This is a study about art exhibitions and the flow of spatial movement within them. The thesis of this work is how to create an active and guiding flow of movement within a smaller exhibition space. Using the methods Timing and Tracking and Spatial Analysis, three different art exhibitions in smaller spaces are studied to see how the flow of spatial movement is created. Former studies about spatial movement and how form and space affect visitors’ behavior by Wineman and Peonies (2010) and Ching and Binggeli (2012) have been taken into account for this study.  The results of studying three exhibitions; Paper Art, Nya Målningar and Kemiska Undersökningar, show that the use of walls and furniture positively affects an active and guiding movement even within the limitations of smaller exhibition spaces.  Three different examples have been created to show how an active and guiding spatial movement within smaller spaces may be achieved. These examples also visuality represent the spatial movement within a smaller exhibition space. The examples are created in the form of floor-plans and coloured sketches to demonstrate how exhibition designers and artists could effectively use smaller spaces for art exhibitions.