The purpose of this thesis is to examine the actor's process in tackling the roles of Harry Dalton in Equus by Peter Shaffer, Duke Senior in As You Like It by William Shakespeare, and Dionysus in The Bacchae by Euripedes. Each production is assigned its own chapter, respectively. The chapters explore each role vocally, psychologically, and physically, including the examination of the Alexander Technique. Reflection on the experience of portraying the character and an evaluation of the actor's growth also transpires. The fourth chapter, Finding My Light, summarizes related observations and analysis as a result of performing all three roles. Finally, the fifth chapter, Curtain Call: A Tableau of Contemplation, deliberates on three years of graduate education. It features the benefits and shortcomings realized as a result of participating as one of the first students the Professional Studio Acting Track of Virginia Commonwealth University.