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The Hartley site (FaNp-19) and the use of sandhill environments in the late precontact periodHanna, Margaret Jane 18 June 2007 (has links)
The Hartley site (FaNp-19) is a Late Precontact Period multicomponent habitation and bison kill and processing site located on the periphery of a sand dune environment surrounded by grasslands. The Hartley site, located within the Saskatoon city limits, was originally identified by Ken Cronk and members of the Saskatoon Archaeological Society in the 1950s. Subsequent excavations by Millenium Consulting Ltd., the University of Saskatchewan, Western Heritage Services Inc., and Stantec Consulting Ltd. have all added to the database of knowledge pertaining to this site. Radiometric dates and the recovery of artifacts characteristic of the Avonlea Horizon, the Old Womens Phase, and the Mortlach Phase have demonstrated that this region was a popular place for occupation and bison procurement during the Late Precontact Period. <p>A detailed analysis of the faunal remains recovered from the area known as the Wooded Hollow has demonstrated that this assemblage differs significantly from the remains recovered from the previously researched Brushy Depression. It appears that bison were being heavily harvested and that the use of secondary faunal sources was extremely limited. Determination of seasonality is based on cluster and discriminant function analysis of carpal, tarsal, longbone and phalange data. The resulting herd structure of almost equal numbers of males and females suggests an occupation during the rut, or the fall months. Some immature elements and non-bison remains suggest occupation may have occurred in the spring. It is therefore possible that this region was utilized over a period of time for the purposes of procuring animals from the spring to the fall months. The complete lack of foetal bone in this region suggests that, unlike in the Brushy Depression, the Wooded Hollow was not occupied during the winter months. <p>Taphonomic factors were considered in performing a complete faunal analysis of this thesis. Non-human agents and associated processes suggest that the assemblage was buried quickly after the site was vacated. The extremely fragmented nature of the assemblage, however, suggests that humans had a greater effect on the assemblage than the non-human agents. Based on breakage patterns it is determined that these remains were being processed for the purposes of both marrow and grease extraction. Application of a site determination model also suggests that it is likely that both kill and processing activities occurred in this area. <p>Location of the Hartley site within a dune environment is linked to the activities that occurred at this site. A review of ethnographic accounts of bison pounding and surrounding activities has revealed that availability of ecological resources such as wood and necessary topographic features characteristic of dune environments were essential to the success of bison procurement. Although it has been suggested that settlement of these regions is also linked to the variety and stability of resources in ecotones, or areas of resource overlap, between grassland and sandhill environments, a review of several faunal assemblages from various similar Northern Plains assemblages reveals that bison was by far the dominant species exploited. Variety in terms of faunal resources may not have been a factor at all. It is therefore suggested in this thesis that settlement on the periphery of sandhill environments is linked to the presence of bison in the surrounding grassland region, as well as to the stability of the resources in wetland areas supported by high water tables in the dune environments. Also known as ecological islands these regions may have been more stable in terms of essential resources such as wood and other botanical resources, in addition to providing areas of shelter during the colder winter months. It is concluded that settlement and large scale bison procurement activities in several sandhill environments on the Northern Plains is tightly linked to availability of bison, the availability of wood, a conducive topographic setting, and the stability of resources in these ecological islands.
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A good enough heaven : miniature nonfiction narrativesHartley-Smith, Rachel L. January 2009 (has links)
Access to abstract permanently restricted to Ball State community only / Access to thesis permanently restricted to Ball State community only / Department of English
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President Truman and the Taft-Hartly ActSimpson, Phillip Michael 08 1900 (has links)
Truman's activity prior to the passage of the Taft-Hartly Act, his veto, and his later use and conception of the law will form the main framework for this analysis. Although this will be the main emphasis of the study, an analysis of Harry S. Truman's earlier attitude development, especially toward labor, merits research, in so far as these attitudes affected his actions during the period under consideration.
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The Hartleian Male Protagonist: A Search for SelfTester, Royston Mark 09 1900 (has links)
<p>This study examines L.P. Hartley's male protagonists who provide the focus for his major fiction. The male characters' difficulties in understanding themselves, and the world which confronts them, are issues discussed by the few serious critics of Hartley's work. The book-length criticism, however, has tended to rely heavily upon figures like Freud and Jung, and upon Romantic and Judaeo-Christian thinking and
symbolism, in order to establish its views. My study constitutes an attempt to avoid the overt application of "schools" to Hartley's work, although like Hartley himself I cannot claim to have been completely untainted, for example, by our Freudian
climate. Specifically, I am interested in demonstrating the complex processes by which Hartley's sensitive male protagonists near self-understanding, and how Hartley uses detailed, even intricate, symbolism to express those developments.</p>
<p>Using the Eustace and Hilda trilogy, I thoroughly examine Eustace Cherrington's growth toward self-understanding in order to demonstrate the special problems confronted by a typical Hartleian male. Leo Colston, in The Go-Between, and Stephen Leadbitter, in The Hireling, are then included in the discussion, and the three males' associations with fantasy worlds, and with manipulative women, are seen to contribute to the difficulties faced by these protagonists. In a final chapter, by examining the earlier fiction in the light of some of Hartley's less symbolic later novels, in particular The Harness Room, I indicate how Hartley's symbolism has been
used, in the past, to conceal his interest in male homosexual relationships.</p>
<p>Hartley, in addressing the issue of self-knowledge in his fiction, also makes a statement concerning the difficulty faced by the individual who, after the Second World War, was especially confronted with the task of securing an identity for himself in an increasingly egalitarian, fast-paced "modern" world. Hartley's canon is a metaphoric expression of how what Hartley terms the "Great Man" of Victorian fiction becomes the weak, victimised, but in many ways "greater" twentieth century man; for all his insecurity and failure, the Hartleian male of the 1970's is one who has painfully explored both himself and his environment in an attempt to survive, and to establish for himself, however temporarily, a "unique personality" appropriate to his time.</p> / Thesis / Doctor of Philosophy (PhD)
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Gitga'at plant project : the intergenerational transmission of traditional ecological knowledge using school science curriculaThompson, Judith Charlotte 10 April 2008 (has links)
No description available.
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Marsden Hartley's tribal estheticsMiller, Virginie Witte January 1987 (has links)
No description available.
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Dorothy Wordsworth and Hartley Coleridge : the poetics of relationship /Healey, Nicola. January 2009 (has links)
Thesis (Ph.D.) - University of St Andrews, September 2009. / Restricted until 2nd September 2014.
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Identidades polinomiais via identidades de grupo : a conjectura de Brian HartleySilva, Dalton Couto 16 February 2017 (has links)
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Previous issue date: 2017-02-16 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / In this work, we present the Conjecture of Brian Hartley and study its validity, i.e, we verify
if group identities in the unity group U(FG) make FG satisfy a polynomial identity, where G
is a torsion group and F any field. This study will be made first for infinite fields, and next for
any field. From this result, will be deduced necessary and suficient conditions in a group G, for
the unity group U(FG) satisfy group identities. / Neste trabalho, apresentamos a Conjectura de Brian Hartley e estudamos sua validade, ou
seja, verificamos se identidades de grupo no grupo das unidades U(FG) levam FG a satisfazer
identidades polinomiais, onde G e um grupo de torçao e F corpo qualquer. Tal estudo sera
realizado primeiramente para corpos infinitos, e em seguida para corpos quaisquer. A partir
deste resultado, serao deduzidas condicoes necessarias e suficientes em um grupo G, para que
o grupo das unidades U(FG) satisfaca identidades de grupo.
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Delusion AngelsHeck, Kalling 01 January 2009 (has links)
An analysis of American independent cinema from 1990 until 2007, with an emphasis on these films? relationship to the Remarriage Comedies of the 1930s and 1940s. There is a uniquely American tendency to use cinema to reevaluate marriage that was most clearly evident in the Remarriage Comedies of the 1930s and 1940s, this thesis contends that this tendency has emphatically reemerged in American independent cinema since 1990. Using detailed analyses of films that most clearly evidence the persistence of this theme, this thesis explores, in-depth, four films: Hal Hartley?s Trust (1990), Richard Linklater?s Before Sunrise (1995) and Before Sunset (2004), and Aaron Katz?s Quiet City (2007). These four films combine to form a coherent vision of a new perspective on romantic coupling, uniting to together show what they are rebelling against, what their new relationships should be built upon, and, finally, what the new kind of relationship that they present can look like. The definitively American theme that is delineated in these four films not only forms a clear connection to the history of American cinema, but also shows how new generations approach the essential questions implicit in coupling and marriage.
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"America as Landscape" : Marsden Hartley and New Mexico, 1918-1924 /Hole, Heather, January 2005 (has links) (PDF)
Thesis (Ph.D.)--Princeton University, 2005. / Includes bibliographical references (p. 282-286).
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