Spelling suggestions: "subject:"flamenco dance"" "subject:"flamenco lance""
1 |
The unforgotten passion of flamenco /Nastri, Andrea. January 1998 (has links)
Thesis (M.S.)--Central Connecticut State University, 1998. / Thesis advisor: Gloria Caliendo. [In partial fulfillment of the requirements for the degree of Master of Science for the Department of Modern Languages.]. Includes bibliographical references (leaves [57-58]).
|
2 |
A expressividade do discurso flamenco: um diálogo entre as Carmens de Mérimée, Saura e GodardGasparini, Tania Cristina Ferreira 07 August 2009 (has links)
Made available in DSpace on 2016-03-15T19:47:44Z (GMT). No. of bitstreams: 1
Tania Cristina Ferreira Gasparini.pdf: 414492 bytes, checksum: d96829e2b8b80ac2296f9a602f2d46c3 (MD5)
Previous issue date: 2009-08-07 / This research develops a dialogue between Prosper Mérimée s novella Carmen and two contemporary filmic adaptations, one by Jean-Luc Godard and the other by Carlos
Saura. The purpose of this study is to analyze the main character (Carmen) by means of the dance and the red and black colors, which are the colors both of Flamenco and of
Carmen as a character. Another aim is to present the diachronic evolution of Flamenco as a dance and comment the role of the gestures as part of the code of the Flamenco dance. This study has resulted in the production of a peformance called A dialogue among Carmens, which testifies the development of the theme we have chosen to study. Mikhail Bakhtim has been elected as the basis to study dialogism, Antonio Candido has helped in the study of the characters, Eugenio Borba for the study of the gestures and Agnes Heller has offered us material to study colors in general. / Esta pesquisa desenvolve um diálogo entre a obra Carmen, de Prosper Mérimée e as adaptações de Carlos Saura e Jean-Luc Godard. Tem o intuito de analisar a personagem principal por meio da dança flamenca e das cores vermelha e preta. Apresenta ainda a evolução diacrônica do Flamenco e comenta a importância da gestualidade típica desta dança. O trabalho resultou na produção de um espetáculo em três atos, intitulado Um diálogo entre Carmens, cuja representação mostra, na prática, o tema estudado. Escolhemos Mikhail Bakhtin para estudar o dialogismo, Antonio Candido para estudar a personagem, Eugenio Barba para a gestualidade e Agnes Heller para o estudo das cores, entre outros.
|
Page generated in 0.044 seconds