In the dominant North American imagination, the asylum has always been a place of the other in society. Stories of Saskatchewan asylums and their reincarnations as mental hospitals are filled with early twentieth century horror narratives and redemptive tales of mid-century scientific progress: the monstrousness of the labyrinthine asylum structures and its arcane treatments, the modern marvels of the experimental therapies and the lives saved by the scientific authorities. Still some of the most infamous buildings to haunt provincial imagination, mental hospitals became more than buildings designed to treat disease in Saskatchewan: they were a cultural phenomenon. The hospitals themselves became social objects invested with meanings which shaped social relations.<p> This thesis investigates how the built structure of the asylum and in particular the North Battleford and Weyburn Mental Hospitals were perceived, experienced and theorized in early twentieth century and post-war Saskatchewan society. In analyzing architectural drawings, floor plans, television documentaries, photographs and patients' personal stories, this dissertation takes a critical look at how patients and staff were situated within the built structure at certain points and in particular during the Weyburn Mental Hospitals extensive earlier twentieth century history and its mid-century re-birth as a modern psychiatric research centre. Feminist and post-colonial debates about the history of medicine and eugenics, spatial and socio-practices of power within built structure and the representation of patients and health professionals in colonial and modern society are also examined as a means to situate the discussion of the mental hospital within the broader context of the discussion on spatial discourses.

In the dominant North American imagination, the asylum has always been a place of the other in society. Stories of Saskatchewan asylums and their reincarnations as mental hospitals are filled with early twentieth century horror narratives and redemptive tales of mid-century scientific progress: the monstrousness of the labyrinthine asylum structures and its arcane treatments, the modern marvels of the experimental therapies and the lives saved by the scientific authorities. Still some of the most infamous buildings to haunt provincial imagination, mental hospitals became more than buildings designed to treat disease in Saskatchewan: they were a cultural phenomenon. The hospitals themselves became social objects invested with meanings which shaped social relations.<p> This thesis investigates how the built structure of the asylum and in particular the North Battleford and Weyburn Mental Hospitals were perceived, experienced and theorized in early twentieth century and post-war Saskatchewan society. In analyzing architectural drawings, floor plans, television documentaries, photographs and patients' personal stories, this dissertation takes a critical look at how patients and staff were situated within the built structure at certain points and in particular during the Weyburn Mental Hospitals extensive earlier twentieth century history and its mid-century re-birth as a modern psychiatric research centre. Feminist and post-colonial debates about the history of medicine and eugenics, spatial and socio-practices of power within built structure and the representation of patients and health professionals in colonial and modern society are also examined as a means to situate the discussion of the mental hospital within the broader context of the discussion on spatial discourses.

of the Master thesis The thesis deals with relation of the constitutional framework (institutional architecture) and democratic consolidation. Institutional framework has undoubtedly an impact on the stability of a political system. A scholar debate of suitability of presidential form of government has been started by Linz and Valenzuela in the late 1980s. The political development of East European countries allows us to study relation of constitutional framework, certain forms of government and political stability (the core of the theoretical part of the thesis). Focusing on Central and East European political systems, the thesis tries to explore, how much the strengthened position of the president, disposing constitutional powers is conducive the systemic stability, instability respectively. The Moldovan case offers the possibility in the great extent; the system has undergone both the semi-presidentialism and parliamentarism, electing its president by using the popular as well as indirect vote. The position of the Moldovan president influences the stability of the political system to the certain extent. At the end, an alternative notion of the semi-presidentialism based on the principal-agent theory is developed.

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As manifestações da arquitetura neocolonial em várias cidades do interior paulista, no período de 1920 a 1950, é o tema central desta tese. Realiza pesquisas e reflexões acerca da ascendência do movimento neocolonial, tomando Ricardo Severo como intelectual que recebeu grande influência do ambiente cultural português. Explora a ocorrência dessa arquitetura na esfera institucional e particular, em obras oficiais, institucionais, religiosas, assistenciais, educativas, recreativas, residenciais e comerciais. Verifica que a difusão se deu, em grande medida, pela atuação de profissionais que estavam em contato com os debates que se desenrolavam na capital paulista e pela implantação de obras emblemáticas em cidades do interior do estado. Verifica também que parte significativa da produção de baixo padrão - ou simplificada - da arquitetura que pretendia expressar a tendência neocolonial foi de responsabilidade de profissionais diplomados. Utiliza o método de levantamento de processos de aprovação de obras, arquivados em prefeituras municipais, levantamento de dados em museus e outras instituições e levantamentos fotográficos para registrar e analisar a produção de interesse. Representa uma contribuição para o conhecimento da arquitetura neocolonial fora da capital paulista. / This thesis investigates expressions of the neo-colonial architecture, in several cities within the State of São Paulo during the period of 1920 to 1950. The research takes into account the intellectual influence of Ricardo Severo in the rise of neo-colonial movement, nevertheless inspired by the portuguese cultural atmosphere. The diffusion of this architectural style is explored through private exemplars, such as homes, offices and shops along with institutional materializations; public and religious buildings, schools, social welfare bureaus and recreational facilities. The research reveals a link between the hinterland spread of this architecture, empowered by a symbolic drive, and the effort of professionals that were in contact with the intellectual debates taking place at the State capital. By analysing the construction licenses approved by Municipal Halls, we have verified that a significant part of the simplified and low standard production was made under certified professionals\' responsibility. In addition, we have expanded the investigation by data collected in museums and other institutions plus photographic surveys to record and analyse this architectonic production. This thesis represents a contribution to the comprehension of the neocolonial architecture outside the city of São Paulo.

As manifestações da arquitetura neocolonial em várias cidades do interior paulista, no período de 1920 a 1950, é o tema central desta tese. Realiza pesquisas e reflexões acerca da ascendência do movimento neocolonial, tomando Ricardo Severo como intelectual que recebeu grande influência do ambiente cultural português. Explora a ocorrência dessa arquitetura na esfera institucional e particular, em obras oficiais, institucionais, religiosas, assistenciais, educativas, recreativas, residenciais e comerciais. Verifica que a difusão se deu, em grande medida, pela atuação de profissionais que estavam em contato com os debates que se desenrolavam na capital paulista e pela implantação de obras emblemáticas em cidades do interior do estado. Verifica também que parte significativa da produção de baixo padrão - ou simplificada - da arquitetura que pretendia expressar a tendência neocolonial foi de responsabilidade de profissionais diplomados. Utiliza o método de levantamento de processos de aprovação de obras, arquivados em prefeituras municipais, levantamento de dados em museus e outras instituições e levantamentos fotográficos para registrar e analisar a produção de interesse. Representa uma contribuição para o conhecimento da arquitetura neocolonial fora da capital paulista. / This thesis investigates expressions of the neo-colonial architecture, in several cities within the State of São Paulo during the period of 1920 to 1950. The research takes into account the intellectual influence of Ricardo Severo in the rise of neo-colonial movement, nevertheless inspired by the portuguese cultural atmosphere. The diffusion of this architectural style is explored through private exemplars, such as homes, offices and shops along with institutional materializations; public and religious buildings, schools, social welfare bureaus and recreational facilities. The research reveals a link between the hinterland spread of this architecture, empowered by a symbolic drive, and the effort of professionals that were in contact with the intellectual debates taking place at the State capital. By analysing the construction licenses approved by Municipal Halls, we have verified that a significant part of the simplified and low standard production was made under certified professionals\' responsibility. In addition, we have expanded the investigation by data collected in museums and other institutions plus photographic surveys to record and analyse this architectonic production. This thesis represents a contribution to the comprehension of the neocolonial architecture outside the city of São Paulo.