The portrayal of the divine character in a literary context shows the God in the narrative as he is perceived by the narrator. The chapters which follow focus on the pericopes within the narrative which are concerned with the portrayal of God as a character in the story. The present study reveals a unique image of the God of Israel as portrayed in the narrative. I have devoted chapters 1,2, and 6 to the three pericopes, labelled within the text as "visions of God" (chs. 1: 4-3: 15; 8: 1- 11: 24; 40-48) because they create the ground work for the divine character's activity revealing the narrator's portrayal of the God in the narrative. These three "visions" are strategically arranged at the opening, middle and closing of the narrative. The first "vision" shows God's encounter with Ezekiel while he is in exile. The second "vision" shows the reason for God's activity in the opening "vision" and the basis for all the activity within the narrative. The third "vision" shows that God's actions have not been in vain but will culminate in a reordering of God's place within the cultus. Ezekiel 37 contributes to the narrator's portrayal of the divine character and for this reason I have included it within my analysis in chapter 5. Likewise, in chapter 3, I have included the "divine oracle" of Ezekiel 16 which reveals the depth of the bond of the covenant and its effect on the God of the narrative. Furthermore, in chapter 4,1 have focused on the "divine oracles" in Ezekiel 20 and 36 because of the narrator's emphasis on the profanation and vindication of the name of God. That the narrator has carefully crafted his portrayal of the divine character is evident, and attested to in the construction of the pericopes. My reading and analysis of the text are a critical attempt to show, at least in portions of the text, that the narrator's portrayal of the divine character is an anomaly.

This dissertation is an investigation into how the Hebrew Bible is used in (Rabbinic) Jewish and Christian liturgical settings, and how this impacts biblical scholars. I argue against the neglect of liturgy and ritual in reception studies and make the case that liturgy is one of the major influential forms of biblical reception. I do this by taking Isa. 6:3 as my example. My liturgical material is the qedushah liturgies in Ashkenazi Judaism and the Sanctus in three church traditions; (pre-1969) Roman Catholicism, Anglicanism (the Church of England) and Lutheranism (Martin Luther, and the Church of Sweden). As my focus is lived liturgy I investigate not just worship manuals and prayerbooks but also architecture, music and choreography. With an eye to modern-day uses, I trace the historical developments of liturgical traditions. To do this, I have used methodological frameworks from performance and theatre studies, as well as Clifford Geertz’s concept of “thick description”, from the realm of anthropology. I then analyse the impact this can have on biblical researchers, who often come from religious backgrounds. First I raise the issue of the identity of the seraphim in Isaiah 6, and their transformation in both the qedushot and the Sanctus into angels. I show how some of the tendencies in Jewish and Christian liturgy, and Christian iconography, recur in scholarship, for example the association with cherubim. The idea of an ongoing angelic liturgy, stressed especially in Jewish worship, also finds its way into scholarship. A second theme is the presumed liturgical nature of Isa. 6:3 itself. This common idea may, however, owe more to Jewish and Christian liturgical uses of it than to the text itself. In this context I discuss Christian liturgical uses which stress Trinitarian and Christological understandings of the text. I also bring up a nineteenth-century Swedish liturgical use which deviates from the Sanctus tradition. I use this to probe some of the modern ideas of holiness, and how Protestant liturgy has played a part in shaping the sentiments among scholars. Lastly I discuss the theme of Divine presence. Both the qedushot and the Sanctus are concerned with the presence of God. Jewish liturgy has shown a strong tendency to complicate the notion while in Christian liturgy it is instead concretised, either affirmatively or negatively. Some of these issues translate into scholarly debates, where scholarship often bears clear marks of especially Reformed theology. One shared tendency in both Jewish and Christian worship is to “spiritualise” Isaiah 6, and transpose it to a heavenly court. I argue that these ideas still make themselves felt in research on Isaiah 6.

The theme of holiness is prominent in the book of Ezekiel. This fact should not be surprising, given that Ezekiel is said to be a priest. However, a number of passages in the book express ideas about holiness chat relate specifically to Ezekiel's exilic setting. The present thesis examines how the concept of holiness is used in these oracles to provide an explanation ~of Israel's disaster and to prophesy the nation's restoration. Chapter 1 discusses the methodology of the thesis with reference to previous scholarly study of che book of Ezekiel. As in other areas of OT study, recent research has seen a polarization into diachronic and synchronic approaches. The present work generally adopts a synchronic approach, and particular emphasis is placed on rhetorical criticism as a means of discerning coherent blocks of text. This has the added benefit of highlighting those literary features that are particularly important for the interpretation of the passages being studied. The next four chapters present the main argument of the thesis. Chapter 2 examines Ezek. 20:5-26 for its literary structure and thence deduces the main themes of the passage. The point is that Yahweh's election of the people involves a promise of land, but that this promise could not yet be fulfilled because of the people's being defiled. However, Yahweh refrains from destroying his people completely in order to preserve the holiness of his own name. Chapter 3 turns to the theme of the "mythic mountain", whereby mountain imagery is employed to signify the land. Three concepts underlie Ezekiel's use of this metaphor: this mythic mountain represents the land of Israel; this land is seen as Yahweh's sanctuary; and the land is the place of Israel's inheritance. The mountain thus symbolizes the hope of the ideal future in which Yahweh, the people and the land are brought together. Chapter 4 examines the allegorical portrayal of the city of Jerusalem as a prostitute in Ezek. 16 and 23 . These chapters 'are similar in many ways, but differ in one important respect: while Ezek. 23 focuses on the sins of the people of the city, Ezek. 16 adopts the perspective of Jerusalem as placeYahweh's sanctuary. The sins of prostitution and adultery in these chapters represent idolatry and the illicit political alliances which Jerusalem forges with the peoples of Egypt, Assyria and Babylon. These chapters thus show how such "prostitution" opposes Yahweh's plans for holiness just as literal prostitution jeopardizes a marriage. At the same time, the dual focus on people and land as being married to Yahweh demonsrrates again the ti:iparrire nature of the relationship in the prophet's thinking. The contrasting themes of scattering and gathering, which are presented in a number of passages in Ezekiel, are then discussed in Chapter 5. These themes occur in a set pattern which demonstrates a significant degree of authorial (or redactional) skill. Thus it is reasonable co regard the ideas found in these several passages as a single point of view. It emerges that scattering and gathering depict the exile and restoration as affecting all parties in the tripartite relationship. Moreover, these themes constitute two parts of Yahweh's plan to achieve the state of holiness. The final result of these developments represents not only a return of the people to the land, but also a fulfilment of the original intention behind Yahweh's election of the people: the sanctification of the people, the land and Yahweh's name. Chapter 6 draws some conclusions from the preceding discussion. To Ezekiel, holiness is used in a broad sense. All forms of sin lead to the loss of the people's holiness, just as holiness brings about blessing on every aspect of life. Holiness is not merely seen as a cultic concern, but is an outworking of the motives and desires of the people. It is Yahweh's pursuit of holiness which causes the people to be "scattered" into exile. In the same way, however, the holiness of Yahweh's name provides the assurance of a transformation of the people and their future 'gathering" to their land. The theme of holiness is prominent in the book of Ezekiel. This fact should not be surprising, given that Ezekiel is said to be a priest. However, a number of passages in the book express ideas about holiness chat relate specifically to Ezekiel's exilic setting. The present thesis examines how the concept of holiness is used in these oracles to provide an explanation J of Israel's disaster and to prophesy the nation's restoranon. Chapter 1 discusses the methodology of the thesis with reference to previous scholarly study of the book of Ezekiel. As in other areas of OT study, recent research has seen a polarization into diachronic and synchronic approaches. The present work generally adopts a synchronic approach, and particular emphasis is placed on rhetorical criticism as a means of discerning coherent blocks of text. This has the added benefit of highlighting those literary features that are particularly important for the interpretation of the passages being studied. The next four chapters present the main argument of the thesis. Chapter 2 examines Ezek. 20 :5-26 for its literary structure and thence deduces the main themes of the passage. The point is that Yahweh's election of the people involves a promise of land, but that this promise could not yet be fulfilled because of the people's being defiled. However, Yahweh refrains from destroying his people completely in order to preserve the holiness of his own name. Chapter 3 turns to the theme of the "mythic mountain", whereby mountain imagery is employed to signify the land. Three concepts underlie Ezekiel 's use of this metaphor: this mythic mountain represents the land of Israel; this land is seen as Yahweh's sanctuary; and the land is the place of Israel's inheritance. The mountain thus symbolizes the hope of the ideal future in which Yahweh, the people and the land are brought together. Chapter 4 examit:!.es the allegorical portrayal of the city of Jerusalem as a prostitute in Ezek. 16 and 23 . These chapters are similar in many ways, but differ in one important respect: while Ezek. 23 focuses on the sins of the people of the city, Ezek. 16 adopts the perspective of J erusalern as placeYahweh's sanctuary. The sins of prostitution and adultery in these chapters represent idolatry and the illicit politic::tl alliances which Jerusalem forges with the peoples of Egypt, Assyria and Babylon. These chapters thus show how such "prostitution" opposes Yahweh's plans for holiness just as literal prostitution jeopardizes a marriage. At the same time, the dual focus on people and land as being married to Y dhweh demonstrates ag::iin the tripartite nature of the relationship in the prophet's thinking. The contrasting themes of scattering and gathering, which are presented in a number of passages in Ezeki el, are then discussed in Chapter 5. These themes occur in a set pattern which demonstrates a significant degree of authorial (or redactional) skill. Thus it is reasonable to regard the ideas found in these several passages as a single point of view. It emerges that scattering and gathering depict the exile and restoration as affecting all parties in the tripartite relationship. Moreover, these themes constitute two parts of Yahweh's plan to achieve the state of holiness. The final result of these developments represents not only a return of the people to the land, but also a fulfilment of the original intention behind Yahweh's election of the people: the sanctification of the people, the land and Yahweh's name. Chapter 6 draws some conclusions from the preceding discussion. To Ezekiel, holiness is used in a broad sense. All forms of sin lead to the loss of the people 's holiness, just as holiness brings about blessing on every aspect of life. Holiness is not merely seen as a culcic concern, but is an outworking of the motives and desires of the people. It is Yahweh's pursuit of holiness which causes the people to be "scattered" into exile. In the same way, however, the holiness of Yahweh's name provides the assurance of a transformation of the people and their future ''gathering" to their land.

There is a longstanding scholarly debate on the nature of prophecy in ancient Israel. Until now, no study has based itself on the semantics of the Hebrew lexeme nābîʾ (‘prophet’). In this investigation, I discuss the nature and function of prophecy in the corpus of the Hebrew book of Jeremiah. I analyse all occurrences of nābîʾ in Jeremiah and perform a close reading of three primary texts, Jeremiah 1.4–19, 23.9–40 and 27.1–28.17. The result is a detailed explanation of how prophecy works, and what it meant to call someone a nābîʾ in ancient Israel. Chapter one introduces the work and surveys the main trends in the research literature on prophecy. First I describe scholarly constructs and definitions of the phenomenon of prophecy. I then survey contemporary debates over the meaning of nābîʾ and the problem of ‘false’ prophecy. I also describe the methods, structure, corpus and aims of the investigation. In part one, I take all the occurrences of the lexeme nābîʾ in Jeremiah and analyse its relations to other words (syntagmatics and paradigmatics). For nābîʾ, the conceptual fields of communication and worship are significant. There is also a close semantic relation between nābîʾ and kōhēn (‘priest’). Part two analyses prophecy in the literary context of three key texts. Chapter three is a close reading of Jeremiah 1.4–19. Chapter four is a close reading of Jeremiah 23.9–40. Chapter five is a close reading of Jeremiah 27.1–28.17. In my analysis I situate these passages in the wider context of an ancient cultural worldview on divine communication. This brings to light the importance of legitimacy and authority as themes in prophecy. Chapter six concludes the work. I combine the results of the semantic analysis and close readings with conclusions for six main areas of study: (1) the function and nature of prophecy; (2) dreams and visions; (3) being sent; (4) prophets, priests and cult; (5) salvation and doom; and (6) legitimacy and authority. These conclusions explain the conceptual categories related to nābîʾ in the corpus. I then situate these findings in two current debates, one on the definition of nābîʾ and one on cultic prophecy. This thesis contributes to critical scholarship on prophecy in the ancient world, on the book of Jeremiah, and on prophets in ancient Israel. It is the first major study to analyse nābîʾ based on its semantic associations. It adds to a growing consensus which understands prophecy as a form of divination. Contrary to some trends in Jeremiah scholarship, this work demonstrates the importance of a close reading of the Masoretic (Hebrew) text. This study uses a method of a general nature which can be applied to other texts. Thus there are significant implications for further research on prophecy and prophetic literature.

In 1 Kings 1-2 King David’s impending death divides the monarchy over which of his two sons, Adonijah or Solomon, should be the future king. At this pivotal moment one might expect YHWH to reveal who should take over after David, as YHWH had done before (1 Sam 9:1-10:1; 16:1-13); however, YHWH is silent and the human characters take the lead. Nevertheless, YHWH has not disappeared completely from 1 Kings 1-2 because, as the narrative unfolds, YHWH is invoked twenty-four times. Although this language has drawn some attention, with scholars arguing that it either adds theological validation to the characters’ actions or re"ects a theological perspective that assumes that YHWH acts behind the scenes, there is more that might be said regarding its function in the narratives. In this study, I adopt narrative criticism to undertake a close reading of 1 Kings 1-2 that pays particular attention to how characters and the narrator use invocations of YHWH and the events in the plot that prompt or result from this language. I argue that invocations of YHWH have a number of functions in 1 Kings 1-2, with the function of characters’ invocations being particularly dependent on the identities of the characters, their relationships, and the narrative contexts in which they participate.

There is no consensus on why Ezekiel 20 differs so strongly from the other historical traditions and texts known from the Torah. Are the authors simply purposefully selective in their reuse of earlier ‘historical' material, or do they offer a synopsis of all the material available to them, inadvertently preserving a particular stage in the development of the pentateuchal material? Or, more likely, is the answer somewhere in between? It is these questions that the present study begins to answer. Part One offers an analysis of the general linguistic influences of the priestly, Holiness, and deuteronomic corpora on Ezekiel 20, demonstrating that the impact of all three has been overstated. Part Two, the core of the study, examines in detail four texts of the Torah which share a statistically significant number and type of locutions with Ezekiel 20: Numbers 13-14; Exodus 6.2-8; Exodus 31.12-17; and Leviticus 26. Across these texts, both unilateral and bilateral literary reuse of or by Ezekiel 20 is established, and the ramifications for the composition and rhetoric of both the Torah texts and Ezekiel 20 is explored in detail. Part Three synthesises these findings, confirming that, and describing how, Ezekiel 20 compositionally interacts with the priestly and Holiness writings, offering insight into the extent and nature of a stratified, likely independent P. Three prevailing models of the composition of the Torah are then examined for points of continuity and discontinuity with this picture, with the result that none of them are able to account for all of the data collected herein. In sum, it is no longer sufficient to consider the literary dependencies between Ezekiel 20 and the priestly or Holiness material, let alone Ezekiel and the Torah, as mono-directional.

Despite the dynamic portrayal of clothes in the Hebrew Bible scholars continue to interpret them as flat and inert objects. They are often overlooked or reduced to background details in the biblical texts. However, this thesis will demonstrate that the biblical writers’ depictions of clothes are not incidental and should not be reduced to such depictions. This thesis employs a multidisciplinary approach to develop and challenge existing approaches to the clothing imagery in the Hebrew Bible. It will fall into two main parts. In the first part, I draw insights from material-cultural theories to reconfigure ways of thinking about clothing as material objects, and reassessing the relationships between people and objects. Having challenged some of the broader conceptions of clothing, I will turn to interrogate the material and visual evidence for clothing and textiles from ancient Syro- Palestinian and ancient West Asian cultures to construct a perspective of the social and material impact of clothing in the culture in which the biblical texts were constructed and formed. In the second part, I will examine the biblical writers’ depiction of clothing through two case studies: Joseph’s ketonet passim (Genesis 37) and Elijah’s adderet (1 Kings 19 and 2 Kings 2). These analyses will draw from the insights made in the first part of this thesis to reassess and challenge the conventional scholarly interpretations of clothing in these texts. In this thesis, I argue that clothes are employed in powerful ways as material objects which construct and develop the social, religious and material dimensions of the text. They are also intimately entangled in relationships with the characters portrayed by the biblical writers and can even be considered as extensions of the people with whom they are engaged. Clothes manifest their own agency and power, which can transform other persons and objects through their performance and movement in a biblical text.

This thesis has three main aims. First, I will propose and explain a genre ascription for the sayings in Prov 10:1-22:16 – the ‘didactic proverb’. Second, I will analyse ‘openness’ as a textual feature, and show its contribution to the functions of this genre. Third, I will demonstrate how reading this way may influence our understanding of some key issues in Proverbs’ scholarship. Part 1 tackles the first and second aims. In ch. 1, I suggest that the sayings in Prov 10:1-22:16 have something of a hybrid genre, displaying features akin to both ‘didactic’ texts and ‘proverbs’. This can be seen from their: generically related texts, probable social settings, media, self-presentation, and literary forms. As ‘didactic’ texts, the sayings shape the worldview, character and intellect of their students. As ‘proverbs’, they apply to specific situations with specific purposes. In ch. 2, I explain three manifestations of literary ‘openness’: polysemy can give a text multiple meanings; parallelism makes the relationship between lines unclear; imagery opens up worlds for exploration. Ch. 3 begins to show how this ‘openness’ enhances the sayings’ ‘didactic’ and ‘proverbial’ functions. Here I move beyond openness in interpretation to openness in application, and draw on the field of ‘paremiology’ (the technical study of the ‘proverb’ as a genre), which has been somewhat neglected in Proverbs’ scholarship. In Part 2, I turn to the text, drawing out the openness of key verses, and showing how they function ‘didactically’ and ‘as proverbs’. This proves to have implications for certain classic debates in Proverbs’ scholarship (my third aim). Ch. 4 considers ‘character’ terms (e.g. wise/foolish, righteous/wicked). I use cognitive linguistic theories to examine the terms as open categories with ‘prototype structure’. Viewed this way, the terms are not (as some have argued) abstract and cut off from the world, but profoundly useful for life. Ch. 5 considers the apparent ‘act-consequence connection’ in Proverbs. The connection is predictable but not inviolable, may come about through a number of agencies, and has strong motivational potential. Ch. 6 looks at proverbs about the king. These do not necessitate an actual court context, for the ‘king’ figure may encapsulate wider principles, and function as a teaching tool. Even when he appears to be glorified, his role may be subverted, requiring students to exercise their minds. In ch. 7, I consider the way wisdom is acquired in the ‘didactic proverb’ genre, and suggest a principle for gaining it: students must ‘trust and scrutinise’. They are thereby empowered in their quest for wisdom, whilst also becoming aware of their limitations. Throughout Part 2, I find ‘openness’ to be an important facilitator for didactic and proverbial goals. Prov 10:1-22:16 presents its readers with a panoply of fascinating texts. By exploring them as ‘open’, ‘didactic’, and ‘proverbial’, this thesis offers a fruitful reading strategy; new insights into functions and meanings; and some fresh perspectives on old debates.

This thesis proposes that integrated rituals of netherworld descent and heavenly ascent are represented in the Hebrew Bible as having been performed by Davidic royals – royal women, as well as male monarchs. In some instances (e.g. Psalms 2; 18; 24; 89:2-38; and 110) these rituals are represented idealistically, with Yahweh confirming the king’s ritual status and potency, through re-presented speech acts. In other instances, however, while an idealistic picture of monarchy continues to be upheld, it is subverted from within in varying ways (e.g. 2 Kgs 9:30-37; 11; Ps. 89:39-52; Isa. 14.4b-20; Jer. 13:18-20; Ezekiel 19). The differing portrayals of monarchy reflect the differing ways with which biblical texts are negotiating and interacting with ambiguous discourses embodying memories of monarchy. On the one hand, after the fall of monarchic Judah, ‘foreign’ monarchy (and especially trading monarchies, such as those of Phoenicia) were fetishised within biblical authors’ discourses of political and economic imperialism, and so Davidic monarchy became a signifier of an enchanting and mystifying ‘indigenous’ past. On the other hand, discourses concerning the past frequently referenced exile, and the collapse of monarchy. Some biblical representations of ritual netherworld descent and heavenly ascent acknowledge this latter, uncomfortable kind of remembering – even as they reify and reinforce these enchanting memories which they subvert. The remembered, cosmically liminal first temple and the remembered royal body become loci for these paradoxical, contradictory, and competing memories. This much is evident in mystifying royal cosmic liminality and heavenly ascent, access to divine knowledge, and mimesis of Yahweh; in cathartic myths of the subjugation of the forces of chaos and disorder, both cosmic and military; and in the subversion of the enchanting remembered Davidic cultic praxis of descent and ascent, through these motifs’ re-presentations in montages alongside rituals which connote displacement, destruction, profanation, desecration, subjugation and being forgotten. In these instances, the vulnerabilities inherent in cultural idealising of the Davidic monarchy’s potent cosmic liminality are brought into sharp relief.

Despite its chequered interpretational history, the book of Shîr ha-Shîrîm (Song of Songs) in the Hebrew Bible and Christian Old Testament has still not come to its fullest religious potential. The reason is that it has mainly served relatively closed religious traditions defined by the exclusion of those that have reacted against it. As the text of Song of Songs itself does not explicitly testify to any religiosity, these communities have understood it religiously by projecting their own predetermined needs and beliefs onto it. The text does, however, suggest several layers in the history of its formation, representing different levels of consciousness and stages of religiosity. In the postmodern globalising context where the importance of interfaith understanding is increasingly realised and the nature of human religiosity is constantly redefined in terms of ever-broadening horizons, the religiosity of the book has been stretched as wide as possible by also taking into consideration the ancient contextual influences which could have left their traces on the unconscious mind of its author(s) and redactor(s). To this end, the transpersonal psychological theory of Kenneth Wilber as interpreted by Michael Washburn has been used. Wilber’s inclusive view of religiosity respects all its forms as developmentally appropriate expressions of experiences of the divine which should all be taken seriously. The explicit “absence” of the divine in Song of Songs has been so conspicuous that it has ironically made it more present and led to a greater search for the Ineffable whose whispering and footprints are discernible in relation to the level of consciousness. Exploring the religiosity of Song of Songs in this way then becomes an exercise in being more sensitive to the presence of the divine in all other areas of life as well. Traditional polarities such as sexuality and religiosity are dissolved at the same time and proven to coincide as two aspects of the same experience. Not only does erotic love open one’s eyes to the divine in nature as the body of God, but one also encounters the divine in the body. / Old Testament & Ancient Near Eastern Studies / D. Th. (Old Testament)