The purpose of this thesis is to re-assert beauty as a fundamental and essential value within contemporary Christendom as it exists within a postmodern culture. Once a strong and meaningful concept within Christian belief, beauty has been lost over the passage of two millennia. This thesis examines the loss of beauty as a meaningful concept in western Christian belief, and offers a re-evaluation of the concept particularly within the postmodern world. Drawing together the fundamental concerns of postmodern society and the contribution that beauty is able to make from within the Christian context, this thesis demonstrates that "beauty" speaks to contemporary concerns and meets its deepest needs. Here, beauty, understood as the relational aspect of forms conceived by God, and offered to humanity as gift, is shown to overcome the affective sterility that has overtaken western society as an effect of enlightenment thought. An examination of the concept of beauty, particularly in the works of Thomas Aquinas, Jonathan Edwards and Gerard Manley Hopkins serves as a basis to posit a definition of beauty that is consistent with Christian beliefs without violating its unique content. Tracing the loss of beauty in western Christian thought and in western culture at large, and recognising the absence of a similar phenomenon within the Orthodox and Eastern Catholic Churches, suggests that the genius of these eastern traditions is their refusal to minimise the notion of "mystery" that stands at the heart of Christian revelation. The western Church then, is called to refocus on the centrality of the "mystery" inherent in her life. To this end, contemplation is proposed as the avenue wherein the believer experiences an intimate and transforming encounter with the Triune God which leads to the fruition of unique personhood that increasingly takes form as the "beauty of holiness." / Christian Spirituality, Church History and Missiology / D. Th. (Christian Spirituality)

The purpose of this thesis is to re-assert beauty as a fundamental and essential value within contemporary Christendom as it exists within a postmodern culture. Once a strong and meaningful concept within Christian belief, beauty has been lost over the passage of two millennia. This thesis examines the loss of beauty as a meaningful concept in western Christian belief, and offers a re-evaluation of the concept particularly within the postmodern world. Drawing together the fundamental concerns of postmodern society and the contribution that beauty is able to make from within the Christian context, this thesis demonstrates that "beauty" speaks to contemporary concerns and meets its deepest needs. Here, beauty, understood as the relational aspect of forms conceived by God, and offered to humanity as gift, is shown to overcome the affective sterility that has overtaken western society as an effect of enlightenment thought. An examination of the concept of beauty, particularly in the works of Thomas Aquinas, Jonathan Edwards and Gerard Manley Hopkins serves as a basis to posit a definition of beauty that is consistent with Christian beliefs without violating its unique content. Tracing the loss of beauty in western Christian thought and in western culture at large, and recognising the absence of a similar phenomenon within the Orthodox and Eastern Catholic Churches, suggests that the genius of these eastern traditions is their refusal to minimise the notion of "mystery" that stands at the heart of Christian revelation. The western Church then, is called to refocus on the centrality of the "mystery" inherent in her life. To this end, contemplation is proposed as the avenue wherein the believer experiences an intimate and transforming encounter with the Triune God which leads to the fruition of unique personhood that increasingly takes form as the "beauty of holiness." / Christian Spirituality, Church History and Missiology / D. Th. (Christian Spirituality)

Includes bibliographical references (leaves 303-325) / The topic of God’s beauty, while receiving attention in theological aesthetics, is not often a focused pursuit in Christian spirituality. The study attempts to answer the question of what the nature would be of an Evangelical Protestant Christian spirituality predicated upon seeking and apprehending God’s beauty. The study establishes the relevance of beauty to Christian spirituality. It then develops a definition of God’s beauty from Jonathan Edwards. God’s beauty is found to be his love for his own being. Examining Scripture and Christian history, the study establishes that God’s beauty was regarded as an objective reality until the Enlightenment. The focus of the research then turns to the subjective apprehension of beauty, and examines the methodology of pursuing beauty in art, and finds parallels in spirituality. The study considers the epistemological dichotomy of subject and object with reference to beauty, and considers Christian proposals for a form of correspondence theory for transcendentals. The findings are united in a model of spirituality. Apprehension of God’s beauty occurs through the subject possessing a correspondent form of God’s love. Findings from the aesthetic and epistemological study are united with theology to suggest that this love can be cultivated through four areas: Christian imagination, an implanted new nature, the exposure to communion with God, and the nurture of spiritual disciplines. Each of these areas is explained and justified as means to cultivate correspondent love. The postures and approaches found in the study of art and epistemology are used for explaining the nature of correspondent love. Evangelical Protestant Christian spirituality predicated upon seeking and finding God’s beauty is one which cultivates love for God that corresponds with God’s own love. / Christian Spirituality, Church History and Missiology / D. Th. (Christian Spirituality)