In the nineteenth century, amidst the rise of anti-Catholicism in the Western world, narratives served as a persuasive medium to influence the reading public. Anti-clerical sentiment was conveyed in various forms of text, often depicting the Catholic convent as a place of sinister confinement. This thesis offers an alternative representation of the French nineteenth-century convent. Considering the prevailing social, economic, and political environment in France, along with the conception of social space, I argue that the convent represents a place of sanctuary and opportunity for some women and girls. Further, in view of Victor Hugo's Les Misérables, I examine the representation of the convent as a place for rebirth. Likewise, in analyzing George Sand's autobiography Histoire de ma vie, I explore the representation of the convent as a haven for reviving creativity. Thus, by close reading and critical examination of these literary representations, I contend that the nineteenth-century convent can provide a place of refuge. / Master of Arts / Following the French Revolution of 1789, two opposing ideologies gathered momentum in France: monasticism and anti-clericalism. Beginning in 1815, enlistment of nuns in religious congregations doubled every fifteen years until the end of the century. During this period, anti-clericalism remained a potent political and social force. As with any institution of power, narratives served as a persuasive medium to influence the reading public. Anti-clerical sentiment was conveyed in various forms of text, often depicting the Catholic convent as a place of sinister confinement. These diverse depictions of the convent as a nefarious enclosure seem to contradict the growth and appeal of female religious orders during the epoch. This thesis offers an alternative representation of the French nineteenth-century convent. Partially owing to prevailing social, economic, and political structures that limited women's opportunities, convents attracted women from middle- or upper-class families who desired to serve in the public domains of healthcare and education. Considering this environment in France, along with the conception of social space, I argue that the convent represents a place of sanctuary and opportunity for some women and girls. Further, in view of Victor Hugo's Les Misérables, I examine the representation of the convent as a place for rebirth. Likewise, in analyzing George Sand's autobiography Histoire de ma vie, I explore the representation of the convent as a haven for reviving creativity. Thus, by close reading and critical examination of these literary representations, I contend that the nineteenth-century convent can provide a place of refuge.