Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-07-11T18:12:28Z No. of bitstreams: 1 VirginiaCavalcantiSantos_DISSERT.pdf: 19571261 bytes, checksum: d85bb1e84f493d266a87d1c8c5f7242f (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-07-19T21:15:42Z (GMT) No. of bitstreams: 1 VirginiaCavalcantiSantos_DISSERT.pdf: 19571261 bytes, checksum: d85bb1e84f493d266a87d1c8c5f7242f (MD5) / Made available in DSpace on 2016-07-19T21:15:42Z (GMT). No. of bitstreams: 1 VirginiaCavalcantiSantos_DISSERT.pdf: 19571261 bytes, checksum: d85bb1e84f493d266a87d1c8c5f7242f (MD5) Previous issue date: 2015-12-16 / Esta disserta??o sugere ambientes sonoros a partir da proposta de imagens configuradas segundo a descri??o do texto ?A Visagem da Mo?a Caetana? de Ariano Suassuna, a fim de gerar possibilidades sonoras individuais que auxiliem os instrumentistas na interpreta??o da pe?a. O ciclo composto em 1996 - para canto, viola, violoncelo e clarone/clarineta - ? constitu?do por tr?s can??es sem t?tulo. Seu texto foi extra?do do ?Folheto XLIV?, do Romance d?A Pedra do Reino e o pr?ncipe do sangue do vai-e-volta, e descreve uma senten?a de morte ilustrada por s?mbolos do imagin?rio Armorial, usando neologismos e fon?tica peculiar do Sert?o nordestino. Al?m da an?lise das dificuldades t?cnicas de execu??o, este trabalho informa os int?rpretes quanto a timbres e texturas sonoras utilizadas por Nelson Almeida para retratar o tradicional atrav?s da linguagem musical contempor?nea. As met?foras e as transgress?es do racional no texto de Suassuna foram exploradas para esbo?ar tr?s composi??es de imagens que conduzam os int?rpretes ? descri??o sonora dos objetos inanimados e dos afetos a que se refere a poesia, extrapolando as indica??es t?cnico-interpretativas limitadas pela nota??o musical. A pesquisa se valeu da pr?pria partitura, da literatura existente sobre o tema, de discuss?es com os instrumentistas que j? executaram a obra, de entrevistas com o compositor e de depoimentos de outros compositores inseridos nesse contexto. Para ilustrar a teoria, as tr?s imagens gravadas em xilogravura s?o disponibilizadas como na literatura de cordel. / This study suggests sonorous ambiences from the propose of images configured according to the description in ?A Visagem da Mo?a Caetana? by Ariano Suassuna in order to create individual sonorous possibilities that may help musicians to play the piece. The cycle, composed in 1996 (for voice, viola, cello, bass clarinet/clarinet), is formed by three untitled songs. Its text is an excerpt from the ?Folheto XLIV?, from the Romance d?A Pedra do Reino e o pr?ncipe do sangue do vai-e-volta, and describes a sentence of death illustrated by symbols of the Armorial imagery, with neologisms and the peculiar accent from the Sert?o in northeast Brazil. In addition to the analysis of technical difficulties to play, this study informs interpreters of the sonorous timbre and texture used by Nelson Almeida to describe tradition through contemporary musical language. The metaphors and transgressions of reason in Suassuna?s book were explored to create three image compositions so that they may lead interpreters to the sonorous description of the inanimate objects and the affections to which the poetry refers, expanding any technical-interpretative indications limited by musical notation. This research used the Visagem scores, the literature on the theme, discussions with the musicians that played the piece, interviews with Almeida, and composers? reports. To illustrate the theory, the three images are available, printed as woodcut in cordel literature.

Made available in DSpace on 2014-12-17T15:07:12Z (GMT). No. of bitstreams: 1 JuarezNL_TESE_parcial.pdf: 3587354 bytes, checksum: f627c2907f745b422a611dc049ea050d (MD5) Previous issue date: 2011-06-22 / This treatise analyzes the identitary setting called Veneza Brasileira (Brazilian Venice) which is subscribed to the discoursive materialization related to the imagetic setting (literary and mediatic) produced about the city of Recife. The main investigation of this research is to examine the way how the identitary setting called Veneza Brasileira has been constructed in the imagetic setting practices about the city of Recife in the nineteenth and twentieth centuries. This study is subscribed to the Applied Linguistics and considers the theoretical perspectives that come from the Cultural Studies which investigation basis is focused on authors such as: Hall (2006); Bauman (1999; 2001;2005); Silva (2000); and Castells (2000) related to the discussion over identity, as well as the discussion over Urban Studies presented in Santos (1997; 1999); Ferrara (1998); and Pesavento (2001). Moreover it is also based on the theoretical basis found in Foucault (2004; 2006; 2007). Furthermore theoretical-methodological approaches rely on the French Discourse Analysis (DA) found in Orlandi (2001); Gregolin (2007); and Courtine (2006). On being so, this treatise aims to: analyze the meaning effects over the production of the identitary setting, especially the so-called Veneza Brasileira, in the imagetic setting discoursive practices (Poems, Post Cards and Touristic Guides) which are produced over the urban setting of the city of Recife. This research is characterized by being qualitative and interpretative and the theoretical analytical approaches contributed to the reading of both poetic and iconic images presented in the excerpts of poems from the nineteenth century and early twentieth century in: Manuel Bandeira s poems, Carlos Pena Filho s poems, and Jo?o Cabral de Melo Neto s poems which were produced in the early and late twentieth century. Moreover, this study observed some photographic images in Post Cards and Touristic Guides related to the visiting of historical sites in Recife. One could conclude that the imagetic setting discourse about Recife produced different identitary effects over the so-called Veneza Brasileira along these three centuries: in the nineteenth century, the poetry constructed the utopia city along with the meaning effect of identitary unit; as for the twentieth century, one observed an oscillation between a utopia/heteroutopia city meaning effect of both united and fragmented identity, the latter one is prevalent. As for the twenty-first century, the media reconstructed over again the utopia city, and consequently, produced meaning effect of identitary unit. These same meaning effects of identity either corroborate or contradict to/with the concepts of the postmodernism over identity along these three centuries. In other words, considering the imagetic setting, this oscillation occurs in the proportion of one finds an (ex) inclusion of social agents that construct these same identities. / Esta pesquisa tem como objeto de estudo a identidade espacial Veneza Brasileira, inscrita nas materialidades discursivas imag?tico-espaciais (liter?rias e midi?ticas) produzidas sobre a cidade do Recife. A quest?o central que orienta a pesquisa ?: de que modo foi constitu?da nos s?culos (XIX, XX) e ? constitu?da hoje, no s?culo (XXI) a identidade espacial Veneza Brasileira nas pr?ticas imag?tico-espaciais sobre a cidade do Recife? Inscrita na ?rea de Ling??stica Aplicada esta pesquisa se vincula ? perspectivas advindas dos Estudos Culturais e articula investiga??es de Hall (2006), Bauman (1999,2001, 2005), SILVA (2000), Castells (2000) acerca de identidade a dos Estudos Urbanos Santos (1997, 1999), Ferrara (1998), Pesavento (2001) e teoriza??es foucaultianas (2004, 2006, 2007). Recorre-se ainda a alguns pressupostos te?rico-metodol?gicos da An?lise de Discurso Francesa (AD), Orlandi (2001), Gregolin (2007) e Courtine (2006). Define-se como objetivo da pesquisa: analisar os efeitos de sentidos da produ??o de identidades espaciais, em especial a Veneza Brasileira em pr?ticas discursivas imag?tico-espaciais (Poemas, Cart?es Postais e Guia Tur?stico) produzidas sobre o espa?o urbano da cidade do Recife. A pesquisa ? de natureza qualitativa interpretativista e os dispositivos te?ricos anal?ticos subsidiaram gestos de leitura de imagens po?ticas e ic?nicas presentes em fragmentos de poemas do s?culo XIX e 1? metade do S?culo XX, em poemas de Manuel Bandeira, Carlos Pena Filho e Jo?o Cabral de Melo Neto produzidos na 1? e 2? metade do s?culo XX e tamb?m imagens fotogr?ficas de Cart?es Postais e do Guia Tur?stico para Visita??o a Locais Hist?ricos do Recife. Conclui-se que os discursos imag?tico-espaciais sobre o Recife produziram diferentes efeitos identit?rios sobre a Veneza Brasileira durante esses tr?s s?culos: no s?culo XIX, a poesia construiu a cidade ut?pica e o efeito de sentido de unidade identit?ria; j? no s?culo XX, oscilou entre a constru??o da cidade ut?pica/heterot?pica efeito de unidade e fragmenta??o identit?ria, esse ?ltimo prevalecendo. E, no s?culo XXI, a m?dia reconstituiu novamente a cidade ut?pica e, conseq?entemente, efeitos de sentido de unidade. Estes efeitos de sentido identit?rios, ao longo destes tr?s s?culos ora corroboram ora contrariam a concep??o de identidades das teorias p?s, ? medida que, nas pr?ticas imag?tico-espaciais, ocorre a (ex) inclus?o dos agentes sociais que tamb?m constroem essas identidades.