Criar um novo corpo, produzi-lo e in-carná-lo – dotá-lo de consistência intensa e conceitual, de carne, ossos e fluídos. Lugares de uma jornada empreendida via uma nova cartografia, uma vez que a qualidade de um corpo que não se limita ao que se toma pela realidade. Procura por veículos que auxiliem a passagem da carne a um novo corpo, já que esta é uma tarefa que demanda um trabalho individual, onde se empreende uma jornada sob o pretexto do desejo, uma peregrinação para a Personagem Conceitual, O Peregrino, que o discursa . Difícil encaixar em discursos e palavras de ordem, a produção do Corpo In-carnato passa pelo conceito. E a fundamentação do pensar passa pela produção dos próprios conceitos e suas especificidades, num colóquio entre tantos correspondentes inventados, cujo texto se fabula num formato epistolar como maneira de deixar os rastros do caminho e sua pesquisa aparentes. Neste trajeto, acompanham autores da Diferença como Deleuze, Guattari, Nietzsche, assim como o alimento das artes, atuante na liberação de novos corpos e humores que nutre, uma vez que tais corpos estarão sempre e plenamente ligados à vida. Seus liames afetam, esgotam e sucedem novos agenciamentos possíveis. E se o corpo é o plano de imanência por excelência, a vida e suas diferenças serão os possíveis da filosofia. Uma vida que se quer vivida passa por caminhos, rotas e lugares, Mas também pelo vazio, cujo esgotamento lhe retornará em novos corpos e espaços compossíveis. / Create a new body, prodcuting and in-carnate it – giving it the intense and conceptual consistence, with flesh, bones and fluids. Places of a journey made trough a new cartography, once the quality of a body it’s not limitated from what is taken as reality. It searches for vehicles that may help the passage from the flesh to the new body, since it is a duty wich demands an individual work, where a journey is made over the forces of the desire, a peregrination to the Conceptual Personage, The Pilgrim, whose discurse it. Hard to incase in speeches and words of order, the production of the In-carnato body passes through the concept. And the embasement from this way of thinking passes trhough the concepts and it’s especifications themselves, in a dialogue between many invented correspondents, whose the text fabulate it self at an epistolar shape, as a way to allow the tracks from the path and the reserach maight be visible. In this passage, authors from the Diference’s Philosophy walk with him, as Deleuze, Guattari, Nietzsche, just like the art’s food, acting on the liberation of new bodies and humors that it nourishes, once these bodies will be always conected to life. Its lines afects, deplete and succeed new possible experiences. And, if the body is the Imanence Plane par exellence, the life and its diferences will be the possibles from the philosophy. A life wich is desired lived well passes trough ways, pahts and places. But also trough the emptiness, where the depleting will return in new compossible bodies and spaces.

Criar um novo corpo, produzi-lo e in-carná-lo – dotá-lo de consistência intensa e conceitual, de carne, ossos e fluídos. Lugares de uma jornada empreendida via uma nova cartografia, uma vez que a qualidade de um corpo que não se limita ao que se toma pela realidade. Procura por veículos que auxiliem a passagem da carne a um novo corpo, já que esta é uma tarefa que demanda um trabalho individual, onde se empreende uma jornada sob o pretexto do desejo, uma peregrinação para a Personagem Conceitual, O Peregrino, que o discursa . Difícil encaixar em discursos e palavras de ordem, a produção do Corpo In-carnato passa pelo conceito. E a fundamentação do pensar passa pela produção dos próprios conceitos e suas especificidades, num colóquio entre tantos correspondentes inventados, cujo texto se fabula num formato epistolar como maneira de deixar os rastros do caminho e sua pesquisa aparentes. Neste trajeto, acompanham autores da Diferença como Deleuze, Guattari, Nietzsche, assim como o alimento das artes, atuante na liberação de novos corpos e humores que nutre, uma vez que tais corpos estarão sempre e plenamente ligados à vida. Seus liames afetam, esgotam e sucedem novos agenciamentos possíveis. E se o corpo é o plano de imanência por excelência, a vida e suas diferenças serão os possíveis da filosofia. Uma vida que se quer vivida passa por caminhos, rotas e lugares, Mas também pelo vazio, cujo esgotamento lhe retornará em novos corpos e espaços compossíveis. / Create a new body, prodcuting and in-carnate it – giving it the intense and conceptual consistence, with flesh, bones and fluids. Places of a journey made trough a new cartography, once the quality of a body it’s not limitated from what is taken as reality. It searches for vehicles that may help the passage from the flesh to the new body, since it is a duty wich demands an individual work, where a journey is made over the forces of the desire, a peregrination to the Conceptual Personage, The Pilgrim, whose discurse it. Hard to incase in speeches and words of order, the production of the In-carnato body passes through the concept. And the embasement from this way of thinking passes trhough the concepts and it’s especifications themselves, in a dialogue between many invented correspondents, whose the text fabulate it self at an epistolar shape, as a way to allow the tracks from the path and the reserach maight be visible. In this passage, authors from the Diference’s Philosophy walk with him, as Deleuze, Guattari, Nietzsche, just like the art’s food, acting on the liberation of new bodies and humors that it nourishes, once these bodies will be always conected to life. Its lines afects, deplete and succeed new possible experiences. And, if the body is the Imanence Plane par exellence, the life and its diferences will be the possibles from the philosophy. A life wich is desired lived well passes trough ways, pahts and places. But also trough the emptiness, where the depleting will return in new compossible bodies and spaces.

Criar um novo corpo, produzi-lo e in-carná-lo – dotá-lo de consistência intensa e conceitual, de carne, ossos e fluídos. Lugares de uma jornada empreendida via uma nova cartografia, uma vez que a qualidade de um corpo que não se limita ao que se toma pela realidade. Procura por veículos que auxiliem a passagem da carne a um novo corpo, já que esta é uma tarefa que demanda um trabalho individual, onde se empreende uma jornada sob o pretexto do desejo, uma peregrinação para a Personagem Conceitual, O Peregrino, que o discursa . Difícil encaixar em discursos e palavras de ordem, a produção do Corpo In-carnato passa pelo conceito. E a fundamentação do pensar passa pela produção dos próprios conceitos e suas especificidades, num colóquio entre tantos correspondentes inventados, cujo texto se fabula num formato epistolar como maneira de deixar os rastros do caminho e sua pesquisa aparentes. Neste trajeto, acompanham autores da Diferença como Deleuze, Guattari, Nietzsche, assim como o alimento das artes, atuante na liberação de novos corpos e humores que nutre, uma vez que tais corpos estarão sempre e plenamente ligados à vida. Seus liames afetam, esgotam e sucedem novos agenciamentos possíveis. E se o corpo é o plano de imanência por excelência, a vida e suas diferenças serão os possíveis da filosofia. Uma vida que se quer vivida passa por caminhos, rotas e lugares, Mas também pelo vazio, cujo esgotamento lhe retornará em novos corpos e espaços compossíveis. / Create a new body, prodcuting and in-carnate it – giving it the intense and conceptual consistence, with flesh, bones and fluids. Places of a journey made trough a new cartography, once the quality of a body it’s not limitated from what is taken as reality. It searches for vehicles that may help the passage from the flesh to the new body, since it is a duty wich demands an individual work, where a journey is made over the forces of the desire, a peregrination to the Conceptual Personage, The Pilgrim, whose discurse it. Hard to incase in speeches and words of order, the production of the In-carnato body passes through the concept. And the embasement from this way of thinking passes trhough the concepts and it’s especifications themselves, in a dialogue between many invented correspondents, whose the text fabulate it self at an epistolar shape, as a way to allow the tracks from the path and the reserach maight be visible. In this passage, authors from the Diference’s Philosophy walk with him, as Deleuze, Guattari, Nietzsche, just like the art’s food, acting on the liberation of new bodies and humors that it nourishes, once these bodies will be always conected to life. Its lines afects, deplete and succeed new possible experiences. And, if the body is the Imanence Plane par exellence, the life and its diferences will be the possibles from the philosophy. A life wich is desired lived well passes trough ways, pahts and places. But also trough the emptiness, where the depleting will return in new compossible bodies and spaces.

In this thesis we will reflect on the ethical problems faced by seniors in their final phase of life. Old age and the time, when seniors must face the idea of near death, are associated with the whole complex of issues. The objective of this thesis is not only to describe some phenomena observed in this period of life, but it also objects to a comprehensive probe into the final period of the senior's lives. Therefore, at the beginning we will try to describe the various manifestations of aging and approaching the death so that we can monitor their development and changes, especially with regard to the psyche and social contacts. In the following section the ethical problems which the seniors have to face will be described, and we will think about the options of solutions to these ethical issues. Of course, we will also take into consideration the differences in the approaches of the seniors who are and are not believers. We will focus primarily on the ethical issues in terminal stages of the life and the ethical conflicts that are directly related to dying and the death. We won't disregard the question of euthanasia and controlled suicide, brief history of the problem will also be included. Of course, it will be discussed primarily in ethical and theological terms.

The present diploma thesis "Claude Simon. Introduction and interpretation" is philosophical interpretation of the novels of the French writer Claude Simon, the Nobel prize winner for literature in 1985, whose work has been in the Czech academic field neglected theme. My interpretation is based on the philosophy of G. Deleuze and according to him I understand Simon's work like a rhizome, that is like decentralized heterogenous links, multiplicities and lines which are not subjects to any structural model. In my interpretation I start with novel Le Vent (The Wind) from 1957, because it's a text in which are being manifest fundamental themes of Simon's poetic such as are event nature of the fiction world or the lost of transcendence and its transformation into immanence of life affairs. The analysis of the novel Le Vent makes possible to pass continuosly and frequently to Simon's other novels (Histoire, Les Gèorgiques, Le Palace, L'Herbe, La Route des Flandres). The aim of the diploma thesis is to reach coherent interpretation of the Simon's work.

The subject of this paper is an analysis of the fundamental principles of Spinoza's ontology, as presented primarily in the first book of Ethics. There is a parallel effort to outline a conceptual scheme, which could render this ontology in a well arranged manner. The heart of the text consists in a study of some of the important metaphysical categories, that define the space of Spinoza's substantial ontology. Namely the concepts of quantity and difference, existence and causality, immanence and finiteness. These categories represent somewhat generalised line of argumentation, in the course of which some of the traditional problems of the research in Spinoza's metaphysics will be covered. For example, the problem of shared attribute or the question of the substance-attribute relation. In the final part this will lead to an interpretation, based on the previous findings, of how nature follows from God and relates to him. 1

Jan Suk The Poetics of Immanence: Performance Theatre of Forced Entertainment Abstract The present dissertation thesis examines the multi-faceted nature of the devised as well as durational works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari. The aim of the thesis is to explore the transformation- potentiality of the territory between the actors and the spectators. The transformativity of this interspace, or the territory in-between, is decodable namely via Forced Entertainment's performances' structural patterns, sympathy fostering aesthetics, virtual audience integration and accentuated emphasis of the now. The application of Deleuze's philosophy, chiefly the phenomenon of immanence, results in the definition of the poetics of immanence, whose operation enables the transformativity of theatrical space to be terminologically embraced. After delineating crucial terms, such as performance and theatre, live art, or postdramatic theatre, the initial chapter contextualizes Forced Entertainment as the pivotal experimental theatre group; the chapter further conducts an analysis of relevant critical literature in performance and theatre theory discourse. Chapter two provides a deeper contextualising study of the most significant Deleuzoguattarian...

Selected aspects of Nicholas of Cusa's cosmology and anthropology This thesis targets selected topics of theology of creation and of man, that is, theological cosmology and anthropology in the work of a Renaissance philosopher, theologian, mathematician and scientist Nicholas of Cusa. I shall first introduce Cusanus' curriculum vitae, it's historical context and basic characteristics of theological anthropology in the work of Cusanus. After this, I shall present in greater detail selected topics of his mathematical theology, including historical context of this specific discourse on God, world and man using language of mathematics. This includes mathematical description of both created world and of theological reality, e.g. God's transcendence and immanence, the place of man in the universe, or the role of universe which has a mediating role between God and man in the works of Cusanus. Mathematical language used by Cusanus is part of a wide stream of Neoplatonist philosophical and theological tradition. Cusanus is inspired not only by pre-Christian philosophical traditions (Pythagorean school, Plotinus' concept of One), but also by Greek patristic writers like Gregory of Nyssa, Maximus the Confessor, Pseudo-Dionysius the Areopagite. In his concept of "great conjecture" Cusanus presents a model of...