This study is largely concerned with the experiences of the locked-out miners and their families during the national coalmining dispute of 1926 . Enthusiasm for the stoppage amongst rank-and-file miners varied considerably from one mining district to another and an attempt is made to identify and account for both intra and interregional variations in solidarity . From quite early in the dispute the danger of widespread destitution in the coalfields presented perhaps the most immediate threat to solidarity. Particular attention is therefore paid to the efforts made to overcome this threat and to the sources of relief available to mining communities in 1926 . Various forms of community and individual self- help are looked at in some detail as is the operation of the Poor Law, which played such a crucial and controversial role in the dispute. In some districts local co-operative societies provided considerable relief to mining families in the form of extended credit both to the miners ' unions and to individual members . In others, retail societies demonstrated little or no apparent sympathy for the miners . Relationships between the co-operative and trade union movements during the General strike and continuing mining dispute are examined at some length and an attempt is made to account for the differing responses of co-operative societies called upon to assist the miners in their struggle.

This thesis analyzes the Seattle and Winnipeg general strikes of 1919, and represents them as two analogous ideological struggles for national hegemony in the post-First World War period. It argues that a comparative analysis of the pro- and anti-strike press during these two strikes reveals that the “form” of nationalism enveloped the “content” of each group’s ideological foundations, conceptions of class, and conceptions of justice, and that this “content” – when extracted from its national “form” – reveals a shared sense of progressive vision among the two groups of strikers, and a shared sense of conservative vision among their opponents. / Graduate / 0578 / 0615 / vanmull@unbc.ca

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Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.A.)--University of Wisconsin--Madison, 1965. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 172-180).

This practicum paper looks at the work of contemporary artists: Char Davies, Jen Southern, Wolfgang Laib, Pierre Huyghe and Max Neuhaus. From examining the artists ideas on perception many links and ideas are drawn out. From this examination the author plays with the idea of perception and the training of the senses. Sound becomes an important element. In the end the author designs a strike walk. The strike walk is focused on the Winnipeg General Strike of 1919. / October 2008

This practicum paper looks at the work of contemporary artists: Char Davies, Jen Southern, Wolfgang Laib, Pierre Huyghe and Max Neuhaus. From examining the artists ideas on perception many links and ideas are drawn out. From this examination the author plays with the idea of perception and the training of the senses. Sound becomes an important element. In the end the author designs a strike walk. The strike walk is focused on the Winnipeg General Strike of 1919.

This practicum paper looks at the work of contemporary artists: Char Davies, Jen Southern, Wolfgang Laib, Pierre Huyghe and Max Neuhaus. From examining the artists ideas on perception many links and ideas are drawn out. From this examination the author plays with the idea of perception and the training of the senses. Sound becomes an important element. In the end the author designs a strike walk. The strike walk is focused on the Winnipeg General Strike of 1919.

One of the most fashionable impressions about the legacies of French May ’68 lurking in our capitalist society nowadays is perhaps the view that this historic episode has greatly inspired a chain of sexual liberations and anti-authoritarian lifestyle revolts within the realm of modern Western cultures. However, without actually questioning the ideological implications behind this liberal-libertarian ethos, the above convenient historical verdict may still help perpetuate the predominant logic of late capitalism and the concurrent status quo. Historically speaking, during the heyday of the worldwide leftist insurrections of the 1960s, the events of ’68 were never simply an isolated First-World phenomenon. Deeply entangled with the empirical lessons of the Maoist Cultural Revolution, May 68 in France has radically invoked and manifested many profound social queries and contestations against both the capitalist universality and the emerging Soviet revisionist thinking for two decades. In this dissertation, my primary research focus is precisely to call into question, through the optics of their inherent “Chinese connections,” the dominant narratives about the movements of May ’68 as merely a smoothening agent of massive “cultural reforms” in the capitalist West, instead of a continuous response toward the Maoist egalitarian principles that keeps incessantly catalyzing genuine political transformations in the sphere of global communitarian and quotidian practices. By analyzing and rehistoricizing a variety of cultural texts that include travel writings, memoirs, novels and films in relation to the subversive spirits of ’68, this study aims to reopen their heavily forsaken sociopolitical significances in order to recast some of the truly alternative historical imaginations of this epoch. Unlike the predominant methodologies of historiography and intellectual histories which usually marginalize cinematic texts as largely “illegitimate” data for the serious investigations of the sixties, this thesis particularly emphasizes the extensive study and critical reexamination of many insufficiently discussed or widely misinterpreted filmic representations of “China” that were produced by a large group of Western filmmakers such as Bertolucci, Godard, Antonioni, Casabianca, Viénet, and Yanne, under the adoptions of different art forms and genres between the 1960s and the 2000s. While the overreliance on European cinematic representations of China may potentially risk becoming a blind repetition of many contemporary capitalist stereotypes about the Maoist influences in May ’68 at the expense of those greatly innovative and dialectical Sino-Western encounters during the same period, this thesis also seeks to cautiously retain and reinscribe the latent heterogeneous, antagonistic, and historical Chinese characters long pertaining to the ensemble of the so-called “French Theory” advanced by Barthes, Kristeva, Lacan, and others since 1968, so as to retrieve certain unrealized revolutionary potentialities of the latter beyond the reigning ideological confines of neoliberalism today. I argue that this seemingly “redundant” or “generic” gesture of constantly delinking the multiple creative novelties adhering to the aforementioned Western cultural representations of “China” from the unique intellectual innovations of ’68 is highly crucial here, insofar as such excessiveness of negativity and refusal may nonetheless offer us a chance to persistently (re)search for some even better forms of emancipatory possibilities to come.

Magister Artium - MA / This thesis follows the course of the Nigerian general strike of 1945 in the Northern provinces, a previously under-researched region. It examines some of the many ways in which the strike has been understood in the academy, focusing in particular on the works of Alkasum Abba, Kazah-Toure and Bill Freund who have regarded the strike as well supported and successful. By employing Ian Phimister and Brian Raftopoulos's analysis of the 1948 general strike in colonial Zimbabwe, this thesis re-reads the narrative of success by bringing to the fore previosuly ignored issues relating to questions of planning, tactics, propaganda, solidarity, leadership, and execution of the strike. This re-reading reveals a considerably more varied and uneven response across and within the different categories of workers than has been previously assumed by scholars. Such unevenness challenges notions of "solidarity" and "steadfastness" attributed to the industrial action, with implications for how workers struggles have been incorporated into wider narratives of decolonization and anti-colonial nationalism.