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A theoretical and performance analysis of the eighteen transcriptions from George Gershwin's Songbook /Reighard, Mark, January 1993 (has links)
Thesis (D.M.A.)--University of Oklahoma, 1993. / Includes bibliographical references (leaves 227-235).
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George Gershwins Concerto in F - ein amerikanisches Klavierkonzert?!Kuhn, Clemens January 2007 (has links)
Karlsruhe, Univ., Diss., 2007
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George Gershwins "Concerto in F" - ein amerikanisches Klavierkonzert?! /Kuhn, Clemens. January 1900 (has links)
Zugleich: Diss. Karlsruhe, 2007. / Literaturverz.
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George Gershwin’s An American in Paris for Two Pianos: A Critical Score Study and Performance GuideVan Dyke, Joseph Michael 17 March 2011 (has links)
No description available.
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George Gershwins und Jerome Kerns Musicalsongs ihre Ähnlichkeit, Wahrnehmung und musikalische StrukturPeters, Tanja Elisabeth. Unknown Date (has links)
Univ., Diss., 2008--Köln.
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From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris"Padilla, Rachel January 2010 (has links)
In 1951, Saul Chaplin, John Green, and Conrad Salinger adapted the music of composer George Gershwin (1898-1937) for a film musical titled An American in Paris, the finale of which was a 17-minute ballet scene set to a modified version of the composer’s tone poem from 1928. The plot bears broad similarities to isolated aspects of George Gershwin’s life. Such narrative elements offered a scaffold for an attractive subtext explored through the film score: a review of the trajectory and breadth of George Gershwin's compositional career from 1922-1937. My own analysis of the film and its score, using the techniques of Lars Franke, further illustrates how the creators of An American in Paris used the cinematic frame to comment on George Gershwin's life and to respond to contemporary critics as well as fans of his music.
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George Gershwin's Rhapsody in Blue (Solo Piano Version) : An Historical, Rhythmic and Harmonic Perspective, a Lecture Recital, Together with Three Recitals of Selected Works of R. Schumann, F. Liszt and OthersInnis, Steve (Stephen Gregory) 12 1900 (has links)
The evolution of twentieth century American music involves much more than the continuation of European tradition. The music of black Americans before and after the turn of the century had a profound impact on the musical sensibility of American culture in general. Additionally, the fledgling popular music publishing industry had a dramatic effect on the course of "classical" tradition. Nowhere was this more apparent than in the music of George Gershwin. Gershwin's importance in the history of American art music is undisputed. Why his music sounds the way it does is less understood. This paper considers the popular and folk genres that most influenced the young caiposer, and traces specific stylistic elements through their various popular and folk incarnations of the previous thirty years into Gershwin's Rhapsody in Blue of 1924.
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Gershwin's Fascinating Rhythm: The Rise of the Jazz MusicalBaumgartner, Amy C 01 January 2008 (has links)
The shift in the American economic viewpoint before and after World War I left an indelible mark on the arts, allowing the only indigenous music to arise, jazz. In the transitory period following the war, it was George Gershwin who paved the way for jazz to become America's only indigenous music. Yet, the current definition of jazz is so racially polarized that it has lost focus on the music. This work explores George Gershwin's role in creating a jazz culture in a xenophobic country and argues for an inclusive definition of jazz, one based on the music itself.
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Problems of race and genre in the critical reception of Porgy and Bess /Brown, Gwynne Kuhner. January 2006 (has links)
Thesis (Ph. D.)--University of Washington, 2006. / Vita. Includes bibliographical references (leaves 222-277).
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Part I. Christmas Impressions for String Orchestra. Part II. An Analysis of George Gershwin's Piano Solo Version of Rhapsody In BlueZhu, Yanda January 2013 (has links)
No description available.
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