Thesis (Ph.D.)--Ohio University, June, 2009. / Release of full electronic text on OhioLINK has been delayed until June 1, 2010. Includes bibliographical references (leaves 195-204)

Thesis (Ph.D.)--Ohio University, June, 2009. / Title from PDF t.p. Release of full electronic text on OhioLINK has been delayed until June 1, 2010. Includes bibliographical references (leaves 195-204)

Thesis (Ph.D.)--University of Wyoming, 2009. / Title from PDF title page (viewed on May 18, 2010). Includes bibliographical references (p. 213-226).

Cette thèse de doctorat en Sciences de l’Information et de la Communication analyse la construction médiatique de l’Etrangère en France contemporaine. Elle permet une approche communicationnelle, politique et sociologique de ce sujet à la lumière des études culturelles, subalternes, coloniales, postcoloniales et des études de Genre. Cette recherche s’appuie sur l’analyse de discours et de contenu d’un corpus de presse écrite de 2007 à 2013 et sur une enquête de terrain en observation participante au sein de plusieurs associations. Il s’agit de saisir l’importance des représentations de la figure de l’Etrangère au sein de nouveaux enjeux politiques où la question du corps des femmes demeure centrale. Le Genre comme grille d’analyse constitue l’espace de réflexion de cette thèse permettant de repenser les concepts de pouvoir et de domination dans la société. A partir de l’Histoire et des mutations politiques sociales, cette étude décrit aussi la transformation des représentations sociales des femmes d’origine étrangère et le fonctionnement du Genre comme dispositif de pouvoir agissant sur leur corps. L’étude minutieuse des rapports entre Genre, sexe, corps et du principe d’intersectionnalité structurent ainsi une multiplicité de constructions et de modélisations identitaires inédites. Enfin, les bouleversements politiques et pratiques du pouvoir actuels réhabilitent aujourd’hui plus que jamais les questions de mémoire collective et d’identités dans la société par un investissement majeur autour de la question des femmes. / The present PhD thesis in the field of Information and Communication Sciences analyzes media representations of foreign women in contemporary France. It entails communication, political and sociological approaches of the subject in light of cultural studies, colonial studies, postcolonial and gender studies. Also included is a detailed study of subalternity within the new representations of French women of foreign origin.The presented research is based on discourse and content analyses of newspaper articles published between 2007 and 2013, as well as on field surveys with participant observations, performed in several organizations.From media analyses and field analyses, representations of foreign women within novel political issues can be understood ; settings where the question of women’s bodies remains central. Using gender as an analytical grid is the basis of the reflections is this thesis.This allows a rethinking of the notions of power and domination in society. The inquiry also describes the transformation of social representations of women of foreign origin and the practice of gender as an instrument of power applied to the female body. A transformation that has evolved with political mutations in society. An in-depth study of the relationships between gender, sex, body and the concept of intersectionality leads to a multitude of constructions and unique identity models. Finally, the political upheavals and current practices of power stir up more than ever collective memories and identity issues in French society through a major investment in the question of women.

Thesis (M. A.)--Catholic Theological Union at Chicago, 1997. / Vita. Includes bibliographical references (leaves [107]-109).

Nesta dissertação são analisadas fontes iconográficas do I milênio a.C. na Assíria representando mulheres deportadas. Examinam-se representações de mulheres na arte assíria, resgatando-se a memória de sujeitos subalternos na historiografia e suas funções no cenário bélico. Realiza-se um catálogo temático das representações de mulheres deportadas na arte assíria, com uso de fontes editadas, contendo ficha técnica, com descrição iconográfica e interpretação. Além de se estudar como eram representadas as mulheres deportadas e quais funções os assírios davam para estas mulheres nas narrativas bélicas, vemos como se representava o outro, o estrangeiro inimigo, vencido e cativo. Nota-se, ademais, que os assírios ressaltavam aspectos da sua compreensão de feminilidade, assim como denotavam a distinção étnica e de gênero que marcava a identidade dessas mulheres, oriundas de diversas regiões sob domínio do impérioassírio (884-631 a.C.). / This work plan to do an analysis of iconographic sources from the I millennium B.C. in Assyria. The studies of these iconographic sources are widespread among Assyriologists and scholars of Assyrian art. However, little is attentive to the presence of women in Assyrian art. Besides being subaltern historiography subject as a whole, women and their role in war are poorly studied objects. In this paper, I intend to develop a critical and analytical view of how the deported women were represented, and what actions the Assyrians gave to these women in warlike narratives, besides representing the other, the stranger, the Assyrians were concerned to emphasize aspects of their understanding of femininity, as well as emphasized the gender distinction in aspects that marked the identity of these women, coming from different parts that were on the domain of the Assyrianempire.

Nesta dissertação são analisadas fontes iconográficas do I milênio a.C. na Assíria representando mulheres deportadas. Examinam-se representações de mulheres na arte assíria, resgatando-se a memória de sujeitos subalternos na historiografia e suas funções no cenário bélico. Realiza-se um catálogo temático das representações de mulheres deportadas na arte assíria, com uso de fontes editadas, contendo ficha técnica, com descrição iconográfica e interpretação. Além de se estudar como eram representadas as mulheres deportadas e quais funções os assírios davam para estas mulheres nas narrativas bélicas, vemos como se representava o outro, o estrangeiro inimigo, vencido e cativo. Nota-se, ademais, que os assírios ressaltavam aspectos da sua compreensão de feminilidade, assim como denotavam a distinção étnica e de gênero que marcava a identidade dessas mulheres, oriundas de diversas regiões sob domínio do impérioassírio (884-631 a.C.). / This work plan to do an analysis of iconographic sources from the I millennium B.C. in Assyria. The studies of these iconographic sources are widespread among Assyriologists and scholars of Assyrian art. However, little is attentive to the presence of women in Assyrian art. Besides being subaltern historiography subject as a whole, women and their role in war are poorly studied objects. In this paper, I intend to develop a critical and analytical view of how the deported women were represented, and what actions the Assyrians gave to these women in warlike narratives, besides representing the other, the stranger, the Assyrians were concerned to emphasize aspects of their understanding of femininity, as well as emphasized the gender distinction in aspects that marked the identity of these women, coming from different parts that were on the domain of the Assyrianempire.

Nesta dissertação são analisadas fontes iconográficas do I milênio a.C. na Assíria representando mulheres deportadas. Examinam-se representações de mulheres na arte assíria, resgatando-se a memória de sujeitos subalternos na historiografia e suas funções no cenário bélico. Realiza-se um catálogo temático das representações de mulheres deportadas na arte assíria, com uso de fontes editadas, contendo ficha técnica, com descrição iconográfica e interpretação. Além de se estudar como eram representadas as mulheres deportadas e quais funções os assírios davam para estas mulheres nas narrativas bélicas, vemos como se representava o outro, o estrangeiro inimigo, vencido e cativo. Nota-se, ademais, que os assírios ressaltavam aspectos da sua compreensão de feminilidade, assim como denotavam a distinção étnica e de gênero que marcava a identidade dessas mulheres, oriundas de diversas regiões sob domínio do impérioassírio (884-631 a.C.). / This work plan to do an analysis of iconographic sources from the I millennium B.C. in Assyria. The studies of these iconographic sources are widespread among Assyriologists and scholars of Assyrian art. However, little is attentive to the presence of women in Assyrian art. Besides being subaltern historiography subject as a whole, women and their role in war are poorly studied objects. In this paper, I intend to develop a critical and analytical view of how the deported women were represented, and what actions the Assyrians gave to these women in warlike narratives, besides representing the other, the stranger, the Assyrians were concerned to emphasize aspects of their understanding of femininity, as well as emphasized the gender distinction in aspects that marked the identity of these women, coming from different parts that were on the domain of the Assyrianempire.

Thesis (M.N.)--University of Alberta, 2009. / A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Nursing, Faculty of Nursing. Title from pdf file main screen (viewed on November 15, 2009). Includes bibliographical references.