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Geschlechterprogramme Konzepte der literarischen Moderne um 1900 /Helduser, Urte. January 2005 (has links)
Thesis (doctoral)--Universität Kassel, 2003. / Includes bibliographical references.
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"Die sanfte Bitte" women's writing on female gender roles in nineteenth-century Germany /Richter, Daniela Maria, January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2007. / Vita. Includes bibliographical references.
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Female trauma and memory in constructions of black identityWan, Pauline Gail. January 1999 (has links)
published_or_final_version / English / Master / Master of Arts
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From Mrs. Dalloway to The Hours: bisexuality/bitextuality and écriture féminineLee, Chi-kwan, Anita., 李至君. January 2005 (has links)
published_or_final_version / abstract / Comparative Literature / Doctoral / Doctor of Philosophy
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The portrayal of gender in the Children's Book Council of Australia honour and award books, 1981-1993 /Godinho, Sally C. January 1996 (has links)
Thesis (M. Ed.)--University of Melbourne, 1996. / Typescript (photocopy). Includes bibliographical references (leaves 104-114).
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Negotiating the boundaries of gender construction and represention of women in the work of Michael Ondaatje /Emmerson, Shannon, January 1997 (has links) (PDF)
Thesis (M.A.)--Concordia University, 1997. / Includes bibliographical references (leaves 102-113).
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"Uncertain nature" : history of the castrato singer in the early modern gender paradigm /Rudakova, Irina V. January 1999 (has links)
Thesis (Ph. D.)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 238-265).
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Eighteenth-century Gothic novels and gendered spaces : what's left to say? /Cohenour, Gretchen M. January 2008 (has links)
Thesis (Ph.D.) -- University of Rhode Island, 2008. / Typescript. Includes bibliographical references (leaves 119-123).
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Gender and space in the Old French Lancelot-Grail cycleArcher, Leona Mary January 2014 (has links)
No description available.
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Gender and culture in the novel Ukuqhawuka kwembelekoFinini, Cyntheria Nozipho 03 1900 (has links)
Thesis (MA)--University of Stellenbosch, 2003. / ENGLISH ABSTRACT: The objective of this study is to examine culture and gender in the Xhosa novel, Ukuqhawuka
kwembeleko, which was one of the popular novels in the 1980s. The novel is about forced
marriages, but the fact that such marriages are forced on educated children has disastrous
ends. In as far as the Xhosa culture of forced marriages is concerned, the novelist makes a
point that it is a soulless marriage, it dehumanises both the minors who are involved in it and
it treats the woman being married as if she were an object that is sold. In the humiliating
process the father of the young woman gets good cattle to his satisfaction.
In the Xhosa novel, Ukuqhawuka kwembeleko, the fact that Zoleka resisted such a marriage
to the end of her life shows that traditional Xhosa women used to be treated as objects of
their patriarchal society that sees them as objects that should die at their in-laws. Because
that is where they belong, their fathers need cattle with such an exchange. But Zoleka, as a
modern educated woman, has been empowered to resist such dehumanisation. She rebels
against hlonipha culture of her in-laws. She shows them that she is not their bought property,
and also that she would not bow to the pressure of their patriarchal rules. She does
everything possible in the book to flaunt the rules of their hlonipha culture, and eventually they
feel she is a makoti not worthy their valuable cattle. She consequently leaves and claims her
independence. Her rebellious acts are a feminist declaration that the educated women of the
1980s challenge the male dominated system by not obeying to its rules.
Yet how her father tracts her down after her departure from her in-laws and chases her with a
horse home, whilst he severely beats her up in public to the horror of onlookers, is an
indication that the gate keepers of the Xhosa patriarchal system are prepared to go to all
lengths, including using the cruelest methods, to defend the system that has, over the years,
benefited them in all aspects of life. But the fact that Zoleka eventually wins and retains her
independence and later commits suicide, is a feminist statement that the modern Xhosa
women are willing to liberate themselves even if it means taking their lives. / AFRIKAANSE OPSOMMING: Die doelstelling van hierdie studie is om kultuur en gender te ondersoek in die Xhosa novelle,
Ukuqhawuka kwembeleko, wat In populêre novelle in die tagtigerjare was. Die novelle handel
oor geforseerde huwelike, en die feit dat die afdwing van sulke huwelike op opgeleide
kinders, rampspoedige gevolge het. Aangaande die Xhosa kultuurverskynsel van geforseerde
huwelike, maak die skrywer 'n punt dat dit 'n siellose huwelik is, dit verneder sowel die kinders
wat betrokke is, sowel as behandel die vrou wat in die huwelik tree as 'n voorwerp wat
verkoop word. In hierdie vernederende proses kry die vader van die jong vrou beeste wat
hom tevrede stel.
In die Xhosa novelle, Ukuqhawuka kwembeleko toon die feit dat Zoleka so 'n huwelik
teengestaan het tot die einde van haar lewe aan dat Xhosa vroue tradisioneel as voorwerpe
behandel is van 'n patriargale gemeenskap wat hulle beskou het as eiendom van hulle
skoonfamilie. Die vroue se vaders kry beeste in ruil hiervoor. Maar Zoleka, as 'n moderne
opgeleide vrou, is bemagtig om sulke vernedering teen te staan. Sy rebelleer teen die
hlonipha-kultuur van haar skoonfamilie en sy wys vir hulle dat sy nie hulle aangekoopte
eiendom is nie, en dat sy nie sal buig voor die patriargale reëls nie. Sy gaan verder en daag
die hlonipha-kultuur uit totdat die skoonfamilie eventueel dink dat sy nie 'n waardige
skoondogter is nie en nie hulle beeste werd is nie. Zoleka gaan gevolglik weg en eis haar
onafhanklikheid op. Haar handelinge is 'n feministiese verklaring dat die opgeleide vroue die
mans-gedomineerde sisteem uitdaag.
Zoleka se eie vader agtervolg haar egter en verneder haar in die openbaar. Hy dui daarmee
aan dat die patriargale bewaarders tot enige uiterste sal gaan om die sisteem te beskerm. Die
feit dat Zoleka egter haar onafhanklikheid behou en later selfmoord pleeg is 'n feministiese
stelling dat sy haarself bevry het van die patriargale sisteem.
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