This work deals with transnational ties of reemigrated Volhynian Czechs and ethnic return migration of descendants of non-reemigrated Volhynian Czechs. Dissertation was founded on fieldwork in West Ukraine and in the Czech Republic. Researches of reemigrated Volhynian Czechs were studied in terms of integration or adaptation into the Czech (Czechoslovak) society, but this work, in first part, critically shows immigration narrative of Czech (Czechoslovak) social sciences; there were also transnational ties to Ukraine to which reemigrated Volhynian Czech refers as a meaningful. Next part of this work deals with ethnic return migration of descendants of non-reemigrated Volhynian Czechs. Descendants of compatriots have with Ukrainian ethnic consciousness, but Czech state allows them short-term and long-term stays in the Czech Republic thanks to ancestors, so that they are attracted with Czech surroundings, express wishes to migrate into the Czech Republic and they even could obtain permanent residency more easily due to Czech ancestors. Czech state facilitates migration flow from West Ukraine to the Czech Republic according to presume "closeness" of descendants of compatriots to Czech nation. Common reference of Czech social sciences and Czech state is nationalism which products social reality....

This ethnography examines the processes in which rooted but overlapping forms of cosmopolitan engagements implicate the Tausug imagination of collectivity. It investigates Tausug expression of connection and belonging as they find themselves entangled into global cultural flow and caught up in the state and secessionist politics of attachment. Utilising methodological and theoretical approaches engendered by visual and material anthropology, the ethnography locates rooted cosmopolitan imagination in the works and lives of creative but marginalised and often silenced Tausug cultural agents engaged in street-based production, circulation, and consumption of popular music and dance videos on compact discs. The ethnography follows these cosmopolitan expressions as they are being imagined, embodied, reproduced, and shared by and across Tausug communities in the Zamboanga peninsula, the Sulu archipelago, and beyond through the digital spaces of the internet and cross-border flow of the videos. How the translocality of imaginaries reflected on the videos play out in everyday life and the broader politics of representation are demonstrated here as vital to the understanding of Tausug imagined community as an open, flexible, and dynamically engaging Muslim society despite long-standing political turbulence and economic uncertainty in their midst. Saliently, the thesis argues that Tausug cosmopolitanism cannot be reduced into a phenomenon driven by the expansive currents of Western-led globalisation. Rather, Tausug cosmopolitanism constitutes both continuity of and departure from past forms of translocal connections of Zamboanga and Sulu, which as a region was once integrated to a pre-colonial Southeast Asian emporium and continually through varying ways of connectedness. Old and new global processes come into play in shaping the everyday production of Tausug imaginaries inevitably rendering Tausug identity formation as a trajectory rather than an unchanging fact of being. Drawing from the Tausug ethnographic experience, the thesis contends that rooted cosmopolitanism does not necessarily constitute a singular condition but rather a contested and distinctively multifaceted phenomenon.

Diploma thesis "The building at 18, rue Bonaparte: The place of memory and its meaning for the Czechs living in Paris" deals with the theme of everyday life of the Czechs in Paris which is connected with a place that presents a piece of Czech country inside of the historical Paris. This work tries to show the perception of this place on the basis of material, functional and symbolic meaning of this building. As well it treats the overhangs to the migration studies, memory studies and problems of identity. Constituent of the text is also theoretical embodiment of the concept of a place not only in the ethnology but also in others social and humanity sciences - mainly with the regard to the Pierre Nora's theory "places of memory" and Marc Augé's theory "anthropological places". Apart from the symbolical capital of the building at 18, rue Bonaparte which is important place of memory there is presented in the text also history of another places in France which is a part of collective memory of the compatriots up to now. The main goal of this work is to present how important role can play one concrete physical place with strong functional and symbolic meaning for the Czechs living outside of their homeland and how this place can contribute to the process of integration to the hosting society.