The increasingly popular Adult Swim series, The Venture Bros. (2003-present), created by Doc Hammer and Jackson Publick, is an animated series that interrogates established paradigms of masculinity. Combining narrative elements that are easily attributed to American action films with those of adventure cartoons, the creators of The Venture Bros. create a world where comic book and fantasy adventures coexist. The scope of this thesis narrows and focuses on the ways in which representations of masculinity are constructed and function within the series. What are the various types of masculinity represented in the series? Are the representations of masculinity reproductions of hegemonic masculinity? How is an awareness of dominant representations of masculinity and maleness expressed in The Venture Bros.? This thesis explores how previous scholarship on discourses of dominant representations of male masculinity sheds light on ways to analyze the various masculinities in The Venture Bros. / text

The series Adam Ruins Everything (ARE) provides an opportunity to contemplate White, hipster masculinity and its professed progressivism in U.S. culture. As seen in ARE, hipster masculinity claims—in part—to possess an enlightened social politic, challenging sexism, racism, and heterosexism, yet the figuration of the White, cisgender-male hipster we get seemingly adopts feminist positions as means to insulate and expand his own social privilege. Using rhetorical strategies to win debates against cultural hegemony, the hipster of ARE becomes a superior masculinity, a trusted voice to guide and liberate White women and people of color, centering himself as the source of a singular truth. The essay provides the opportunity to consider ongoing tensions and ironies between men/masculinity and feminism.