Thesis (MA)--University of South Australia, 1998

Humboldt-Univ., Diss.--Berlin, 2005. / Literaturverz. S. [419] - 436.

Thesis (doctoral)--Universität, Graz, 2006. / Includes bibliographical references (p. 331-346).

This thesis seeks to demonstrate the Apocalypse of Paul's position within the broader Valentinian literary corpus from the Nag Hammadi codices. Previous scholars, notably William Murdock and Michael Kaler, have gestured in this direction, but no attempt has been made to systematically situate the Apocalypse of Paul in relation to other Valentinian sources. Quite possibly this desideratum exists because although the Apocalypse of Paul's debt to Jewish apocalypticism is self-evident, scholars of Valentinianism have generally neglected those ideas in Valentinian literature which are derived ultimately from Judaism, often received via Paul or other New Testament writers. These would include the notion of the Name of God as a saving power, even a soteriological agent, and the image of a surrogate heavenly temple through which favoured adepts may ascend in the present. These come to be combined in Valentinian thought through a high-priestly Christology in which it is by virtue of bearing the Divine Name that one may enter this ideal temple in the fashion of the old Jewish high priest, and now Christ. On the other hand, Valentinians downgrade the biblical creator-God to the level of an imperfect demiurge, placing him in an inferior heavenly temple while supplanting the Pleroma atop him as the true spiritual temple housing the Father of Christ. The development of this constellation of ideas is traced principally from Valentinus himself, through the Gospel of Truth and the Excerpts from Theodotus, to the Gospel of Philip, where it receives its most extensive explication. It is argued that the Apocalypse of Paul consciously builds on this intellectual current using the apostle's image in order to construct an ideal authoritative account of how such ascent ought to appear among Valentinian initiates and thereby contribute to the rhetorical and psychological construction of future experiences among the elect community.

Background: This thesis aims to show that the narratives of the Nag Hammadi Apocalypse of Pauland First Apocalypse of James are written for a Valentinian audience. The purpose is to broaden the field of research on Valentinianism by showing how the authors and their implied readers composed and perceived the texts in question. Method: Comparing the mythological language of the two narratives and their description of a hero’s journey in a transcendent reality it is possible to disentangle the Valentinian material from the imaginative world of the reader, a world consisted of ancient Egyptian and Greek mythology as well as Jewish apocalypticism and early Christian legends and traditions. The texts are also compared with new research in the field, other related Valentinian scriptures, the New Testament, and Christian Apocrypha. Results: The texts are pseudepigraphic and written within a Jewish apocalyptic genre sometime during the late second or early third century. The symbolism and the diverse metaphors of the narratives indicate that the texts incorporate a specific soteriological message through embedded Valentinian mythology. The implied reader is to understand that the material world is an illusion and that the purpose of the initiate is to awaken the mind and acquire knowledge about the truth. By doing so the redemption of the believer’s spirit from its human body and soul leads to the spirits reunion with God. Conclusion: The analysis of the texts points toward the fact that the narratives could very well have been used for catechetical or other educational purposes within a Valentinian community. The language and form of the two narratives fit to serve this purpose. In many ways, the reader has to be initiated within a Valentinian context in order to grasp the intended message. / <p>Godkännande datum 2019-06-10</p>