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A Sensor-Based Interactive Digital Installation System for Virtual Painting Using MAX/MSP/JitterArenas, Anna G. 16 January 2010 (has links)
Interactive art is rapidly becoming a part of cosmopolitan society through public
displays, video games, and art exhibits. It is a means of exploring the connections
between our physical bodies and the virtual world. However, a sense of disconnection
often exists between the users and technology because users are driving actions within
an environment from which they are physically separated. This research involves the
creation of a custom interactive, immersive, and real-time video-based mark-making
installation as public art. Using a variety of input devices including video cameras,
sensors, and special lighting, a painterly mark-making experience is contemporized,
enabling the participant to immerse himself in a world he helps create. This work
illustrates the potential of making the user-technology disconnection more seamless
between the physical and virtual worlds. Using unobtrusive interfaces, the user?s
physical interactions can be encouraged. The development of this installation progressed
through improvements based on user feedback from iterative public displays of the
work. This process is to serve as a guideline for other artists working in interactive
media who are also exploring perceived intimacy in user interactions.
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SKEIN pick up styx : an investigation of a selection of olfactory communication cyphers and their relationship to world events : a thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master in Art and Design (MA&D), 2008 /Turner, Raewyn Mary. January 2008 (has links)
Thesis (MA--Art and Design) -- AUT University, 2008. / Includes bibliographical references. Also held in print ( 1 v. (unpaged) : col. ill. ; 30 cm. + 1 DVD-ROM) in the Archive at the City Campus (T 709.2 TUR)
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Zeppelinbend : Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practiceStansbie, Lisa January 2010 (has links)
No description available.
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Five earthenware vessels with mixed media for reflection and contemplationMurphy, Eric January 1995 (has links)
As humans and society have evolved, living has become more abstract and individualized. This report on the creative project discusses the artistic process and how each of the five works personalized or called attention to the abstractness of a beholder's existence. Each of the mixed-media works centered around a hand-built ceramic granary form which referenced the human drive to store resources. During exhibition at Ball State University, beholders would construct an association to storage by resolving the disparities caused by the mix of images and materials in each artwork.The artistic process was defined into three categories of experiences: personal investigation, experimentation and skill-building. A major component of personal investigation was the development of the Visual Vocabulary, a collection of devices, images and ideas from the artist's life experiences. The experimentation category occurred when the elements of the visual vocabulary were conceptualized into a scenario for an artwork. The physical work involved in making each artwork was part of the skill-building category. How each work was constructed and the exhibition was also discussed. / Department of Art
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The smooth + the striated the home as a locale of cyberspace : This exegesis is submitted to Auckland University of Technology for the degree of Master of Arts (Art and Design), 2007.Lee, Fang-Ching Ching. January 2006 (has links)
Exegesis (MA--Art and Design) -- AUT University, 2007. / Includes bibliographical references. Also held in print (61 p. : ill. ; 21 x 30 cm. + Archive (75 leaves : ill. ; 21 x 30 cm.)), together in 1 container (23 x 31 cm.). Held in City Campus Collection (T 701.8 LEE)
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Travelling space : locating in-between : exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2007 /James, David. January 2007 (has links)
Exegesis (MA--Art and Design) -- AUT University, 2007. / 5 DVDs contain appendices. Includes bibliographical references. Also held in print (47 leaves : col. ill. ; 30 cm. + 5 DVDs) in City Campus Collection (T 709.93 JAM)
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The image stammers /Victor, Suzann. January 1999 (has links)
Thesis (MA (Hons.))--University of Western Sydney, Nepean, 1999. / "Submitted in part fulfillment for the degree of Master of Arts Honours in Visual Arts, University of Western Sydney Nepean, 1999." Includes bibliographical references (leaves 59-61, 62-63).
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The resurgent body : a reaction to politics or digital disembodiment?: an investigation of Mike Parr's work since 2001 /Kalionis, Jennifer. Parr, Mike, January 2005 (has links) (PDF)
Thesis (M.A.(St.Art.Hist.)) -- University of Adelaide, Master of Arts (Studies in Art History), School of History and Politics, Discipline of History, 2005. / Coursework. 2 December 2005. Bibliography: leaves 74-91.
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Congenital nausea this exegesis [thesis] was submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2003 /Campbell-Macdonald, Daniel. January 2003 (has links) (PDF)
Thesis (MA--Art and Design) -- Auckland University of Technology, 2003. / Not all images visible in e-thesis. Also held in print (45 leaves, ill., CD-ROM, 30 cm.) in Wellesley Theses Collection. (T 709.93 CAM)
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Documentary transforms into video installation via the processes of intertextuality and detournement /Berigny Wall, Caitilin de- January 2006 (has links)
Thesis (PhD) -- University of Canberra, 2007. / Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Canberra, May 2007. Includes filmography (leaves 124-126) and bibliography (leaves 130-136). Also available online.
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