Author's inaugural dissertation, Heidelberg, 1928. / "Literaturnachweis": p. [308]-311.

Author's inaugural dissertation, Heidelberg, 1928. / "Literaturnachweis": p. [308]-311.

The story of Lady Godiva's naked ride through Coventry is well known. While scholars agree that it has no historical basis, no satisfactory explanation has been offered as to when and why it first appeared. This thesis explores the possibility that it may have been an original composition intended as hagiography. Beginning with the historical Godiva, who died in 1067, it details the various categories of saint that were popular in Anglo-Saxon England, in particular the 'cartulary' or 'founder' saint - a category for which Godiva was eminently qualified. It examines the possibility of political objections to her canonization in the light of her grandsons' role in the rebellion against William the Conqueror, and considers the allegation that Lanfranc, Archbishop of Canterbury, had a particular animosity towards the English saints. The paper then turns to hagiography as a literary genre. It explores the purpose of writing about the saints, and how this correlates with the well-known flurry of such writing that occurred in England in the aftermath of the Norman Conquest. It discusses the influence of folklore, classical literature and twelfth-century courtly romance on hagiography in general, and examines the story of Godiva's Ride with specific reference to the Virgin Martyr tradition and to Chrétien de Troyes' courtly romance Erec et Enide. A brief overview of the political situation in Coventry when the story was first written in 1218 suggests that Godiva was intended to serve a role similar to that of the cartulary saint. Finally, the thesis considers how Godiva became a local folk hero, and how this may have preserved her memory long after she would have been forgotten as a saint. It examines her changing role as a symbol of Coventry and of the East Midlands, and ends with the revelation that she may have become a saint after all - albeit of a uniquely secular variety.

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