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Zur Prager-Dresdner Kirchenmusik unter besonderer Berücksichtigung der Messen von František Xaver BrixiDahmen, Hrosvith 05 March 2013 (has links) (PDF)
No description available.
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Zur Prager-Dresdner Kirchenmusik unter besonderer Berücksichtigung der Messen von František Xaver BrixiDahmen, Hrosvith 05 March 2013 (has links)
No description available.
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Hudební kultura v konventu alžbětinek na Novém Městě Pražském / Music Culture of the Elisabethan Convent in PragueMichl, Jakub January 2018 (has links)
Music Culture of the Elisabethan Convent in Prague Jakub Michl Abstract The Sisters of Saint Elizabeth (Elizabethan Nuns) were a spiritual order primarily focused on administering healthcare. Therefore, music was never the main focus of the order's activities, as it often was in others, particularly educational orders. However, thanks to the uninterrupted historical continuity of the Prague convent, which was exempted from the restrictions of Joseph II's era, many sources illustrating the convent music culture were preserved, including an extensive collection of music. The dissertation aims to describe this music culture in the context of the order structure and its personal hierarchy, as part of the city of Prague and its civic institutions, and in its everyday life and characteristics such as enclosure, hospital service and recreational activities. Music in convents was always tightly bound to liturgy. In the case of the Elizabethan order, significant music production was focused on the order's main liturgical feasts such as S. Elizabeth, S. Francis of Assisi, Porciuncula, Christmas, Epiphany, Easter and also memorial services for deceased patrons of the convent. The convent cooperated with many lay musicians and composers such as F. X. Brixi, Z. V. Suchý, F. X. Labler, J. N. Bayer, among others. At the...
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Význam českých skladatelů 2. poloviny 18. století / The Importance of Czech Composers of the Second Half of the 18th CenturyŽáková, Lucie January 2014 (has links)
The topic of my Master's graduation thesis is the music of the 18th century and the importance of Czech composers in the context of the whole Europe.At the beginning of the work we are led into the historic consequences where there is a brief introduction of the political and social situation and where the status of a musician in the world of those times and his role are discussed. Then Czech musicality and its importance for European Classicism are referred to.In the following chapters the musical environment in the Czech lands are dealt with, together with the importance of Czech schoolmasters' families and castle orchestras in our countries. The consecutive chapter deals with the Czech emigration, music centres and institutions in Europe and other crucial events of the 18th century. The 8th chapter focuses on the types of compositions in the period of Classicism and their use in practice. The final chapter gives a detailed overview of the compositions for four hands for keyboard instruments in the 18th century, specifically the composers, music examples for compositions for four hands and at the very end the author's own experience of four-hands keyboard playing is shared.
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