Thesis (M.A.)--Oregon State University, 2008. / Printout. Includes bibliographical references (leaves 116-119). Also available on the World Wide Web.

Thesis (Ph. D.)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 225-236).

Thesis (D. Miss.)--Western Conservative Baptist Seminary, 1991. / Abstract. Includes bibliographical references (leaves 143-153).

Thesis (M.A. in Security Studies (Far East, Southeast Asia and The Pacific))--Naval Postgraduate School, June 2009. / Thesis Advisor(s): Chatterjee, Anshu ; Kapur, Samir. "June 2009." Description based on title screen as viewed on July 10, 2009. Author(s) subject terms: Bharatiya Janata Party, BJP, Party politics, National identity, Hindu Nationalism, Hinduism, Hindutva, Sangh Parivar, Rashtriya Swayamsevak Sangh, RSS, Vishwa Hindu Parishad, VHP, Bharatiya Jana Sangh, BJS, Ayodhya campaign, Kashmir case.. Includes bibliographical references (p. 123-134). Also available in print.

Thesis--Universität Tübingen, 1994. / Includes bibliographical references (p. [169]-176) and index. "Liste der in der Tattvaprakāśavṛtti zitierten Texte"-p. 180.

Previously presented as the author's Thesis (doctoral)--Universität, Heidelberg, 2000. / Includes bibliographical references (p. [359]-389) and index.

In the latter half of the eighteenth century the British presence in India meant that East India Company servants were at the forefront of European researches into the region's history, culture and religion. This thesis offers an analysis of the work of four such Company writers, all of whom produced accounts of what they perceived to be India's native and original religion: J.Z. Holwell (1711-1798), Alexander Dow, (1735-1779), N.B. Halhed (1751-1830), and Charles Wilkins (1749-1836). It argues that their particular interpretation of what they termed the 'Hindoo' or 'Gentoo' religion was based on their own preoccupations with European religious debates, from a perspective that can loosely be described as deist. At the centre of this thesis is the claim that these British interpretations of Hinduism instigated an important shift in the way that Indian theology and philosophy was understood in eighteenth-century Europe. This new paradigm moved away from characterisations of the religion according to eye-witness accounts, towards a construction of Indian religion based on the claim of British researchers that they were penetrating the original philosophical origins of a much maligned and ancient system of thought. This new interpretation of a philosophic Hinduism was both based in and shaped Enlightenment intellectual culture, to the extent that by the turn of the century it had firmly cemented its place in not only the thought of prominent figures such as Voltaire and Raynal, but also constituted a significant topic in the emergent discourses of German idealism. The notion of a British interpretation of Hinduism has previously been discussed as both a marker in what some have termed the invention of Hinduism, and by those researching the history of Orientalism as an academic discipline. In the first instance, these authors are characterised as moments in a process, with some suggesting that the real invention occurred as part of the nineteenth-century imperialist project. In the second place, these authors are most often seen as unscholarly precursors to the work of the first true British Indologist, Sir William Orientalist Jones (1746-1794). This thesis will challenge these positions by positing these four authors as the architects of the shift towards a European conception of Hinduism as a rational and philosophical religion.

This thesis explores how women in different religious communities relate to the concept of Salvation. Focusing on Buddhism, Judaism, Islam, and Hinduism, this short experimental film, and supplement paper, seek to provide an alternative point of view that translates this unique experience for women in religions that use heavily gendered language and that are rooted in traditional patriarchal cultures. By using the experimental film medium, viewers are able to perceive religion and film in a new way that pushes the viewer to give their own interpretation of the imagery on screen. It also allows viewers to give the imagery meaning and to be submerged in the content of the film. This thesis is an exploration so it does not provide a concrete answer but it encourages a viewer to reevaluate their own spiritual beliefs and to take into consideration an alternative perspective.

xi, 249 p. : ill. (some col.) / Globalization has inaugurated many rapid changes in local communities throughout the world. The globalization of media, both electronic and print, has introduced new pressures for local communities to confront while also opening up new imaginative possibilities. As many observers have noted, transnational media transform local public cultures, or shared imaginative spaces, but never in predictable, totally hegemonic ways. This dissertation focuses on the efforts of a small Hindu community called the Hindu Prachar Kendra located in Trinidad, West Indies, as they develop critical strategies that help their children read, negotiate, and in some cases contribute to local and global public cultures. I argue that though many Hindu parents and teachers of the Kendra share anxieties about the effects of local and global popular cultures on their children, they also use many features, ideas, and texts emerging from imaginative media in creative ways. Furthermore, their concerns about media shape their interpretation and instruction of Hindu practice. / Committee in charge: Philip Scher, Chair; Lynn Stephen, Member; Lamia Karim, Member; Deborah Green, Outside Member

This thesis theologises with the contemporary devadāsīs of South India, focusing in particular on the Dalit girls who from childhood have been dedicated to the goddess Mathamma and used as village sex workers. Firstly, chapters one and two situate the context for theologising by outlining the discriminatory practice of caste and the place of the Dalits, noting in particular the plight of Dalit women. From here it explores the socioreligious identities of the contemporary devadāsīs that have been transformed and degraded as a result of a multitude of hegemonies, to the extent that the existential narratives of the contemporary devadāsīs are shaped by sexual violence, caste and gender discrimination, local village religiosity and sex work. And it is based upon such narratives that this research contemplates God. Chapter three suggests that there exists a lacuna in Indian Christian Theology and Dalit Liberation Theology for the voices and experiences of the most marginalised of Dalit women, in particular those whose narratives would be deemed “indecent”. In response, inspired by the Indecent Theology of Marcella Althaus- Reid, it suggests that in order to be truly identity-specific and liberating to the most marginalised of Dalit women, Dalit Liberation Theology must be born out of the sexual narratives of the oppressed. Chapter four therefore uses an Indecent Dalit feminist hermeneutic to re-read the narratives of the “harlots,” “concubines,” and “whores” of Scripture alongside the lived experiences of the Dalit sacred “prostitutes.” It does so in the hope of challenging patriarchal hegemonic Dalit Christian theologising that portrays the ‘decent' woman as godly, to the detriment of those who transgress heteronormative sexual moral orders. The final chapter goes on to further challenge Dalit Theology to discover the Dalit Christ in the context of the dedicated women – where we encounter a lived religiosity, that is shaped by religious hybridity, goddess worship and the Christ who has become a Dalit devi.