Title The effect of wearing high heel shoes on pelvis motion. Aim The main aim of this work is the verification of the influence of wearing high heel shoes on pelvis motion in the sagittal plane, while walking on high heel shoes and walking on unmeasured high heel less shoes yet. After then, we want to monitori the impact of walking in these shoes on the trajectory of pelvis motion. Methods Objectification method was 3D record of human gait (= kinematic analysis), which was performed using the Qualisys. In our thesis we used the method of comparison. The aim of the study is the comparison of parameters measured in different types of shoes (high heeled shoes, high heeled less shoes with barefoot gait) and the influence on pelvis motion. Results Pelvis tilt to retroversion was more significant when walking on high heel less shoes compared with high heel shoes and barefooted walking, also an angle of the trunk and pelvis were most significantly diminished when walking on high heel less shoes compared to barefooted walking and high heel shoes. Objectively, a larger deflection of pelvis trajectory while walking on high heel shoes was not confirmed compared to walking on high heel less shoes. The average length of steps was most reduced when walking on high heel shoes, a little less when walking on HHL...

Title The effect of wearing high heel shoes on pelvis motion Aim of the thesis The main aim of this thesis is the verification of the influence of wearing high heel shoes on pelvis motion in the sagittal plane, while walking on high heel shoes and walking on heel less shoes. After then, we want to monitori the impact of walking in these shoes on the trajectory of pelvis motion. Methods Objectification method was 3D record of human gait (= kinematic analysis), which was performed using the Qualisys Track Manager. In our thesis we used the method of comparison. The aim of the study is the comparison of parameters measured in different types of shoes (high heeled shoes, high heeled less shoes with barefoot gait) and the influence on pelvis motion in the sagittal plane. Measurements were carried out in the gym at the Faculty of Physical Education and Sport at ten probands. Results Pelvis tilt to retroversion was more significant when walking on heel less shoes compared with high heel shoes and barefooted walking, also an angle of the trunk and pelvis were most significantly diminished when walking on heel less shoes compared to barefooted walking and high heel shoes. Objectively, a larger deflection of pelvis trajectory while walking on high heel shoes was not confirmed compared to walking on heel less...

Submitted by William Justo Figueiro (williamjf) on 2015-07-15T19:30:05Z No. of bitstreams: 1 07c.pdf: 3563236 bytes, checksum: 2a8a30d097c9f9cde3cf40d70c7b441f (MD5) / Made available in DSpace on 2015-07-15T19:30:05Z (GMT). No. of bitstreams: 1 07c.pdf: 3563236 bytes, checksum: 2a8a30d097c9f9cde3cf40d70c7b441f (MD5) Previous issue date: 2014 / Nenhuma / No Design Estratégico, o produto é considerado como parte de um sistema – o Sistema Produto-Serviço – ampliando sua concepção e atribuindo ao design uma perspectiva estratégica. Sob a ótica do Design Estratégico, o ponto de venda, como um espaço de interações diversas entre a organização e o usuário, pode ser projetado de modo global, para que os indivíduos usufruam de experiências que visem criar vínculos afetivos, o que inclui todas as formas de estimulação do usuário. Dentre as diversas abordagens que permitem trabalhar a relação entre projetos de design e a experiência do usuário, este estudo adota a perspectiva de Jordan (1999) sobre a personalidade do produto. Essa concepção inclui o uso de uma técnica chamada de Atribuição de Personalidade ao Produto (APP) que propõe a compreensão dos produtos como entes vivos, dotados de personalidades – sendo atribuídos traços de personalidade humana aos produtos associados às suas qualidades estéticas. De modo específico, a dimensão sonora do objeto “sapato de salto” – resultante da interação entre diferentes tipos de solados com pisos distintos – e a atribuição de personalidade a estes estímulos sonoros consistem no foco do presente estudo, que pretende explorar as possibilidades de qualificação da experiência dos usuários em lojas de varejo feminino através do som, buscando responder ao seguinte problema: de que forma o Design Estratégico, com base na compreensão da dimensão sonora da personalidade do produto “sapato de salto”, pode contribuir com o design do ponto de venda? Para tanto, resgatam-se visões de alguns autores que abordam os principais temas a serem tratados: Design Estratégico, Sistema Produto-Serviço e Design para a Experiência, cujo foco será a abordagem de Jordan (1999) no que se refere ao conceito de “personalidade do produto”. Assim, por meio de uma pesquisa experimental – realizada com base nos estímulos sonoros decorrentes da interação entre diferentes tipos de solados e pisos –, pretendeu-se compreender a relação entre o som e a personalidade do objeto “sapato de salto”. Estas percepções podem contribuir para a concepção de lojas de varejo, já que a interação sonora entre este calçado com tipos de pisos distintos pode ser vista como um gatilho para experiências positivas. Os resultados indicam que é possível manipular a personalidade do produto por meio de sons advindos da interação entre os materiais utilizados nele e no ambiente. Assim, este estudo reforça a importância do som como uma dimensão capaz de atribuir personalidades ao produto, intermediando e favorecendo, portanto, a experiência envolvida na interação usuário-produto-ambiente. / In Strategic Design, the product is considered as part of a system - the Product - Service System - expanding its conception and providing design with a strategic perspective. From the perspective of Strategic Design, the point of sale, as a space of several interactions between the organization and the user, can be designed in a global way, so that individuals enjoy experiences that aim to create emotional bonds, which includes all forms user stimulation. Among the various approaches that allow working the relationship between design projects and user experience, this study adopts the perspective of Jordan (1999) on the personality of the product. This conception includes the use of a technique called Assigning Personality to Product (APP) which proposes that an understanding of the artifacts as living entities, endowed with personalities - being attributed to human personality traits associated with their aesthetic qualities. Specifically, the sound dimension of the artifact “high heel shoes" - resulting from the interaction between different types of soles with specific floors - and the attribution of personality to these sound stimuli consist on the focus of this work, which aims to explore the possibilities of qualification of the user experience in female footwear retail stores through sound, taking in consideration the understanding of the following problem: how Strategic Design, based on the understanding of the sound dimension of the personality of the product “high heel shoes", may contribute to the design on the sales point of view? To do so, we rescue visions of some authors that talk about the main issues to be addressed here: Design Strategy, Product - Service System and Design for Experience, whose focus will be the approach of Jordan (1999) with regard to the concept of "product personality". Thus , through an experimental research - carried out on the basis of sound stimuli arising from the interaction between different types of soles and floors , we intended to understand the relationship between sound and the personality of the object “high heel shoes”. These perceptions may contribute to the design of retail stores, as the sound interaction between these shoes with different types of floors can be seen as a trigger for positive experiences. The results indicate that it is possible to manipulate the personality of the product by sounds coming from the interaction between the materials used in it and in the environment. Thus, this study reinforces the importance of sound as a dimension capable of assigning personalities to the product, brokering and favoring therefore the experience involved in the iteration user-product-environment.