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Children and Childhood in Hawthorne's FictionSitz, Shirley Ann Ellis 08 1900 (has links)
This paper explores the role of children and childhood in Nathaniel Hawthorne's fiction. Moreover, it asserts that the child and childhood are keys to a better understanding of Hawthorne's fiction.
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Hawthorne's use of the double in Passages from a relinquished workTexley, Sharon J. January 2010 (has links)
Typescript (photocopy). / Digitized by Kansas Correctional Industries
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Counterfeit arcadias : Nathaniel Hawthorne's materialist response to the culture of reformWhite, Andrew 03 May 1999 (has links)
Nathaniel Hawthorne lived and wrote in an age of reform efforts, and the progressive movement with which he was most familiar was Transcendentalism. However, he was not sympathetic with Emerson's idealism, a sentiment which comes out in his fiction in way of critique. Throughout Hawthorne's work there is an emphasis on human limitation, in stark contrast to the optimism that characterized his time a "materialist" response to idealism (as defined by Emerson in "The Transcendentalist"). And one important vehicle of this critique of human possibility is his shrewd use of biblical motif particularly the tropes of Eden and the Promised Land, which were adopted by the Transcendentalists. Although these allusions can be traced through much of Hawthorne's work, they are especially apparent in two novels: The Blithedale Romance (1852) and The Scarlet Letter (1850). Hawthorne exposes the irony behind the use of these biblical motifs by the Blithedale community (in their effort to create a utopian society) and the Puritan community, which looked to its religious leaders as the embodiment of its ideals. / Graduation date: 1999
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Thematic roles of women in Hawthorne's fictionMaher, Mary Stiles, 1915- January 1960 (has links)
No description available.
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Hawthorne's portrayal of sinNewport, Emma Vivian, 1901- January 1939 (has links)
No description available.
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My kinsman, Major Molineux : a critical analysisGaboune, Aicha. January 1982 (has links)
No description available.
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Alchemical representations of the process of individuation in three tales by Nathaniel HawthorneThiel, Janice Cristine 13 October 2010 (has links)
No description available.
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My kinsman, Major Molineux : a critical analysisGaboune, Aicha. January 1982 (has links)
No description available.
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Hawthorne's Coverdale: Lost in a Hall of MirrorsMorgan, Sarah June 08 1900 (has links)
Nathaniel Hawthorne uses Miles Coverdale to depict the process by which an individual reconstructs past experience into an emotionally and intellectually acceptable form. Through Coverdale's narrative, Hawthorne illustrates that truth is at best an approximation, that the transformational effects of time and distance obscure one's memory of remembered events, thus making absolute truth impossible to discover. As Coverdale attempts to understand his past--reordering, reassessing, and assigning it significance--a subjective interpretation of his past experience evolves. It iLs Coverdale's subjective interpretation of experience which Hawthorne presents in The Blithedale Romance; the ambiguity and mystery of Coverdale's narrativeare necessary to the design of the romance, for both elements characterize the area between truth and imagination in which experience is perceived and interpreted.
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The Function of the Pivot in the Fiction of Nathaniel HawthorneRicco, Paula Traynham 05 1900 (has links)
In traditional romance, the hero takes a mythical journey into the underworld where he meets and overcomes evil antagonists. Hawthorne has transferred much of that hero's role to a pivotal character whose paradoxical function is to cause the central conflict in the tale or novel while remaining almost entirely passive himself. The movement of the tale or novel depends on the pivot's humanization, that is, his return to and integration within society. Works treated are "Alice Doane's Appeal," "Peter Goldthwaite's Treasure," "Roger Malvin's Burial," "Rappaccini' s Daughter," "Lady Eleanore's Mantle," "The Minister's Black Veil," "The Antique Ring," "The Gentle Boy," Fanshawe, The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun.
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