotho woman and the conclusion. CHAPTER TWO This chapter consists of the origin of feminism and its effect on women. The definition and method of characterization are discussed in relation to the female characters in selected works. The woman in a Sesotho culture is examined in some detail. CHAPTER THREE In chapter 3, the portrayal of female characters in the novels is discussed. Their behaviour as well as the author's attitude is examined. CHAPTER FOUR Chapter 4 deals with Ntsane's style in the three novels. CHAPTER FIVE This chapter is a general conclusion to this study.

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

In this thesis an attempt is made to show the impression World War I made on the mind of a young German author. I have tried to interpret his outlook on war and to show how he could arrive at such a seemingly sordid statement as "living is killing". In 1920 a relatively unknown member of the Reichswehr published an account of World War I that soon became a bestseller. The book was In Stahlgewittern, its author Ernst Jünger. It was followed two years later by Der Kampf als inneres Erlebnis. Their common subject was war. The success of the two novels served to catapult Ernst Jünger from being a highly decorated officer of the war, but otherwise widely unknown, into the limelight of fame. It opened the doors for him to the intellectual and literary circles of Germany and later on of Europe. Although the subject of both works specifically pertains to World War I, almost the whole length of which the author had seen on the western front, their scope is much wider. Jünger attempts to show how he sees war in general. To make this clear he deals lengthily with the word of Heraklit of war as the father of all things. At the time that Jünger published these books which show war as a positive experience, the general literary feeling in Europe was still strongly anti-war. Nevertheless he managed not only to voice his opinion, but also to use these works especially as the starting point of an immensely successful and prolific literary career. Even though Ernst Jünger does not deny the horrors and atrocities of war, his books are an apotheosis of the subject. Paradoxically, war to him is the one thing that will serve to perpetuate the human race. This is achieved in a way that is vaguely reminiscent of Darwin's theory of the survival of the fittest. In war a new elite or new "race" is born. Just as war has fathered it, it in turn will be responsible for the following generations. Race, in Jünger's sense, is not a biological term, rather a philosophical experience. To survive, and to create the new man, the soldier has again to be made aware of his past. Only by linking his prehistoric existence with modern man and modern man's accomplishments, will he be able to form this new race. Blood, i.e. instinct rather than reasoning, originality rather than the stifling process of learning, is modern man's only means for survival. Especially with this theory Jünger came dangerously close to the world of ideas of National-Socialism. Even though Jünger was opposed to the crude ideology of the Nazis, he did little to defend his works against their use and exploitation. This, as well as his own ideas about war, has made him one of the most controversial German writers of the twentieth century.

No description available.

No description available.

No description available.

With its focus on the relationship between dreamscape and death, this study examines the possibility of indirectly experiencing – through writing and dreaming – that which cannot be directly experienced, namely death. In considering this possibility, the thesis engages at length with Maurice Blanchot's argument that death, being irrevocably absent and therefore unknowable, is not open to presentation or representation. After explicating certain of this thinker's theories on the ambiguous nature of literary and oneiric representation, and on the forfeiture of subjective agency that occurs in the moments of writing and dreaming, the study turns to an examination of the manner in which such issues are dealt with in selected dreamscapes. With reference to David Malouf's An Imaginary Life, Alan Warner's These Demented Lands, Cormac McCarthy's The Road, and Richard Linklater's Waking Life, the thesis explores the literary and cinematic representation of human attempts to define, resist, or control death through dreaming and writing about it. Ultimately, the study concludes that such attempts are necessarily inconclusive, and that it is only ever possible to represent death as a (mis)representation.

A lot of research on the Shona novel has focussed on the influence of orature and the Bible. It has also focused on the influence that the Southern Rhodesia Literature Bureau had on its development. This research has endeavoured to highlight the reliability and validity of the Shona novel as a historical document. The dependability of the novel as an alternative site from which history can be deciphered is corroborated by historical documents. The history that comes out in the Shona novels that have been studied covers the pre-colonial period right up to the post-independence period. Among the issues that come up in the research that relate to history are the Rozvi state under Chirisamhuru, the economic activities in pre-colonial Shona society that include raids for cattle and women as well as hunting and external trade. The Shona novel has also proved historically reliable in as far as it relates to the navigability of the Save River. It has highlighted the living conditions and the wages that Blacks got in colonial Rhodesia and exposed the land imbalances that came into existence because of the Land Apportionment Act of 1930, which left Blacks living on the periphery and in overcrowded, hot and dry reserves that were hardly fertile. The Rhodesian authorities, as the novels have exposed, denied most Blacks access to education. When schools were provided, they were poorly staffed and those on farms functioned more as labour pools than schools. The novel has also proved its dependability when it highlights the early days of the nationalist movement and the unilateral declaration of independence of 1965. It has also brought to the fore the birth of the armed struggle and the Rhodesian responses to it. The Rhodesians responded politically and militarily. Politically, it was through the Internal Settlement Agreement of March 1978. Militarily they moved people into 'protected villages' in an effort to deny guerrillas access to food and clothing. The novel also highlights the post-independence period especially political intolerance. / African Languages / D.Litt. et Phil. (African Languages)

Early written Shona narratives like Solomon Mutswairo's Feso [Thorn; name of main character, 1982] evince fantasy since they emanated from folktales, a genre that abounds in this element. Contrary to this, Charles Mungoshi attempts to portray life faithfully in Makunun'unu Maodzamwoyo [Brooding breeds despair, 1977], Ndiko Kupindana Kwamazuva [How time passes, 1975] and Kunyarara Hakusi Kutaura? [Is silence not a form of speech? 1983]. This study attempts to show how this realism manifests itself in the components that constitute each of the works: setting, plot, characterisation, theme and style. Mungoshi's characters, for instance, are not one-sided supernatural beings who perform fabulous acts. Instead, they have strengths and limitations like people in everyday life. Their actions and speech are consistent with their social backgrounds. By injecting realism into the Shona narrative, Mungoshi has contributed towards its development. Due to this realism, the works deserve the label "novels" as opposed to "romances". / African Languages / M.A. (African languages)

Critical studies and creative works in the Sesotho novel have made some of the important contributions in Sesotho literary history in particular, and African literary history in general. However, such contribution has been dictated by a particular history and an ideology. The world-view in literary practice that emerged from that history is the one that tends to divorce literature, literary study and language from society. Consequently, this study identifies this practice as a problem that needs to be addressed. This study argues from this perspective that literature, literary study and language should be re-established as integral parts in a manner that pedagogical practice would translate into positive social practices. To realise this ideal the study approaches the study of the Sesotho novel from the perspective of literary production. The theory of literary production insists that literature is a form of social production. This argument becomes even more pertinent to the study of the novel, which is viewed as having profound elements of realism that mirror society. A consideration of the Sesotho novel as a form of literary production that is linked to other forms of social production immediately leads to the question of the development of the Sesotho novel. The possibilities that are identified include external influence and internal evolution in the development of the Sesotho novel. These possibilities also have a bearing on the study of the Sesotho novel in particular and the study of the African novel in general. In order to pursue the argument to its logical conclusion, the development of the Sesotho novel is divided into three periods: 1900-1930; 1930-1960 and the 1960s- 1990s. Each of these periods demonstrates a particular ideological leaning that is akin to the material conditions of each period. Taking this trend as a pattern in the development of the Sesotho novel, this study advocates an approach that links literature and literary studies to society. / African Languages / D.Litt. et Phil. (African Languages)